
A Luminous Veil is the debut release by Alexander Lewis. Six tracks of heartsore modern industrial and S-M techno created using synth, microphone and pedals. Recorded in one take with minimal computer processing or post-production.

A Luminous Veil is the debut release by Alexander Lewis. Six tracks of heartsore modern industrial and S-M techno created using synth, microphone and pedals. Recorded in one take with minimal computer processing or post-production.

‘Exploitation’ is the new film by Dutch independent filmmaker Edwin Brienen. Enfant Terrible produced the soundtrack for this gothic-noir satiric fresco. 90 minutes of music to be enjoyed both as true soundtrack as well as a sequel to previous Enfant Terrible compilations… but more dramatic and ritualistic in the way the record is building up. It will please fans of minimal electronics and (post) industrial music but also moves into different styles such as idm, tekno, angst pop and chanson, while always keeping a dark and cold mood and/or dream state feeling throughout.

Dark Entries has dug deep in the New Jersey basement of Smersh to release the double LP compilation “Cassette Pets”. Smersh was the duo of Mike Mangino and Chris Shepard, who started writing music together in the late 1970s. They were uninterested in traditional notions of songwriting or live performance. Everything they needed was in Piscataway NJ: a basement full of musical toys and instruments, novelty space microphones, a TR-606 (the same “Roland” who was listed as a member of Big Black), a SH-09 (Cabaret Voltaire’s favorite synth), and — perhaps most importantly — a couple of tape recorders. By 1981, this dedication to spontaneous creativity had already produced countless recordings, and the duo began releasing cassettes as Smersh via their own Atlas King label. On “Cassette Pets” are 17 songs, featuring some of the many highlights from Smersh’s vast discography, spanning 1981-1994. Smersh’s sound is a lush hybrid of techno, industrial, dance, and experimental. Sometimes easy, sometime not. Most songs revolve around driving EBM style beats, intricate industrial noise manipulation and synth melodies. The Smersh sound has so many faces it doesn’t fall into any one category.

The Product were a duo from the small villages Kvistgaard and Espergaerde, in the north of Denmark. Dan Stielow Mortazavi wrote the lyrics and sang while Kenneth Neuhaus composed the music and played the instruments. They met in the Autumn of 1982 and recorded their sole album “Alive Again” over a weekend. The LP features 11 songs recorded in two short live takes directly onto one cassette. The Product employed a basic set up of Micromoog, Roland JX-3P and TR-606 Drumatix. Nine of the songs employ only these two synthesizers and drum machine while two songs feature a guest bassist. With these three instruments they crafted melodic, icy electronic rhythms with detached vocals. Lyrics revolve around growing up in broken homes, alienation and romance.

Italian ice-wave princess, Mushy gives up the delectable synth romance, ‘Breathless’, her second album on the Rome label Mannequin. Dark, post minimal wave electronix.

Nite Fields are Brisbane new-wave electro band who make cold, hypnotic tracks swimming in grim atmospherics. Recorded and mixed entirely by themselves, the new single “Vacantion” was released on Lost Race Records. The EP includes two tracks “Vacantion” and “Hell/Happy”.

This year has seen Tropic Of Cancer stealthily plot a successful course for total infiltration of our affections, with some well chosen releases laying down the foundations of expectation for the band’s much vaunted debut album, slated for release on Blackest Ever Black next year. This eminently collectable three track release for Belgian imprint Sleeperhold will no doubt jostle for first place with that wonderfully atmospheric 12″ on Mannequin and split HTRK release on Ghostly for best Tropic Of Cancer release of 2012. It’s “Children Of A Lesser God”, the final exquisite track that will floor most people, capturing Camella Lobo and company at their most powerful. Spartan drum machines and nerve tingling guitars form the backbone of this stunning seven minute track as Lobo’s undeniably plaintive delivery sinks ever deeper into the murky recesses.

Reissue of one of the top minimal synth Holy Grails out of there. ”Tanzmusik” is the first LP from Sam Rosenthal, boss of the historic Projekt Records label and mind of one of the most influential dark wave acts coming out of the US, Black Tape For A Blue Girl. Originally released in March 1985 and completely recorded at home on a four-track TEAC-2340 with a super minimal setup (Korg Poly 61, Realistic Moog, Boss Dr-110 and some effects), the vinyl release was limited to 250 copies. The album continues in the “electronic mood-music” tradition established by Sam on the Projekt Electronic Amerika cassettes, with the added intriques of the drum-computer, exploring the realms of electronic music. Its signature combination of gothic, ethereal, ambient and neo-classical elements has explored existential themes of loves lost and passions yet to come.

The Part Time Punks Radio Sessions 12″ by HTRK and Tropic of Cancer holds six sublime songs of desire. Comparable to a fly-on-a-wall Peel Sessions, the critically acclaimed Part Time Punks radio show is the sound of the LA underground, run by local icon Michael Stock. The limited split captures both bands live at the radio headquarters during HTRK’s first 2011 tour of the USA, accompanied by comrades in minimalism and melancholia, Tropic of Cancer. Flipping this vinyl sounds like two sides of the same cursed coin, and mirrors a high school dance playing an endless lustful waltz. BPMs bumped down to a psychic stalk. It’s a broken and beautiful memento.

New release from Sumerian Fleet on Creme Eclipse. Big Menacing Darkwave with an industrial tinge from this mysterious West Coast super group, like someone finally removed those damn sunglasses from the Sisters of Mercy dude and showed him the world was an even sadder place than he imagined. Little was heard of him since.

Hailing from Rome – Italy, Newclear Waves is essentially the solo project of Alessandro Adriani, mind and boss of Mannequin Records, one of the most important synth wave / cold wave labels around, with contributions from Oksana Xiu, an academic russian musician devoted to analog synths. Deeply influenced by the works of the early minimal electronics sounds on Mute Records and 4AD, Newclear Waves is exploring droned out electro pop territories with an interest for a refreshing hyperactive 80s New Wave. Having turned out releases on Mannequin Records, the duo is now presenting a full‐lenght ten tracks collection of caliginous pure analog minimal synth on the way on Desire Records, french Cold Wave and Electro Wave label, focused both in new artists and stunning reissues from 4AD like Mass, In Camera and Dance Chapter.

Brand new 12” from Tropic of Cancer, one the most important realities in the modern post-punk and darkwave scene. The band consists of Camella Lobo and John Juan Mendez. Though Tropic Of Cancer’s sound has been called gothic, cold wave and drone pop, the band’s take on their influences is anything but nostalgic. Lobo and Mendez have managed to imbue their own elusive gaze and craft a strangely beautiful and intoxicating sound in the wake of their predecessors. The three tracks on this new 12” take us gently by the hand into a slowed-down opium dream – it’s like watching the desert from the same stark corners where Lyciastood many years ago. This EP gathers the primal thrust of their bleak Post-Punk (think about Cultural Decay shaking hands with Section 25 in their psychedelic/buddhist years) and Minimal Wave aesthetics with this entirely new dimension in the music of TOC – heartfelt and deep. Cold waves have never been so warm.

Mannequin and Sacred Bones are honoured to join their forces to offer you one of the best UK New Wave reissues from the 80’s. UV PØP were an early post-punk group from the South Yorkshire region of England. Their sound was regionally bleak and they used staccato, angular guitars lines, with vocals ranged from spoken repeated mantras to whispered and shouted political poetics. ‘In the 1980s there was nothing to smile about. The person whom some called wrongly the iron lady brought vengeful spiteful selfishness and a narrow-minded out- look into all our lives. The sound of UV PØP has always been a sophisticated blend of sadness; with morose North Country sense and a humorous confrontational sensibility. UV PØP were as certain as anybody there was a strong possibility there might not be anything left with which to make a tomorrow…

“Always Then” is the second album from UK post punk band The KVB aka Klaus von Barrel. The album will be released on Clan Destine Records and is featuring 10 dark wave, new wave tracks.