
Outside In returns with some new-school, acid inspired sounds made for the club by Strange Haze.

Outside In returns with some new-school, acid inspired sounds made for the club by Strange Haze.

The annual unusual sounds gathering in Barcelona is here again. The 2023 edition of the OMBRA Festival is a special one, celebrating the 5th anniversary. The festival is returning it’s former industrial aesthetics, after one year of transition from the former space Utopia 126, the industrial area in El Poublenou.
This year the festival will happen in a new and captivating venue that perfectly embodies OMBRA’s essence of industrial aesthetics, the former Mercedes-Benz factory, ENMASA.



Dance Mécanique EP: Unleashing the Pulse of the Mechanized Symphony. Embark on a sonic journey through the labyrinthine landscapes of machinery with Alpha Sect’s upcoming EP, “Dance Mécanique.” This vinyl release, destined to echo through the underground, serves as a pulsating manifesto against the encroaching takeover of our world by cold, relentless machines. In Meredith, Alpha Sect crafts a sonic portrait of a world on the verge of mechanization. His haunting voice, draped in delay and reverb effects, weaves seamlessly with the beats of EBM and the cold melodies of Post-Punk. This sonic tapestry creates a hypnotic soundscape that mirrors the evolving relationship between man and machine. Dance Mécanique, the titular track, unravels the dance of humanity entrapped in the mechanized rhythm of everyday life. Here, the gritty beats of EBM and ethereal echoes of Coldwave serve as a mirror reflecting how, at times, we move mechanically, lost in the repetitive motions of a world dominated by cold efficiency.



Dreamy and old-school ravey moments that resonate perfectly with each other on this versatile EP by Böhm. Böhm is no stranger to the electronic music scene as he has made quite a splash with his latest releases on Dolly, Partout, M>O>S and Undersound Recordings and this outing on Eudemonia acts as an ideal successor.


Six years following his previous LP, Franck Kartell returns to the music scene with an exceptionally personal album released under the label Noise To Meet You. On this occasion, the French artist pays homage to one of his lifelong obsessions — underwater detection and the acoustics of war. Eight exclusive tracks that immerse listeners in the raw undulations of rough waves, the echoes of sonar sounds, and weighty atmospheres combined melodic elements that define Franck Kartell’s unique sound.

For more than thirty years, Ruud Lekx has been corrupting hearts and minds with his unmistakable brand of synthesizer music. Under his Rude 66 mask, this titan of electronics returns to Bordello A Parigi with twelve darkened tracks for ‘Conditioning Consciousness’. Tempos glide low in the opening incantations. From the breathy murmurings of “Magick Angels’ Invocations”, the listener is brought into Rude’s world. Shauna Lekx’s signature vocoder lyrics and blackened subject matter are central tenets, as are hauntingly delicate melodies. “The Riddler In Me” is a deep psychological journey through cable and circuit, an unsettling monologue accompanied by liquid analogue lines. BPMs are allowed to rise for the shimmering warmth of “In Exile” and in the reverb soaked “The Chariot”. But these are the outliers. Across the collection, percussion drives without ever being a central force. Instead, the focus is the bewitching and brooding compositions. Take the drugged low slung groove of “The Talisman of Algol” or the loose modulations of “Le Sagittaire”, here the listener is brought into the heart of the machines and the musician. The curtain close, “The Five Swords Of Venus In Aquarius” gathers a spread of influences, bringing them together into one piece. Synth. Soundtrack. Strings. All culminate in this superb climax, a climax to an album that broaches the boundaries between terrifying and terrific.

Dalmata Daniel welcomes Filmmaker and Petros Spatharos for the eighth part of their split series. This obscure 3-3 track vinyl is the debut of the Columbian music maker on the label. However, for the Athens-based producer it’s a return after his participation on “Dalmata Daniel eats Lahmacun” compilation. But this project isn’t their first collaboration, because Petros released his first album on Body Musick, Filmmaker’s own imprint.

Happy707 have their vinyl debut, and it is well worth the wait. For years the Buenos Aires pair have been electrifying dancefloors far and wide, now their brand of electronics is set to infect even more speaker cones. With a unique style that meshes ebm, industrial, techno and wave, ‘Escupir Un Burgues’ is an addictive furore for the senses. From the energy packed “Cyber Chase”, the listener is pulled through the fog and the strobe of “El Extranjero” and into the headfirst thump of “Las Bolas.” Distant vocals and stuttering percussion are pivotal in the stripped bare title piece. Stammering synthlines and shattering snares rail and rage in the bold body music of “Magic Wave.” The curtain fall comes care of “Ultraman Theme.” Beats are emboldened, tempos race in this tongue in cheek slalom of laser beam melodies and videogames memories.

Gifted & Blessed returns with ‘Heard and Unheard’, an album that distills years of making music in a variety of styles and under different names into a singular statement. In addition to producing electronic music as Gifted & Blessed since the early 2000s, Gabriel Reyes-Whittaker has dabbled with many other aliases over the years: as Frankie Reyes, he explores his Puerto Rican heritage by playing Latin standards and originals on vintage keyboard instruments; as The Abstract Eye and The Reflektor, he creates dancefloor anthems with electronic hardware; and as GB and Julian Abelar, he’s released sample-based productions and techno adjacent dance music.

Frankfurt am Main producer Electrodefender is back with his signature West Coast influenced electro. 15 tracks on his new release “Music Is Worth It”, serving up electro-funk and ambient journeys.

Metroplex continues its run of reissues with two more seminal releases from the label’s golden back catalog. First off is Catalog number M003, aka late 80’s Metroplex electro staple Channel One, a Juan Atkins joint with Doug Craig (Carl Craig’s cousin) on vocals. Futuristic and playful techno from the late 80s which soundwise evolves from Cybotron and the obvious Kraftwerk influences. Juan Atkins said about the release in a 2005 interview that “it was more fun than politically driven, just about the colors and combination spread from colors”. An important release in the history of Techno from both a cultural and creative perspective. Channel One’s technicolor has been carefully remastered from the original tapes.

Featherstone’s fifth release for Ernest’s Way is a 5 track, electro inspired EP featuring deep, syncopated sequences and angular rhythms contrasted with emotive passages that hit in all the right places.


‘Dimension Intrusion’ was the first full-length studio album by Richie Hawtin, who was 22 years old at the time and living in Windsor, Canada. It was first released in June 1993 under the F.U.S.E. name on Hawtin’s own Plus 8 Records imprint and again as the second release of Warp Records seminal ‘Artificial Intelligence’ series. The album compiled previously released F.U.S.E. EPs from Plus 8 complemented with new music specially recorded for this release. It would be a fundamental album for the young producer, who was experimenting with different themes and techniques to find his very own sound. Largely inspired by sci-fi movies he used a collection of synthesizers and drum machines, playing with their electronic yet warm sound effects and in turn discovering some of his favorite instruments.