Cold Transmission presents the second chapter of their Zeitgeist Chrome series, dedicated to the finest electronic music. Includes songs by Grey Gallows, Kalte Nacht, Oliver Decrow, Rina Pavar, Teatre & Years Of Denial.
After almost 6 years of silence since ‘Akelarre’, Synths Versus Me, the personal musical project of Nico Cabanas, co-founder of Oráculo Records alongside the young Italian promise India Nardone. Recorded analogically in just 2 months, fluctuates in a futuristic way between different kinds of unusual dark sub styles such as industrial noise, proto- tribal, synthpunk or krautwork, and, of course, among other dance-oriented such as EBM, new beat, synthwave, electro/breakbeat or trance.
Savage Grounds is the synthpunk and minimal synth swiss project of LUX REC head Daniele Cosmo among Florin Büchel and the mesmerizing Kleio Thomaïdes (part of Bound by Endogamy as well). Separation Shock represents the last record by the trio before the temporary hiatus they have decided to start. You could expect the classical, raw, and minimalistic sound that defines one of the best acts in the genre coming from central Europe. Pure analog synth madness with the always-evoking and hypnotic vocals of Kleio.
Filmmaker consistently traverses genres from post-punk, EBM, synth wave and beyond to create a unique identity still firmly rooted in film culture. Now he returns to Veyl with Hollywood Cult. Comprised of 13 tracks, the album sees the producer elevate his sound to new levels, conjuring a world of haunting atmospheres and devious directions that take the listener through a journey of unparalleled proportions.
After passing through Ombra Festival (2022), the legendary 80’s band, Days of Sorrow, reemerged from its slumber to once again be at the head of the synth wave artists of the moment. It is for this reason and for its legendary legacy that Banshees Records has decided to give another twist to the songs of the German group with this double vinyl of remixes featuring internationally artists such as Alpha Sect, Black Merlin, Carlos GrabStein, Chris Shape, David Carretta, Israel Padilla, JG Outsider, Love The Machine, Parissior, Skelesys, Spammerheads and Synths Versus Me. “Days of Sorrow, The Remixes” is a double LP where the German band’s own sound is reinterpreted, giving it a more electronic touch, focused largely on the dance floor.
Ofelia Ortodoxa is one of the most interest and expressive producers of the Colombian electronic music scene. Ofelia Ortodoxa return’s to Athenian label Dystatik with “Basics For Sadness”, a cassette release inluding rescued tracks and ideas from old cassette recordings and new collaborations with Valanais (track 1&3) and Ferdinand Carclash (track 4). “Basics For Sadness” is a uses a powerful Minimal Synth and Dark Wave aesthetic with a certain nostalgic feel.
“Vanishing Dreams” is a highly awaited new mini-album by Cold Colors, brimming with personality and inspiration as always. Wistful undertones and captivating melodies establish Cold Colors as one of the most prominent figures in the current French and European new wave scene. His music mirrors the sharpness and elegance reminiscent of the renowned Lyon duo, Deux, showcasing his talent for evoking beautiful emotions through his melancholic and catchy notes.
Third album from Rouen cold & arty band Love In Cage, between some cold synth electronic tracks, some post-punk anthems and a deep lynchian dark rock on the second half of the record. Perfect marriage of 80’s sound & contemporary music. A must have for wave & cold lovers.
Next Wave Acid Punx DEUX is the second compilation for Eskimo Recordings compiled and curated by Berlin-based Musician and DJ Luca Venezia, aka Curses, to explore the darker side of club music. Spread across 3CDs and three 2LPs Next Wave Acid Punx DEUX features a mammoth 49 tracks that join the dots between early industrial pioneers Throbbing Gristle, EBM legends like Nitzer Ebb and the post-punk experiments of people like Malcolm McLaren and Big Audio Dynamite with some of the most exciting artists around today, such as Boy Harsher, Nuovo Testamento and Years of Denial. Where the first Next Wave Acid Punx compilation was a personal journey for Luca, a lockdown inspired exploration of his record collection to find the thread that ran through the music that had soundtracked much of his life, DEUX is a celebration of that music let loose on the world, the thrill of music performed live, the smoke and strobe filled clubs you’ll hear it in and the artists you’ll find on those stages.
Oráculo Records long time partner in crime Carlos Grabstein rules Berlin based Miseria records. Started as a DIY cassette and digital label back in 2021, the imprint is clearly focused and specialized in ultra-rare synth based darkwave compilations. Now in 2023 Miseria joins forces with Oráculo Records to present a selection of his best releases to date in vinyl format for the very first time, presented in double gatefold format in a one-off truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid black vinyl.
Minimal Wave presents the first vinyl reissue of French legends Martin Dupont’s seminal album from 1987, ‘Hot Paradox’. Martin Dupont was originally founded by Alain Seghir in Marseille in 1980. He enlisted numerous collaborators throughout the years, including Beverley Jane Crew, Brigitte Balian, and Catherine Loy. Martin Dupont was immensely talented with a rare dynamic between its varying members that was likely inspired by a combination of their magnetic personalities, creative vision, and the home studio where they recorded. Their music was colorful, enthusiastic, delicate, melancholy, and mysterious. A mixture of hot and cold, light and dark. They created electronic music that incorporated guitars, clarinets, and saxophones and is described by many as New Wave yet truly transcended genres. The ‘Hot Paradox’ album hasn’t been available on vinyl since 1987. It is one of Martin Dupont’s most exquisite albums, illustrating the band’s mastery of synthesizer work, drum programming, and vocal duets. The album is vibrant and emotive, simultaneously somber and bright, theatrical and danceable. It is an essential album in the French cold wave, new wave, and minimal synth scenes, and in recent years, has finally received the recognition it deserves beyond any musical categorization.
Plague Pits is a collective from Bern, Switzerland. Inspired by the DIY electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet. After a string of DIY releases on their bandcamp page, on Transnecropolitan and Young And Cold Records, the band released their first full length album “Creatures“ on DIY label Transnecropolitan, from Bern. “Creatures” was conceived and recorded over a span of six months in early 2022 and contains eight songs that are just as inspired by the clattering electro-industrial rhythms of the mid-eighties as by early electronic post-punk and its krautrock forbears. The record lyrically centers around all manners of exploitation – of human beings, other living creatures, and our planets resources.
After her debut on Mannequin in 2019, Dissemblance now arrives on L.I.E.S. with her second full length of somber, cold wave and emotional bedroom pop infused songs. This time around we hear the Parisian artist add a new arsenal of instrumentation to her repertoire, incorporating live drumming and a wide array of synthetic instrumentation on top of her drum computers providing a backdrop to showcase her stark vocal performances throughout the album. Meticulously constructed, this record displays the full range of Dissemblance’s musical dynamics as she pulls the listener into her universe where dreams and reality tread a thin line, one blurring into the next with no beginning nor end. She expertly brings together a diverse group of styles and sounds from different areas of the electronic spectrum making them her own. An extremely unique and strong display of modern minimal synth pop that pulls equally from the past whilst propelling towards the future.
Veyl welcomes Blind Delon to the label with a new album, La Métamorphose. Founded in 2016 by Mathis Kolkoz, the band currently consists of Mathis Kolkoz (Vocals, Guitars), Coco Thiburs (Bass) and Thom Mayor (Synths, Guitars). Fueled by cold bass lines and synthesizers of yesteryear, French post-punk and black romanticism, Blind Delon shatters genres and styles to create an evolved strain of synthpunk that wears its influences proudly while mutating into something totally new. La Métamorphose represents a fresh direction – a heavy, post-metal sound that’s full of emotion and raw intensity. ‘Le Crépuscule’ opens the album with a hard hitting piece that commences the experience perfectly. Next up, the group kicks things into high gear with the speedy, heavy-synth play of ‘La Violence’ featuring vocals by Fivequestionmarks, followed by ‘La Mort’, a blackened post-punk cut featuring Curses. Label head Maenad Veyl makes a guest appearance on the fourth track, ‘L’Homme’, which drifts into deep experimental melancholy with a cinematic feel. Keeping with this mood is the powerful ‘L’Affront’ featuring The KVB, which descends further into darkness before resurrecting with the immense feelings of ‘Le Sarcasme’. Track seven, ‘La Noyade’, drills into the skull with growling vocals and menacing synths which bleed nicely into ‘La Foule’, slowing things back down with a subtle yet lingering sense of dread. French project Poison Point arrive on ‘L’Envie’ which moves guitars back to the forefront for a raucous ballad that sets up the final piece and title track, ‘La Métamorphose’, the glorious grand finale of an album teeming with emotion and begging to be played again and again.
Yugoslavia is a raw cold minimalist band from Murcia, Spain, and “Vertebra” is their debut on Catalan label Oráculo Records.
Marguerite Records announces its first release of 2023, MRG014 a New Wave, EBM and Electronic compilation composed of six tracks. Side one features artists who already appeared in Marguerite discography. A1 opens up with ‘Noi Non Ci Saremo’ a bruise of nostalgic, new-romantic and dreamy 80s vibes from Diana Berti, followed up by Black Dot’s ‘Recurrent Disorder’ with occult spoken-word intonation of Le Chocolat Noir reminding of John Balance, over acid bassline, electro beat and syncopated noises by Christian Kroupa. ‘Unknown Faces’ close up the A side – an EBM track with a killer raw beat and distorted bass ready for sweaty dancefloors from the label heads duo Bianco Negativo. Flip side is unwrapped by one of the synth pioneer and UK based artist Timothy J Fairplay with ‘Love Boat For Four’ that drags you straight into a sci-fi movie fiction with the 8 bit electronic synths. B2 is Highest Bidder from Harlem Electronics, a seductive minimal rhythm with a dark undertone. The journey ends with ‘Svart Magi’ an hardware industrial jam by the Swedish producer Celldöd.
Platform 23 returns to where it began, working the Vox Man Records to bring their compelling and unique archive to light, to create again a compilation from their cult cassette releases. Offering more than the sum of their parts, the best of two cassettes is compiled here in “Ethniques Psychedeliques”, a snapshot of contributions from far and wide, based on the warm expanse of ethnic world music with an idiosyncratic psychedelic nature throughout the selections, from the early 80s DIY post-punk scene.
Years Of Denial is back on Veyl with their second LP ‘Suicide Disco Vol. 2’. The follow up to 2019’s ‘Suicide Disco’, the duo makes a triumphant return, elevating their distinct sound which fuses dark wave, goth, new-beat, post-punk, EBM, and techno. The LP features 12 tracks all written and produced at Ark of Noise studio, located miles away from the polluted noise of social turbulences, immersed in isolation, creative indulgence, and poetic writing.
The Hipodrome Of Music 