
L/F/D/M returns with yet another stellar album of underground house and techno.

L/F/D/M returns with yet another stellar album of underground house and techno.

Glasgowian label Clan Destine Records presents the debut album of The Dysphoria, great post punk from Tashkent, Uzbekistan.

Autumns is the solo project of Christian Donaghey, from Derry, Northern Ireland. 2017 sees the eagerly anticipated release of his debut full length record “Suffocating Brothers”. On “Suffocating Brothers” Autumns presents a resolute nine track culmination of the fierce audacity that has come to define and distinguish the project since an assured first emergence in 2013. Written and produced over the course of six months, between July and December 2016, it’s an album that comes as a momentous and devastating fulfilment of what the Autumns project has outlined with increasingly ruthless intent over the last few years.

Newcastle, Australia’s Collector brings us a varied album for his Clan Destine debut. After a rad LP for Melbourne’s Drawing Heat and a tape for Night People. Icy synth lines and noisy textures, pounding beats and lots ov bass. Industrial techno at its finest.

“A Product of 30 Years of Violence” is the new release by Christian Donaghey, AKA Autumns. In the build-up to Autumns debut album, an EP of six songs delivering a diverse range of sonic explorations, concepts and limitations is to be released on Clan Destine Records to document the music made during the months of Summer and Autumn of 2016.

L/F/D/M aka Richard Smith returns on Clan Destine for another release, an epic journey thru Techno, Electro, Noise, Acid and even Disco. 60 minutes ov madness, hold tight.

A collaboration between Dutch producer and New York Haunted label boss Drvg Cvlture and Melbourne based box banger DyLAB. A doomed lysergic techno attack ov thee highest calibre.

With his first discore discharge on Clan Destine Records, Huren mutates his low rent $cumtronic$ from the Rollberg compound in Berlin and coin$ a new chapter in his descent into Kängtechno. Change Room Violation$ -sound the ☆ƎLƎKTR0NI DƎATH KNƎLL☆

Atlanta’s That Which Is Not Said or TWINS returns for his fourth release on Clan Destine. Channeling the spirit of Joy Division, Bauhaus, A Certain Ratio and other post punk legends kicking and screaming with DJ Pierre and Phuture into the NOW.

After crafting the deconstructed synth-pop of Soft Metals for the past 6 years, Portland OR – based synth artist Ian Hicks has resumed his solo output and has delved deeper into exploring the darker, weirder, more mutant alleys of his mind and studio. Inspired by the capricious winter of the Pacific Northwest, early industrial gear experiments, science fiction, horror and the explosion of the modular synthesizer scene in Portland, Ian presents VIY as his initial post-Soft Metals work. VIY is a snap shot of an ever-changing configuration of equipment, textures and moods captured with minimal processing and editing to preserve the original idea in the purest form.

Glasgow’s Clan Destine Records present the fourth volume of the essential Dark Acid series. As you’d expect, the included material is as trippy, intense and left-of-centre as you’d expect. Canadian producer Khotin kicks things off with “Tsoi”, a deep, psychedelic acid shuffler that builds incessantly towards a breathless climax. Varg’s “Ultra Acid” takes things up further via ghetto-tech inspired beats and icy melodies, before Kid Who drops a twisted chunk of midtempo acid chug (the delightfully claustrophonic “Gap Related Injury”). Finally, Becoming Real’s Toby Ridler and Golden Teacher/General Ludd man Richard McMaster join forces for “Terminator”, as intense an acid track as you’re likely to find.

Northern Electronics artist Varg returns to Glasgow label Clan Destine Records for a second release this year. Dedicated to the various stops on Line 19 of the Stockholm metro, Linje 19 finds Varg working with a new partner in Hypnobirds. As you’d expect, the prevailing mood over the four tracks here is deep and atmospheric, see the discordant, delay-laden dub techno of opening track “Bandhagen”. From here Varg and Hypnobirds burrow deeper into the subterranean crawl space between ambient and techno with closing track “Hagsatra” a particular highlight. Here they take the listener on an icy but strangely warming voyage into otherworldly sonics.

Ubre Blanca return with their second release for Clan Destine. Continuing with their obsessions of 70’s and 80’s horror and B movie soundtracks, fat synth sounds and live drums, Joel Stone and Andy Brown bring us a more evolved sound with the Terminal Island EP. A heady mix of full on synth and live drums, mixed with some more atmospheric pieces this time around. Terminal Island takes us straight to some tropical island where some horrifying shit is going down. Bringing to mind old cinematic masterpieces like Cannibal Holocaust mixed with Miami Vice.

Following London producer Richard Smith’s (L/F/D/M, Bronze Teeth) debut 12 for Optimo. A 4 track EP of killer acid grooves.

Tom ‘Dam Mantle’ Marshallsay and Rich ‘Golden Teacher’ McMaster’s debut under the General Ludd alias, The Fit of Passion EP on Mister Saturday Night, was a delightfully sweaty concoction – a riotous trip into percussive, off-kilter house territory laden with dense percussion, obscure funk samples and addictive rhythms. Here, they pop up on local Glaswegian label Clan Destine with an altogether murkier proposition – two tracks of fuzzy, horror-tinged, darkroom oddness. There’s a wayward, tipsy late night feel to the dense beats, nightmarish noises and curious samples on “Hitit”, while “Kickit” – complete with obligatory MC5 sample (as bitten by the KLF all those years ago) – layers throbbing sub-bass and spooky noises over a sparse but intense rhythm. Both tracks are neither house nor techno, but something altogether more intriguing.

The Glasgow-based label Clan Destine Records with the second release in the series Clan Destine Traxx. Optimo Music’s Golden Teacher are heavily involved, contributing a track in “Cedar Eels” that feels like an extension of their polyrhythmic endeavours for JD Twitch’s label. In addition some of the band appears under the Tropic Of Capricorn banner with the straight up acid techno banger “Helen Gilgrist” whilst Stefen Blomeier might just steal the show with the K’ed up Daphni stylings of “They Have No Place In Paradise”.

After three fruitful years of existence and daily careful surveillance of the electronic music scene, I’ve decided, for the first time, to draw a line and make a review of the year that is just closing.

I will make the review in two parts, the first is dedicated to our followers and their choices from this years. So, I will make a list with the most successful post on my blog, the releases that gathered the most likes and clicks in 2012 for our visitors. The second part of the review, will include my own picks and I will present some of my favorite albums of different genders. Also I will make a review of the best parties and acts I’ve attended this year.

“Always Then” is the second album from UK post punk band The KVB aka Klaus von Barrel. The album will be released on Clan Destine Records and is featuring 10 dark wave, new wave tracks.