
Lost Race Records presents Shades 10” the new album from Barbiturates, featuring 8 synth-pop & new wave tracks.

Lost Race Records presents Shades 10” the new album from Barbiturates, featuring 8 synth-pop & new wave tracks.

Finnish experimentalist Mika Vainio always continues to surprise and amaze with each new release, managing to always re-invent hi sound and go beyond his peers. Kilo comes courtesy of Blast First Petite and goes through ten tracks of Vainio’s finest drone manipulations via way of complex beat-driven machinics. Everything from the opener “Cargo” to tracks like “Cranes” or “Sub-Atlantic” and even “Wreck” display a a more aggressive side of Vainio that harks back to his classic work with Pan Sonic, albeit with a more explicit industrial techno fury

Bam, here’s some sounds from Danny original dirty rotten meek meek boys. In case you were late to the party and missed this one the first time around, here’s a second chance to nab this timeless piece of Ghetto House that’s being caned by some of your favorite DJ’s left and right of centre to this very day. A decade old and this shit’s still off the chain. Eight deep and rough jacktrax by Danny Wolfers aka Legowelt! Very minimal & obscure. Nice for Chicago house lovers.

Next to the regular catalogue number, here comes a strictly limited 3LP handmade package including represses of all parts from Daniel’s “In Days Of Old” voyage. Kann locks the awesome project with a complete collection of all tracks from “#one – #nine” that teases out Daniel Stefanik’s many-faced shining talents in techno and house music.

Heinrich Mueller + DJ Stingray…CD version + bonus 3 tracks from the EP WeMe313.6

Dark Entries re-issues the debut cassette by British duo Nagamatzu for the first time ever on vinyl. Expanded with five bonus tracks, “Shatter Days” is a collection of nine songs recorded between 1983 and 1988. Featuring Andrew Lagowski (SETI, Legion, Terror Against Terror) on synths, guitar, and programming and Stephen Jarvis (Pure Motorised Instinct, Terraform) on synths and bass with Andrew Fleck (synths, occasional vocals). Nagamatzu self-released their debut cassette “Shatter Days” in 1983 after messing around with old tape machines, drum boxes and effects. All the songs were recorded onto a TEAC reel to reel in the dining room at Andrew’s parents’ house. Some of the backing rhythms and sequencers were recorded first and then the band played along live during overdubs. These instrumentals combine stuttering bass, guitar bursts and funeral keyboards draped over a dragging drum machine beat, calling to mind Clock DVA, early New Order or Cocteau Twins. Their sound is full of complex rhythm patterns and dark electronics.

Future Times is very happy to present Son, the debut full-length release from Beautiful Swimmers.Nine brand-new tracks and two out-of-print classics from the duo of Ari Goldman and Andrew Field-Pickering (aka Maxmillion Dunbar) that ride together across 2 LPs. Son is a true trip, an hour in the zone that sounds like everything in the duo’s record bags happening at once.

The Prince Of Denmark is back. Giegling presents Prince of Demarks debut album on their new techno imprint “FORUM”. Most of the material recorded in 2010 shows the path of the warrior, his needs and desires that left traces along his way.

Minimal Wave presents the 47th release, a release of early 1980s ritualistic minimal electronics by French duo DZ Lectric + Anthon Shield. The songs are selections from their 1985 cassette release, Confessions D’Un Masque. Having been active in their respective projects, the duo came together naturally in 1981 and over the years began recording music together. They shared a similar philosophical outlook and love of music, from classic rock like The Velvet Underground and The Stooges, to the edgier, industrial and no wave stuff that was coming out at the time, bands like Throbbing Gristle, Suicide, and Tuxedo Moon. They performed a number of times at special venues and festivals in Europe, creating intense and engaging live performances with minimum equipment and an abundance of spirit. They also released many tapes throughout the 1980s. Their music is challenging and hypnotic. Brutal and aggressive at times, overall the message speaks more about human ritual than anything truly sinister.

Murphy Jax delivers a fresh full length EP entitled “Teleport : Echo City”, via the Frankfurt based Chiwax imprint. The album embraces a variety of styles, ranging from Chicago House, Classic Deep House, Movie Theme style cuts and raw Acid workouts. The mood of the records goes from child like melodies to dark, hypnotic and brooding synth heavy tracks.
Jax tells us the story of the album “Imagine a pre-apocalyptic generation of robots on a planet of machines. This is the last generation before the big war against the darkness, slowly coming from space. Some groups are fighting each other in chaos, others party before everything seems to end and lots of them don’t know – yet, but they all dream of Echo City. The one and only safe point, founded by Dr. Nigel Echo in the deep, cold and blue core of the planet. Dreams, desires, rebellion and chaos. They´re all going to fight the coming darkness, united by the prince of nanomagica. Taking place at several different locations, we are looking into the last hours before it all begins and ends at the same time.”

Marcel Dettmann releases his second full length album on Ostgut Ton. Following the 2010 self-titled debut, Dettmann II combines techno with ambient, experimental and even house influences on an expertly paced album with a carefully rising narrative and wide scope. Also features a collaboration with Emika amongst contributions from other kindred artists and hints at new directions in the Dettmann sound.

Petar Dundov runs his own ‘Neumatik’ studio in Zagreb where he works as a sound engineer as well as producing his own take on techno, ambient and electronica. Petar’s third LP, Sailing Off The Grid, expands on the lush, intricate synth explorations of his previous two releases, but sees him delve further still into those realms, invoking the spirit of classic ambient and synth-based music of decades gone by. While the album spans just eight tracks, each track clocks in over seven minutes, and some almost double that length. Each is slow-burning, expansive, gradually unfolding to reveal more of itself and to develop its motifs and sentiments without the often hurried constraints of the dancefloor (or even more so, the radio).

The prospect of Donato Dozzy reworking Bee Mask for the Spectrum Spool label is a mouth watering one and this double LP collection, entitled straightforwardly enough Donato Dozzy Plays Bee Mask more than lives up to it’s billing. Originally commissioned to turn in a remix of Bee Mask’s “Vaporware” track from last year’s LP for Room 40, Dozzy apparently felt the track’s inherent beauty merited more than just the one and sent over seven! This decision has resulted in a superb collection of reimaginations from the Voices Of The Lake producer, ranging from calming moments of serenity to bleepish, deep techno explorations.

The crown jewel of Koliphone Records, Grazia’s debut album is by far one of the most intriguing pieces of music to ever be recorded in Israel. Jaffa in the late sixties and early seventies had an exciting and exotic sound to offer, where folk musicians performed live at its taverns seven nights a week. It was far from the mainstream hit-parade of swinging Tel-Aviv but close enough geographically to attract listeners from across the Tel-Aviv-Jaffa metropolis.

A new installment in the “Sleeper Wakes” series from Jeff Mills. Double LP with a color jacket/ inner sleeve containing the story “The Jungle Planet” by Jeff Mills.
“When I first seen the magic of Julien’s work, it was like watching keyboard sounds invert and morph into obscure frequencies of a song about another space in time. He is a master storyteller of the “Other World”. Its such a pleasure to be able to collaborate on this project, The Jungle Planet”. With his perspective, the concept comes to life in a way I could never do with sound alone”. – Jeff Mills.

UK electro pioneer & Breakin Records label boss Ed DMX contributes to the binary catalogue with 7 tracks of dystopian electro funk

Strut, in conjunction with Ambassadors Reception and Future Nuggets, presents the first ever retrospective of fabled band Rodion G.A., one of Romania’s best kept musical secrets of the last 30 years. As a band, Rodion G.A. were a unique phenomenon in their homeland at the time, operating in their own universe during a prolific period of recording from 1978 to 1984 at a time of significant political repression under the Ceausescu regime. Bandleader, Rodion Ladislau Rosca, was an enigma. As half-Hungarian, half-Romanian, he lived near the border in Cluj, a city with a healthy music culture which had spawned important prog rock bands incuding Cromatic, Experimental Quintet and Semnal M. Despite the political conditions, a music scene existed in Romania, mainly within a network of festivals around the country and in seaside towns at restaurants and clubs.
From the start, Rodion was concerned with his own style of composition and set himself apart from the predominant rock sounds that dominated Romanian music during the late 60s. Technically and in his compositions, he was obsessed with every detail. His first sessions were recorded during 1969-1972 – simple, sparse and haunting pieces using reel to reel recorders, based around vocals, guitars and improvised drums. In 1975-6, Rosca formed Rodion G.A., the G.A. comprising band members Gicu Frca. and Adrian Cpraru. Rosca had amassed equipment and became a DIY tech wizard, improvising his own techniques of composing using reel to reels. Surrounded by three or four Tesla tape machines, he would record beats and guitar on one channel of the tape, then stop and add other instruments on the other a raw means of multi-tracking. He would use the other machines to add effects and delays on both instruments and vocals. Other tools in his armoury included an East German Vermona drum machine, a toy Casio VL Tone and a small Russian organ to which he added phaser, flanger and delay pedals. From the start, the band’s sound was incomparable to other contemporaries – dense electronic sounds, raw programmed rhythms, intricate arrangements, prog and classical touches.
Fast forward to 2012 when the myth of Rodion G.A. came to the attention of excellent Romanian production and DJ crew, Future Nuggets, a collective as dedicated to unearthing Romania’s musical past as they are forging new sounds steeped in the country’s traditions.

The long lost sophomore album by Eleven Pond is finally out on Dark Entries. The band formed during the mid-80s in Rochester, NY, while attending art school, and were brought together by their shared love of 4AD and Factory Records. They released their debut LP “Bas Relief” in 1986, reisued in 2009. Before breaking up in October 1987, the band recorded eight songs that would sit in abandoned storage containers for over 25 years. “Assemblege” collects these multi-track recordings, which were originally made between March 1987 and July 1987. The lineup for this period was James Tabbi (vocals, acoustic guitar), Jeff Gallea (bass, drum programs, vocals, synthesizer), Jack Schaefer (electric guitar), Dan Brumley (sequences, samples, vocoder) and new member Tim Masick (electronic drums). “Assemblage” is a logical progression from “Bas Relief” and will satisfy listeners who were left wanting more. The songs are driven by strong melodic basslines, atmospheric synth washes, and textural guitars. James’ signature new wave vocals sound more British than American, recalling the best of New Order or Depeche Mode. Tim Masick’s drum programs add an electro element to Eleven Pond’s DIY sound. Their primary influences were Joy Division, Fad Gadget, and Echo and the Bunnymen, as well another obscure American college rock band, For Against.

For those that don’t know, Bluetrain was a sub label of the legendary Mosaic and was a true classic label from the 90’s where Steve released quality dub techno and house along with some fantastic collaborations with the likes of Ben Sims and Lee Grainge. The pack includes 10 Tracks in total. 2 Remastered versions, 4 exclusive mixes/edits and 4 new and unreleased tracks from Steve.

Having featured on the Non Plus Ultra 1980-1989 Vol.2 released by Domestica earlier this year, the distinct self styled ‘Necro-Pop’ of Funeraria Vergara is covered in greater detail by the Barcelona label with this lovingly presented retrospective of their demos and unreleased works. Covering a two year period from the early eighties, the eight track Despues De Un Dia Antes LP presents the young Burriana based Funeraria Vergara collective as a devilishly fun group dealing high octane synth pop with occultist overtones. Their one true hit “El Difunto” managed to find its way onto a 1984 cassette compilation of Spanish Wave and Punk called N-340 and features here along with a bunch of unreleased demos and a card insert detailing Funeraria Vergara’s curious rise to coin the Necro Pop crown.