Steinzeit – Wahrheit [MRT008]

STEINZEIT - Wahrheit

Steinzeit concludes the MRT grey series. The duo is comprised of Hansruedi Schnriger, one half of Echo 106, and Bjorn Magnusson. They recorded these three tracks in a weekend’s time inside Magnusson studio, which is an abandoned factory in the middle of nowhere, in Switzerland, using bare concrete walls as an echo chamber. The pace is slow, atmosphere is bleak, tone is melancholic, drums are evil. It reflects how Switzerland feels in winter. Lonely, and this is true, like the name of the tracks.

listen

Steinzeit – Wahrheit [MRT008]

VA – La Festa Del Metallo [SLK000]

She Lost Kontrol records is an independent label focused on Electronic Body Music, New Wave, Dark Wave, Neo Folk, Industrial, Noise, Avantgarde. Melanchony and Romantic synth wave mixed with a clear post-punk roots and dynamics insistent EBM loops. On the A side 3 tracks from The-Ne21 known as Retina.it are the duo project from Lino Monaco & Nicola Buono who wants to come back to their new wave background. The duo, placed near the Vesuvio, explored all the capabilities of analogic synths since the beginnings,developing an its own idea of sound. On the B side we have 3 tracks from Bakunin Commando, Violet Poison and Diana Berti.

listen

VA – La Festa Del Metallo [SLK000]

VA – U/V [SUBREC01140]

Music from Le Chocolat Noir, Tryphème, Russell Alderton, Luke Eargoggle, BLΔCKMOON77 and Kimmo Rapatti for your emotional sorrows, choose for now,the energy transmission , take and congregate. The breakable experience of an unconventional trip, but not so modern as that.

listen

VA – U/V [SUBREC01140]

Daniel Kyo – Evanescence [BAP089]

Valencia’s Daniel Kyo arrives at the Bordello with a 12″ brimming with his hometown’s synthesizer traditions. Evanescence spills brooding bars across clean percussion. Stripped down rhythms buttress shimmering synthwork, cold bars coarsened by acidic undercurrents. And within this pared back style there lies a groove, a subtle development that grow into full bodied floor jams. An EP of electronic elegance and robust proportions.

listen

Daniel Kyo – Evanescence [BAP089]

Private Eyes – Mirror Image / Anasazi [ST002]

Private Eyes, a duo made up of Interstellar Funk and Jeroen, two storied members of Amsterdam’s underground electronic music community. Two analogue-heavy electronic workouts that tend towards the atmospheric. A-side “Mirror Image” is spacey and melodious, with an Italo-disco inspired arpeggio bassline underpinning galactic chords and memorable piano lines. It’s a collection of complimentary analogue elements tweaked for maximum late night enjoyment. On the flip you’ll find Interstellar Funk going solo with “Anasazi”, an altogether deeper, more hypnotic affair. Its’ distinctive rhythm comes not from bold drum machine beats, but rather the rising and falling of intricate, micro-house style melodies and looped electronics. It feels like it was influenced by the aural textures of dub techno, the phase-based minimalism of Steve Reich, and the deep space ethos of early ’90s European ambient music.

listen

Private Eyes – Mirror Image / Anasazi [ST002]

Fallbeil – The Healer [MNQ095]

FALLBEIL - The Healer

The Hamburg based duo Fallbeil debuts on Death Of The Machines. Tune in on the incredible electro/acid razor ‘The Healer’, also available in the B side with a distorted and industrial version by Innsyter aka Fernando Seixlack. The 707-electro-driven extra B side track ‘Voice of Thunder’ is completing the pack.

listen

Fallbeil – The Healer [MNQ095]

Radius – Portal To Canis [MATH098]

On ”Portal To Canis”, Chicago’s Radius aka Ramon Norwood serves up 4 tracks of House with a downtempo/electro sensibility. ”A Dash Of Acid” and ”Seperated” kick off the A side, ”Women Are The Gateways…” continues the party on the flip.

listen

Radius – Portal To Canis [MATH098]

Lake People – Break The Pattern [UV041]

Lake People, the man with a knack for aural subtleties, is spot-on with his first EP for Uncanny Valley. Over the course of four tracks he showcases a quiet different approach compared to the sophisticated House music the Leipzig based artist released on labels like Permanent Vacation or Connaisseur Recordings. On “Break the Pattern” he relies heavily on the good old Boom Tschak-paradigm of Electro, without completely giving up his trademark sound. “Level Msk” combines staccato-type chords with a stuttering beat that stick in your mind. The acidic “September Futuristic” with its stoic drumming has almost a Krautrock feel to it. On the flipside, the playful “Chords In Chorus” feels like an early contender for this year’s summer anthem with chords and acid lines from heaven. The EP closes with “Pull Off”, a perfect example for Lake People’s ability to compose tracks with an emotional depth.

listen

Lake People – Break The Pattern [UV041]

De-Bons-en-Pierre – Crepes EP [DE139]

De-Bons-en-Pierre is a project from Beau Wanzer & Maoupa Mazzocchetti.  While Beau was visiting Brussels he stopped by Maoupa’s house to jam for a bit. All songs were recorded on April 4, 2016 between 11:00am and 11:00pm, as single live takes.“Crepes” is a 6-track EP, titled so because they ate crepes the majority of the session. Beau says, ”There was a bit of a language barrier. We’d mostly just laugh and nod when something sounded cool to us.” The equipment set up included a Roland TR-808, TR-606, SH-101, CR-78, CR-8000, two Syncussions and effects. Over 23 minutes of garbles, sludgy synths and leviathan rhythms. Surfing the slippery slope between industrial and electro, but never quite falling in, just a dip of your pinky toe to to test the temperature.

listen

De-Bons-en-Pierre – Crepes EP [DE139]

Inga Mauer – Shtum 012 [SHTUM012]

Shtum is very happy to welcome Inga Mauer to the family. The Russian born but constantly travelling artist delivers the goods in form of four dust-dry and psychedelic Techno tracks that celebrate the obscurities. Starting with “Dno” she sets the tone with an anthem for dark skies and basements. “Silences” is captivating with its dysfunctional sounds. After the whirling dance of “My Flights Without You” you can’t help but feel a little dizzy. And “Dystopia” feels like hypnotic Techno with a punk attitude.

listen

Inga Mauer – Shtum 012 [SHTUM012]

The Blech – Wosto Ajustements [MME30003]

BLECH, The - Wosto Ajustements

For the first release coming in 2017 Macadam Mambo strikes very hard with a very special EP of radical dance music by the German band The Blech revisited by Hambourg’s based artist Wosto. The Blech released 6 LP between 1985 and 1996. Their albums have become a treasure-trove of extravagant, groovy dance hall artistry. The forcefulness with which The Blech flung their conviction from the stage into the audience was at once hypnotic, irritating and erotic. Here Wosto has selected two tracks from the Zip Zip LP originally released in 1987 (Nichts Wie Vorher and Zip Zip) and one from the Ich Wollte Meine Schuhe Zerschneiden LP (Die Einame Trane) released in 1989, and transform them into strong powerfull dancefloor cuts. Be sure of the efficient of the product, no need to talk more, let the music speak by itself.Special mention for the magnificient artwork of Lyon’s based artist Hugo Charpentier from the Mauvaise Foi collective.

listen

The Blech – Wosto Ajustements [MME30003]

Fiero – Modus Operandi EP [GD021]

To some of you, Fiero will need no introduction, the Colombian via New York analog synth wizard has released some of the most highly sought after proper disco music this side of 1978. Here is his first time on Giallo Disco, with his darkest compositions yet. Hot flanged pads, detuned basslines, 606 madness, space choirs, it’s all here. Imagine if Goblin and / or Stefano Mainetti did a New Beat tribute to Carpenter and you’d be getting warm. You’ve fallen, it’s rising from the swamp, and you can’t get away.

listen

Fiero – Modus Operandi EP [GD021]

Aquarian Motion – Beyond The Pillars Of Hercules [VG002]

Next up on Voodoo Gold is the debut release by Aquarian Motion. ‘Beyond the Pillars of Hercules’ is a 9 track mixture of classic aquatic electro and deep mellow machine funk.

listen

Aquarian Motion – Beyond The Pillars Of Hercules [VG002]

VA – Datafunk V2.0 Sampler 1 [AFS-DJS1]

One of two very limited samplers of the Datafunk 2.0 project. Due to the project being considerably delayed a couple of artists pulled their tracks so Abstract Forms has decided to split the remainder of the project into two 12″ samplers instead.

listen

VA – Datafunk V2.0 Sampler 1 [AFS-DJS1]

The Exaltics – 10 Million Light Years [SOM001]

Already a SOM classic “10 Million Light Years” from The Exaltics inkl. Kan3da remix was original released via Usb stick and CD in 2007. Now 10 years later its going to be re-released and remastered on amazingly looking 10″ split color vinyl.

listen

The Exaltics – 10 Million Light Years [SOM001]

Tropical Hi-Fi – Oceania [ERS028]

Emotional Response starts 2017 with a mini-album of ambient-equatorial enlightenment by Australia’s mysterious Tropical Hi-Fi. The final record from an artist appearing on the label’s first SchleiBen series, this also points to the future. Based somewhere in the far flung Northern Territories, the music of Hi-Fi’s pre-incarnation Electric Egypt was first discovered via the note-worthy airwaves of L.A’s outstanding Dublab radio station. As the wonderfully diverse internet shows and project’s dense, hip-hop inspired collages came to fruition with 2012’s Exotica release, a dual awareness and sporadic contact was maintained whenever a signal could be established with Hi-Fi base camp. As the SchleiBen series was formed, the studio-DJ-cut-up-mix of Oceanic Mythology was warmly received as an inspired counterpoint to the dense offering from Don’t DJ. These first real solo recordings from the Hi-Fi crew – whoever he/she/they maybe – moves on from the cut’n’paste of Electric Egypt to seek a meditative vision. Ambient, drone and field recordings are all part of a drifting tropical flavour that encompasses the listener. Music truly inspired by it’s surroundings, this is not some music journal, flying in to sample a life and it’s sounds, but the real, living entity and it can be heard deep across the 8 short pieces. None is more typified than Tahiti Blue, where fellow traveler Mike Cooper layers his ubiquitous steel blues over simple, lilting drums. Mixed by Leaving Record’s Matthewdavid (with whom more to come on the label in 2017), photography by Native Finger and the ever-present encouragement of friend and neighbour, Ariel Kalma, this is conceptual album to lay back, drift off on undulating swells and simply, let go to.

listen

Tropical Hi-Fi – Oceania [ERS028]