The material collated on this third release from Heavenly Music Corporation was composed specifically for St. Giga in Japan, a satellite broadcast radio station transmitting ethereal audio harmony 24 hours a day. What made this station otherworldly was its programming; motivated by tidal movements, the aquatic ebbs and flows of each day synchronised to the activity and intensity of the music broadcast.
Italian producer Lamusa II is a master of atmospheric, synthesized concoctions that often sound like they’re being transmitted straight from a time machine out of the 1980s. The RBMA alumni’s latest release, ‘Club Mondo 2000’ on the Gravity Graffiti label runs the gamut from sleazy, break-infused house jams to hazy boogie and weightless flute meditations. “Agua Planet”, closes out the 5-track EP with a New Age feel.
Emotional Response starts 2017 with a mini-album of ambient-equatorial enlightenment by Australia’s mysterious Tropical Hi-Fi. The final record from an artist appearing on the label’s first SchleiBen series, this also points to the future. Based somewhere in the far flung Northern Territories, the music of Hi-Fi’s pre-incarnation Electric Egypt was first discovered via the note-worthy airwaves of L.A’s outstanding Dublab radio station. As the wonderfully diverse internet shows and project’s dense, hip-hop inspired collages came to fruition with 2012’s Exotica release, a dual awareness and sporadic contact was maintained whenever a signal could be established with Hi-Fi base camp. As the SchleiBen series was formed, the studio-DJ-cut-up-mix of Oceanic Mythology was warmly received as an inspired counterpoint to the dense offering from Don’t DJ. These first real solo recordings from the Hi-Fi crew – whoever he/she/they maybe – moves on from the cut’n’paste of Electric Egypt to seek a meditative vision. Ambient, drone and field recordings are all part of a drifting tropical flavour that encompasses the listener. Music truly inspired by it’s surroundings, this is not some music journal, flying in to sample a life and it’s sounds, but the real, living entity and it can be heard deep across the 8 short pieces. None is more typified than Tahiti Blue, where fellow traveler Mike Cooper layers his ubiquitous steel blues over simple, lilting drums. Mixed by Leaving Record’s Matthewdavid (with whom more to come on the label in 2017), photography by Native Finger and the ever-present encouragement of friend and neighbour, Ariel Kalma, this is conceptual album to lay back, drift off on undulating swells and simply, let go to.
Welcome to a science fiction nightmare helmed by the legend that is DJ Overdose. Alien prey, DNA in test tubes. Who is being regrown? Will the town survive? Who has been replaced? In these present times of truth vs fiction it’s easy to become paranoid. We have the soundtrack HAEX-HRLL’s Further From The Truth: An abductee saga by replicons from beyond the moon. Chiming in between hot electro, Vangelis dream scapes, XTRO drone. This is one of OD’s most fascinating records to date. Art by a mysterious figure.
Late night phone-calls, lonely connections & aviating trance. straight from our isle to your alley.
Seven years after his last release as Smackos, music making machine Legowelt surprises us all with ‘A Vampire Goes West,’ a brand new and ever-experimental ambient album. It comes on his own Nightwind label and was made in total isolation on the North Sea coast last Christmas. As for the music, it is smudgy and cosmic; an “all out amateur spacejazz spiritual ambient eruption on smudgey cassettetape” that will take you far away from reality across 14 absorbing and atmospheric cuts. It includes some extra fun treats too: a fridge magnet and microzine with a map in ASCII art that has a quest attached to it which, if decoded, reveals a password that unlocks some secret and special prizes.
Epic Synthi 100 action by Ukraine’s most notable film composer. Music for the soviet drama film Flights In Dreams And Reality. Both tracks recorded and performed on EMS Synthi 100 synthesizer in Moscow on 15-16th of April, 1982. Source files from original tapes were kindly provided by the author himself.
Composed and recorded in 2014.
Due to technical limitations, numeric keys are displayed as a workaround. Numbers indicate a song’s offset from a given epoch. Alternate character codes are included for human readability.
Craigie Knowes returns with ‘The Second Annual Fundraiser: War Child’ this December. Similar to its predecessor ‘The Second Annual Fundraiser: War Child’ will donate all profits to War Child International and has recruited another all-star cast to treat us to a sublime collection of cuts. Featuring the likes of Legowelt, Shanti Celeste, Neville Watson and Andy Hart this compilation is set to be another sell-out success. Rather than drown you in copy we’ll let the tracks do the rest of the talking.
Eva Geist is an italian electronic musician and composer based in Berlin. Her early musical experiences in electronic music were largely self-directed, beginning with use of synthesizers and sequencers to different audiovisual computer and mobile technologies. Geist’s music builds up a cinematic musical journey around rarefied melodies, arpeggiators, soft beats and space disco. Under the Eva moniker hides the underground polyedric artist Andrea Noce, who previously released a mini-LP last year with David Kristian on Macadam mambo. This EP includes a wonderfull remix of «Tanz Im Morgenmantel » by Salon des Amateurs head’s Tolouse Low Trax, transposing it in a very subaquatic version.
Sensory Memory’ marks the second installment on Echovolt’s brand new series of mini-albums that has opened them up to more experimental fare. Kane Ikin is an experimental musician from Melbourne. Drawing from an isolated upbringing on the south coast of Western Australia, he creates music influenced by science fiction, broken synthesizers and endless horizons. Equal parts narcotic and kinetic, “Sensory Memory’ is built as an exploration in the genres and sounds formative to Kane’s sound.
mgch comes through with a dexterous debut 12” for listen2me. This 4-track EP explores lush pulses and shadowy rhythms, balancing both introspection and evocation. Label mate and long time collaborator Serb flips the title track on its head, delivering an ever evolving and explosive remix.
Subtle music, radically strange and unafraid of the deep, but with a killer understanding of rhythm. Lush drum-machine nocturnes, gnarly electronica and glorious flowerings of zoned-out dubspace: an evolutionary music, continuously engaged with experimentation both in the studio and the club.
BAKK kicks off a new series of records with Plafond 1 made for drowning in the deep end of the pool. Legowelt, SFV Acid and Haron provide you with an eery collection of ambient harmonies and melodic rhythms best served when lying on the floor, gazing in to the abyss.
The third release of Male Records features “The Order” a studio and live group that shares with “The True Underground Sound Of Rome” the same city and sound. A powerful mix of electronic detroit sounds together with melodic and balearic ambient atmospheres. Still comes as collector’s Album edition of 475 copies only containing the original songs from the rare “The Order EP” from 92 plus two unreleased strong songs: “Quasar” and “Way Back” recorded in the same year and performed only live during the big house event “Night Of Male 92” back in the days. This LP features also Stefano Di Carlo for additional percussions on Long Waves and Leo Young on the mix.
The return of the returner. 6 track Mini LP. Esoteric electronix produced By William Burnett, New York
The Hipodrome Of Music 