Lunar Disko presents… Time marches on with two Various Artist EPs to celebrate the 20th release on Lunar Disko Records. Eight tracks encompassing the modus operandi of the label since the beginnings. Part 2 features another selection of Lunar Disko favourites, with the return of DJ Overdose and Raiders of the Lost ARP, while two of Ireland’s finest in Tr One and Automatic Tasty complete this stellar line-up. ..and time is still marching on
Macadam Mambo is launching a special compilation of adjustments made by friends and members of the label (Kilian Krings, Sneaker/Dunkeltier, Obermannkind, Panoptique, Mori Ra, Shiny Boots, Misha Geylen, Smagghe & Cross, Guillaume des Bois, Johan Ressle). Mostly very obscure tracks in Sacha’s ‘Metalic vibe’, from post-punk to synth-pop, experimental and more.
First release by Rotterdams young entrepeneur Offset. 3 electro cuts and an dub techno track on the flip.
Alek Stark’s attention to detail in everything he does is particularly apparent in his music – his tracks are all first class analogue electro. He pulls no punches on this E.P. with heavy 808 percussion alongside a myriad of modular noise and synth workouts. Cold, robotic and reminiscent of early Psyche / BFC with deep chorused pads creating an off-world dystopian theme that runs throughout this release.
Fresh from contributing from The Glowing compilation Vertical67 AKA Thomas Pahl is back on brokntoys with Morphed Reality. BT18 shows his versatility as a producer switching between gnarly, acid flecked electro to more introspective, IDM influenced brooding techno.
Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album. The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.
Robert Henke aka Monolake returns with P A N which is the sixth and last record of the VLSI series. How he finds the time when not premiering such awe-inspiring audiovisual experiences such as Deep Web and Lumiere II? We will never know! This is the height of modern electronica with immaculate sound design created with the cutting edge technology within its sonic architecture. The guy invented Ableton so go figure! Across its three auditory experiences you will plug into a stunning dimension. “Pio” features female:pressure founder Electric Indigo, in addition to studio assistance from the legendary Mark Ernestus.
DMTR DSTNT & LVRIN join forces for a killer slice of dark techno and wave on Crimes Of The Future with the Blasphemy EP. Side A kicks off with a slice of heavy Russian techno mayhem with driving acid, synth and heavy percussion. Over on side B we have two different moods starring with more heavy duty acid on B1 and completing the side with some peak time dark wave action on achromatic.
Having established himself through a consistent stream of quality releases for Uncanny Valley and the immaculate collection of stomping dj tools for Rat Life, Credit 00 – real name Alexander Dorn – brings the heat on cassette for NYH81. These are recordings taken from his old apartment, and feature a heavy dose of reference to classic Gertronica. From Can to Kraftwerk to Neu! to (now) Munich’s Dopplereffect, this is some really nifty classic electro. From the 20 minute opening joint to the perfect pop song length closer ‘No Future Sound Of London’, these joint combine experimentation with spot on electro bangers. Audio perfection on cassette tape.
Time marches on with two Various Artist EPs to celebrate the 20th release on Lunar Disko Records. Eight tracks encompassing the modus operandi of the label since the beginnings… Part 1 features three Lunar Disko favourites in the form of John Heckle, 214, and VC-118A, alongside a label debut from upcoming Dublin producer Conan_ aka Conan O’ Donnell. Detroit influenced electro and techno on the A-side, while the B-side transports the listener into deeper electro soundscapes.
Boris Bunnik dons his Hexagon scuba gear before diving into electronic abstraction and aquatic electricity. Counter Utopia brings together three works of machine textures. “Cerebral Trauma” is submerged in a simmering liquor of smelted metal, molten melodies bubbling to the surface as ball bearings fizz and rattle. Industrial experimentation undercuts the entire EP. Soulful chords are stretched, contracted and contorted against the clean percussion lines of “Utopia.” Machines echo in the finale. Gears groan against a backdrop of soaring synths and pulsations in the depths of “Paranormal.”
Making his long awaited return to Salt Mines, Hymns produces a debut 12′ flecked with restrained breakbeats, off-kilter rhythms and glistening pads. Opener ‘Water Acid’ is an eerie amalgamation of aquatic electro and tense emotion, built for a fractured dancefloor deep in the arctic ring. A2 ‘Searching For The Real’ provides a brief moment of introspection, before B-side leader ‘Heinz Harald Frentzen’ crashes down and amplifies the intensity with sharp breaks and rapid, stark percussion. Closing the release, title track ‘Waves of Nothing’ showcases Hymns at his best, utilising lonely synths and equally mechanical and organic percussion to create a sentimental, vulnerable climax.
Lok44 and Dibek are /DL/MS/, dropping a malicious four-tracker as their joint TRUST debut. The haze hangs heavy as /DL/MS/ leave straight techno by the wayside, drilling deep underground into unexplored acid break deposits. ‘Rogue Intent’ shakes tectonic plates, colliding grinding breaks with fierce analogue instrumentation, and the fumes oozing from their boreholes are likely to set your head spinning.
2017 Remastered version of FR004 b/w additional track “Let’s Bang”, taken from the original 1997’s Cybonic In Effect EP. Parental Advisory Frustrated Funk straight from the 313.
Dust On Common’ from Led Er Est (Sam De La osa, Shawn O’Sullivan and Owen Hutchinson) was originally released in 2009 by the seminal Brooklyn based record label Wierd Records. The band’s first full-length release showed the three piece clearly breaking out of the minimal synth underground they have been a vitally integral part of since its inception in Brooklyn to create an undeniably contemporary set of highly crafted and restrained, icily psychedelic pop songs.
Synths Versus Me is back with their new album ‘Sex/Body/Touch’. This new album is the longest and more ambitious work they had produced to date, including up to 14 new tracks where find their usual eclectic amalgam of dance oriented darky styles; from EBM to synth pop, passing by electro beats, pure coldwave, italo disco or classical synthwave. All tracks has been recorded using only analog synthesizers captured on a external recorder without make use of daw digital conversions, excepting on the final process of digital mastering.
The Hipodrome Of Music 