
Solar One Music is happy to release the debut of this promising Rotterdam duo Animistic Beliefs on their sublabel “Between Places”. The EP comes with 5 heavy, tuneful and hypnotising electro tracks you definitely have to hear.

Solar One Music is happy to release the debut of this promising Rotterdam duo Animistic Beliefs on their sublabel “Between Places”. The EP comes with 5 heavy, tuneful and hypnotising electro tracks you definitely have to hear.

New dutch imprint presents Orlando Voorn aka The Stalker on the first release. Orlando shows once again his talent to deliver great music in all genres. This time it’s an superb Electro 4 racker!

Discos Atonicos presents the label’s second release: Age of Aggression, featuring 5 massive electro cuts that are a straight shot to the dance floor. This new record was produced by Dutch veteran Roland van Oorschot aka BS-1. Producing and experimenting since the mid 1990s, van Oorschot has been a long time fixture in the electronic music world. He has created many projects over the years including Funxiun, Utroid and the previously mentioned BS-1.


“6th Element,” Jensen Interceptor’s newest release with frequent collaborator Assembler Code brings this aesthetic in a darker, more focused, more serious direction without losing the grit and grain that colors his work. The result is 4 tracks of club ready, weaponized techno heavy on EBM and industrial influence with an agenda to menace.

Rising talent Aleks joins the Organic Analogue realm of spiritual sonic exploration. The Amsterdam-based producer has already made a name for himself in the past few years with his penchant for sci-fi imagery and impeccable hardware jams, hence he feels like a natural fit for OA. This double LP release provides the chance to hear some of the breadth in Aleks productions, from ambient submersions to Detroitian techno and sharp edged 303 resonance that skirts the divide between jacking club material and emotional content. HVL returns to OA with a frankly stunning remix of “Pool Daze” that steps up to the giants of early electronica. As an additional treat, the Georgian producer has also donned his Kiyadama guise for the eight-minute psych-out “Acid Expansion Remix” of “Void”. Capturing the foggy time-slip quality of the dancefloor with a sound that could just as easily come from the late morning, the Pool Daze LP is equally comfortable as another thread in the OA tapestry.

Pinkman welcomes Maenad Veyl to its roster of artists for his debut release in the form of the labels second tape. ‘Make Them Remember’ sets the gloomy mood with clattering percussion and ghostly synth lines. The messy drum patterns of Taiko Death Rhythm’ are breaking up the cold mist. The A-side of the cassette is completed by the melodic slow burning energy of ‘D.M.M.R.M’. On the other side ‘State ov Apprehension’ and ‘Sotto Gli Occhi Tutti’ further darken the character, to then pave way for ‘In Ruins’ to finish the damage with it’s ethereal, yet soul ripping guitar riffs.

Subapical presents Dutch producer Albert Van Abbe’s The Pulse Projects – Black Catalogue Rituals (2004-2005). The Pulse Projects Black Catalogue Rituals (2004-2005) show Albert Van Abbe’s grittier electro/industrial focused work all recorded in the mid noughties. Here he serves up 4 tracks from the archives.

For the latest installment of the Midnight Drive presents a reissue of London duo LA Synthesis. Formed on the Southside of the city in the late 80’s Carl Grant and Tony Gallagher’s long running LA Synthesis project has given us some of the most forward looking, modern and compelling Electro and Techno over the span of the last 3 decades. ‘Harmonic Disassembly / Skyline’ was originally released in 1997 on the cult Evolution label. Both tracks are sleek, cutting edge examples of electronic music. Now, almost 20 years after it’s original release we see a full repress of one of the jewels in the LA Synthesis crown, a truly cult record that stylistically transcends time and space and sounds every bit as groundbreaking and fresh as it did in 1997.


Fernando seixlack with some chrunchy low-fi analogue tracks on House Crime with some unexpected Chicago inspired beauties inbetween. All recorded live in one or two takes most, using a Roland MC 505 , Roland Aira TR8 , some FX pedals , recorded in cassette on a Tascam 424.


The Squirrels from San Francisco are back and they’re wearing white after Labor Day — pressing up a limited white-label 12”, full of the throbbing electro, altered-states body music, and head-in-the-clouds techno you’ve come to expect from Squirrels on Film.

The superb ‘Forbidden Planet’ is a shiny early electro cut with a great funk bass line, a real instrumental groove and fantastic melodies that shimmer like a hot sun. It’s filled with joy and sounds as fresh today as ever, the way it ducks and dives and offers real warmth. The Francisco Remix keeps the funk vibe but changes the groove to be a more Chicago house style cut. As such it has a rasping bassline, big drums and coarse percussion that make you want to jack. The masterful Ali Renault—a go-to disco and synth specialist who runs Cyber Dance Records, Human Shield Record Company and most recently his own Vivod imprint—then turns out a hypnotic version that is more driven and direct for the dance floor, with robotic bass and epic reflective synth lines. It’s a cinematic track with great analogue textures that goes back to the future. The last original is the excellent ‘Stay With Me’, a cosmic love song with breezy trumpets and dreamy disco vibes as well as soulful vocals. Italo melodies and infectious percussion finish it off and make it an instant crowd pleaser.

Bliq continues its quest to mine the deepest shades of techno with this release from Iakovos, who had previously appeared on the label as LowJac and in the formidable duo Deemonlover. This is sharply focused mind music layered with subtle detail and rich textures perfectly honed for hazy hours at the far reaches of the party. “Singers” melds hypnotic pads with gossamer-light threads of breakbeat and warm synth pulses, while “Evil Flower” pushes a tougher rhythmic agenda without losing the ethereal atmosphere. “Adidas People” rides on a surging kick drum pattern, but leaves ample room for a distant drone, and then “Hackney Tower” heads into edgier territory with all manner of obtuse angles and unnerving sound effects pivoting around the insistent drum core of the track.

Amsterdam’s worst kept secret makes it back to Unknown Precept with his long-awaited album and first solo output since the acclaimed ‘Divine Bovine’ tape mini-album. Inspired by an evening spent in a restaurant next to a car demolition site, Eindkrak’s long player debut echoes the distant sound of steel being crushed and cars pressed into cubes. All this noise, in combination with the taste of good Italian food, lead to the eleven tracks making up for the aptly titled ‘Brullend Staal’ — loosely translated to weeping steel. A leisurely stroll on crumpled metal sheets, the acidic hints of oxidized metal and the smell of gasoline. Inaudible and distorted vocals as if smothered by the clatter and smokestacks of steel factories. Eindkrak’s first full-length is all about this disquietude made of melted and straightened scrap metal. A resounding and tumultuous din. Try to eat some nice gnocchis while listening to this album, and you’ll see what it is all about.

Adalbert C. Kupietz (aka Adalberto, Fatjack, Crime Scene) is a using his Hieroglyphica moniker again, for some more cerebral techno, but he is lauching a new sublabel called Pseudo Science. Limited edition of 100 copies including a transparent insert with spacial “burned” coverart and punched numbering.

Back by popular demand, the same unique spirits that brought forth the sound of Detroit streets and turned it into the futuristic soundscape known as ”Techno-Bass”, The Original members have collaborated to re-issue their catalog 25+ years later. Starting with their 1st double pack LP, ”Bass Magnetic” (considered to be a mesh of influences between Miami bass and Detroit techno), AUX88 established themselves in an effort to stay true to their roots in the streets and the clubs creating their own genre into a global dance culture. Harkening back to its first days on cassette tape to revive a future generation of vinyl aficionados.