Shimmering VHS haze from NYC’s Torn Hawk aka Luke Wyatt. The world of Torn Hawk lies somewhere in-between slo-mo cosmic balearic sunrise/sunset music, kraut experimentations. All around though, Wyatt’s music feels like getting busted watching scrambled static ridden cable porno in your aunt’s wood paneled basement while smoking a pack of stolen Newports. Four amazing tracks on this limited debut release.
Golf Channel dip into the groundbreaking work of Spike once again. This time the title track from his 1983 New Germany LP takes up the A Side, a filmic, taught drum machine and string piece. On the flip, DJ NATURE steps up again to deliver a great rework, taking a pop at punk-funk.
Stand by us with this ode to childhood, youth and adolescence. Three brave hits that evoke the sweet innocence of days long gone, Chucks, striped tees and the question what kind of creature Goofy really is. For all you outsiders and insiders. A creative original Young Edits effort.
Distributed by Peoples Potential Unlimited and brought to you by Cosmic Chronic, this hot 45 was produced and composed by Miami’s own Antoine Rocky-Horror. Featuring the Legendary Adrian Molina (The Molina Brothers, King Joffy + The Island Girls) on vocals for the B-side cut “Sophia”. As you’d expect from Cosmic Chronic and PPU, both sides are hot electro-boogie cuts with plenty of synth-funk action.
After three releases of darkened house, proto rave and weird techno, Holland’s boutique Purple Maze label takes a detour into funky disco territory with Prime Numbers and Firecracker craftsman Fudge Fingas at the helm. His Amaranthine Labyrinth EP is lively, bright and sugary, but still features plenty of complex analogue machinery to get you dancing.
“FACT mix 333 is a similarly giddy, similarly cliché-capsizing outing from Moss. Recorded on March 15, 2012, at the Musicbox club in Lisbon, it captures Moss across 2 hours and 45 minutes of live PA performance, vinyl DJing and editing on the fly. It’s by some distance the longest FACT mix we’ve ever hosted, but we couldn’t bring ourselves to edit it down: Moss’s exhilarating narrative, at times improvised and free-associating, at others coolly controlled, simply demands to be consumed as a whole.”
Psychemagik are back and this time it’s a limited edition issue of their Healin’ Feelin series edits on CD. Ass Nation, Make it Mellow, Diamond Star, Upskirt, Milky Way, Boogie Drome, For Your Love and Aldeia De Ogum are all present and correct and are joined by two previously unreleased and totally exclusive edits, Andalucia evokes images of sun drenched skies and dusty Andalucian mountains and a fresh drum heavy reworking of one of the duo’s first ever releases, on Discoteque Wreckers, Runnin’ Pt 2, that seems bound for dancefloor glory.
Gomma records’ Berlin posse is busy. Hugo Capablanca joins forces with Swedish amigo T. Keeler. The second one for Gomma. They started with an epic Flamenco Percussion Disco track last summer – now they go deep into proto electronica.
Sadly Betty Botox is no longer with us. She departed planet earth in 2010 and leaves a gaping hole amongst all those who knew her. She left behind a DAT tape in her studio with ‘”The Final EP” written on the cover in lipstick, which her closest confidants feel she wanted to be her last statement to the world. So, after a slight delay, two years later, 4 tracks that were regular features in her musically wayward dj sets are now available for her to fans to hear and play. Combining her love for Psyche Funk, Cosmic Synth, Space Rock and late 70s Stadium Rock these reworkings, remixes, refixes and reproductions of known and unknown tracks are sure to be hits on non-conservative dance floors everywhere.
A limited chance for you to get your hands on this achingly-rare Panda Records track ‘People Hold On’. Originally released in 1984, this stylishly classy record feels like undiluted house brought to you from before house even existed! Super-tight production skills from Wuf Ticket’s James Mason pull together a goosebump-inducing bassline, deeply hypnotic synths and tantalising handclaps topped off with Earl Flint’s elegantly sexy, meltingly cool vocals to deliver a masterpiece in early 80s NYC groove. Backed with a much in-demand killer instrumental version, this record is almost impossible to find out there on the wax market.
In his dark analog Moustache Records homestudio downtown Rotterdam city David Vunk made his ”Bowie ep”. This energizing ep contains 3 various styled tracks for the dancefloor. On the this side the track ”Forever Always” a stunning filter house tune with a vocal that goes on and on, a fat party break and rolling low kickdrums topped with some crazy hihat programming. On the that side two tracks. A notorious full power hi energy nu-disco/electro track filled with evil strings, catchy melody, tr-808 drums and arp odyssey baseline madness called ”Disco Sysex”. The b2 track called ”Vroezenpark” sounds like it comes straight from hell, a dusty techno track with Berlin infleunces, tr-909 drums and a Roland jupiter 8 synth. Insane and paranoia style. This very limited pressing comes with luxury gatefold fullcolour sleeve, poster and hand numbered, limited copies..
After the Dexter and Erik Travis releases its funkateer mr Blount getting freaky on his 2nd release! Hailing from New Zealand Reggie Blount made his debut 1.5 year ago on Clone Crown ltd. His Hard Times debut ep sold out straight away and got loads of fine feedback from the heads out there. This second ep starts with more crazy funky vocal p-funk tracks Flip side starts with the incredible track ”Hey”. One of those tracks that is able to give you goose bumps and grow on you to become one of those ”our tunes” kinda tracks you share with that special person. Ep is finnishing of with the beautiful wave electro funk kinda thing called Racecar! As if Garry Numan is doing some p-funk.
Bernadott, the Roof of Love EP showcases the talent of two underground producers hailing from Paris and Stockholm, two diggers of the highest order, immersed in musique concrete, italo, free jazz, punk, chicago house and such, two DJs devoted to tension, hips and shoulders. With upcoming releases on high profile labels, The Golem proudly takes them to the forefront first, unleashing their highly original and leftfield take on the dancefloor. On Side A, Bernadott turns a white funk forgotten gem, expands it before turning it into a gherkin-esque acid burner with unexpected nods to juke, subtly returning to its post punk roots before you even notice. On side B, another post punk affair autistically turned into a dubby madchester piano choon, a quasi absurd but groovy breezy love song. And last but not least, this new episod ends with ”You Dance So Well”, a real floor filler cosmic/synth wave hyptnotic track sung in german.
Limited edition 80s funk 7inch single from the forthcoming album “Saturday Night”, the life’s work of Cyril Walker. During the making of this record Cyril passed away on December 31, 2010. He will be missed.
Vinyl debut by this Viennese rave abstractionist boils down pulsing LED beats and deep synth strobe FX into a cavernous laser-streaked fog. in blinding Alex Grey-style acid-body artwork by Mr. Cruise Family himself. With more ups and downs than the average quad bike race track, epic title track “We’re In Heaven” draws us into the pulsing synth-ride. Sparkling argeggios and acid blips slide over a squelchy undercarriage making for some tranced-out electro psychedelia. “Be Part Of It (Club Mix)” will appeal to lovers of the 80s EBM sound – it’s swirling nu-beat, but without a kick drum in ear shot. “Gone By Dawn” closes the EP on a tripped-out cosmic ambience.
The Hipodrome Of Music 