Roberto Auser – Eclipse [PNKMN002]

AUSER, Roberto - Eclipse

The second EP on the dutch imprint Pinkman comes from Roberto Auser, bringing a varied EP with his unique westcoast sound. First up is the outer space dance track ‘Never Say Never Again’, remixed by Dutch techno pioneer Mark du Mosch on the flip. The final track ‘Eclipse’ brings us back to his native country Ausland, a tribal battle track for all the weekend warriors out there.

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Roberto Auser – Eclipse [PNKMN002]

In Trance 95 – Shapes In A New Geometry [MW043]

Minimal Wave announce the release of a cassette of new music by Greek legends In Trance 95. After last year’s successful Cities Of Steel And Neon album release, In Trance 95 came together once again and have been working diligently in the studio on all kinds of new material. Aside from their recent raved about shows in Europe, this cassette is a taste of what they have been up to at Airdawn Studio in Athens, Greece. Quite dark, industrial and sometimes experimental (with glimpses of smokey dance floor atmosphere), these tracks are stark, heavy and cold.

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In Trance 95 – Shapes In A New Geometry [MW043]

Q4U – Q1 (Deluxe Edition 1980-1983) [DE040]


Q4U was born the winter of 1980-1981 in Reykjavík, inspired by the British punk movement. It’s original members were Elínborg Halldórsdóttir (Ellý) (vocals), Berglind Garðarsdóttir (Linda) (vocals), Steinþór Stefánsson (guitar), Gunnþór Sigurðsson (bass), Helgi (drums) and Már (synthesizer). Helgi and Már soon left the band and Helgi was replaced by Kormákur Geirharðsson (Kommi) on the drums. By early 1982 they self-released a full length cassette, “Skaf Í Dag” and appeared in the documentary “Rokk í Reykjavík,” which showcased the Icelandic punk scene. This version of the band ended and only two members continued on. In the summer of 1982 Ellý and Gunnþór recruited Óðinn Guðbrandsson (guitar) and Árni Daníel (synthesizer) from the band Taugadeildin. Their drummer was replaced by a Roland TR-808 drum machine they named “Elísabet II”. signaling a change in the group’s sound toward synthesizer-driven post punk. In August 1983 Q4U reinstated Kormákur to record a final set of demos and then called it quits. This compilation collects 16 songs from 1980-1983. SIde A features the original six songs from the “Q1″ EP, plus 2 songs from the “Rokk í Reykjavík” soundtrack. Side B collects 4 demos from 1982 and 4 demos from 1983, all presented on vinyl for the first time ever. Q4U began with a stylish, aggressive punk image before experimenting with drum machines and synthesizers, which almost nobody did in Reykjavík at the time. The later sound had gothic leanings,often compared with Siouxsie and the Banshees and Xmal Deutschland. Their body of work is united by the powerful vocals of Ellý, who mostly sings in Icelandic about controversial, political experiences, much like Ari Up of The Slits.

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Q4U – Q1 (Deluxe Edition 1980-1983) [DE040]

Sandra Plays Electronics – Her Needs [MW042]

Minimal Wave label presents a 7” release of primitive D.I.Y. electronics by Sandra Plays Electronics, a project founded by Karl O’Connor (Regis) whilst he was a teenager living in Birmingham, England in the 1980s. O’Connor, mostly known for his pioneering work in the techno field (as Regis, Sandwell District, British Murder Boys, Ugandan Methods and various other entities) as well as his Downwards label, began playing and recording his own music when he was 16 years old. He collaborated with friends performing in short-lived bands such as Family Sex and also recorded on his own as Sandra Plays Electronics. He was heavily influenced by D.A.F., Liaisons Dangereuses, Cabaret Voltaire and Soft Cell, to name a few and would eventually collaborate with Robert Görl and also Chrislo Haas in the late 90s. The tracks we are presenting here are two versions of the same song, Her Needs, both recorded in Birmingham, England. The first was recorded in 1988 during soundcheck at the College of Food And Domestic Arts and the second was recorded in 1999 (from the Man Has Responsibilities session) at the Ice House. Pressed on heavy weight 70 gram ultra clear vinyl, the 7” is housed in a matte double sided printed foldover sleeve. Limited to 999 hand-numbered copies.

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Sandra Plays Electronics – Her Needs [MW042]

Electric Street Orchestra – The Natives [DTR02B]

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This is a journey led by Jeedo’s Electric Street Orchestra to his native land, Detroit City. The Natives: It was created in direct defense to the assault on Detroit City. The uprooting of it’s original citizens is fastly becoming the norm, as the population has plunged by 25 percent over the last decade. The Natives is meant to celebrate all the pioneers, revolutionaries, Moms and Pops that somehow get last in the media’s coverage of newly imported ”do gooders”. Serpents: According the Bible’s Book of Genesis, the serpent is a symbol of evil who appears in the Garden of Eden to tempt Eve. The serpent is portrayed as a deceptive creature or trickster with ill intent. We’ve all encountered numerous snakes in life, however this metaphor can also be applied to the cities ongoing issue of land-grabbing by numerous corporations with empty promises to build farms. Reconstruct: This is the quiet after the storm, cleansing the palette for rebirth. A new beginning, one with hope and great promise. It was used as a sonic bed for the theatrical trailer of the award winning documentary ”Detropia”. Once again Waajeed AKA Jeedo has assembled a cast of sonic masters under one of his many monikers, Electric Street Orchestra. Including UR’s Mad Mike, DJ Skurge, Ray 7 and newcomers Tiny Hearts.

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Electric Street Orchestra – The Natives [DTR02B]

Florian Kupfer – Florian Kupfer [LIES014.5]

Debut release by new artist Florian Kupfer. On this four song 12 inch we’re taken through a wild journey of a man and the story of his machines. Very emotional and human feeling, these lovingly saturated tracks move through the worlds of techno and house in subtle, unassuming fashion though totally distinct in their own right as each song possesses its own personality regardless of the man/machine relation.

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Florian Kupfer – Florian Kupfer [LIES014.5]

Belaboris ‎– Once Upon A Time LP [DE041]

Belaboris was born in 1982 as the brainchild of Finnish producer Kimmo Miettinen. He would put together an all-girl band that looked great in photographs but were backed by professional musicians. The first line-up was Vilma Vainikainen on main vocals, Sisko Vainikainen and Rita on back-up plus Jake and Mari who did not sing at all. The backing band behind Belaboris was a local New Wave group called Tyhjät Patterit ( which translates to Empty Batteries). The main songwriter was Esa Ijäs (guitar, synthesizer) along with his bandmates Ari Ijäs (bass) and Martti Jalonen (drums). Belaboris’ debut 12″ single “Kuolleet Peilit” was released in November 1982. “Once Upon A Time” collects songs from all three EP releases and the “Olipa Kerran” mini-LP as well as two unreleased demos never before on vinyl. In Finland the synthetic Futurist/New Romantic pop was simply called “Futu”. Belaboris were in their own peculiar, undefinable no-woman’s-land, in between the Finnish Futu and Gothic scenes. Between 1982 and 1984 Belaboris crafted catchy, melodic synthpop with the occasional guitar. Their lyrics were stylistically “kitchen sink melodramas” with occasional Gothic elements inspired by movies. The name Belaboris, is a combination of the horror actors Bela Lugosi and Boris Karloff.

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Belaboris ‎– Once Upon A Time LP [DE041]

Medio Mutante – Eadem Mutata Resurgo [MR019]

Medical Records present it’s first “modern” release showcasing a full LP compilation of material by American minimal synth band Medio Mutante. The band’s sound is also a mutation of their 1980’s influences, using vintage analog synthesizers and drum machines in creative and unexpected ways. Drawing influence from such acts as El Aviador Dro, Absolute Body Control, Front 242, Duotronic Synterror, Oviformia SCI, Yukihiro Takahashi, Medio Mutante integrated it’s childhood love of late 80s/early 90s Hip Hop, Latin Freestyle, and New Wave into a hybrid concoction that is truly unique. This full LP is composed of the band’s long out of print 6 song limited EP from 2007, their limited 7″ from 2009, and 4 previously unreleased tracks.

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Medio Mutante – Eadem Mutata Resurgo [MR019]

The Exaltics – The Rise and Fall [CREC013]

The Exaltics return to Creme with this mondo otherworldly rip roaring robotronic assassination squad that exposes Judge Dredd as the cartoon character he actually is and tear him to shreds while they’re at it.

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The Exaltics – The Rise and Fall [CREC013]

VA – World Electronix Volume 2 [CE012LTD]

Cultivated Electronics returns with the next instalment of the World Electronix series. This EP focuses on 4 moody acid lead electro tracks perfect for dark basements and warehouses. First up CE is proud to welcome The Exaltics to label with a hard piercing track not for the feint hearted. Next up CE label head Sync 24 delivers a signature style hypnotic groove for dance floor. The flip side see’s Sync 24 and Abstract Forms label head Deixis team up for there second release. This time tuning in an acidic kick drum heavy roller. Finally the EP is rounded off by CRC aka Michael Deikmann who is no stranger to CE as one half of electro duo Morphology.

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VA – World Electronix Volume 2 [CE012LTD]

Maarten van der Vleuten – Internaut EP [SHIP019]

Maarten van der Vleuten, one of the godfathers of Dutch Techno and a true electronic music pioneer, on Shipwrec serves up his own recipe for Electro in the form of the ‘Internaut EP’. The title piece takes the rhythmic mould of the 808 but shifts the floorboards with industrial soundscapes and UK Techno sidesteps framing. A morphing and melting piece of otherworldly Electronics, over ten minutes of shifting synthsizer sands. “Holographic Inserts” lands with terse clips and pulsing basslines before a rumbling analogue chord breaks the surface. Warbling bulwarks of space meet clinical lines in an immense track of expansive proportions. An epic of atmospheric, sinister and sharp sounds; a style pushing the boundaries of Electro.

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Maarten van der Vleuten – Internaut EP [SHIP019]

DeFekt – Switch [SIG004]

Fourth release on Signal Code from one of Irelands finest producers DeFeKT. Here he delivers four top quality, chilled, smooth synth-laden electro tracks that will definitely stand the test of time. Electro has always had this timeless quality when it’s done right and this is certainly the case with this release.

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DeFekt – Switch [SIG004]

Space Dimension Controller – Welcome To Mikrosector-50 [RS1303]

Space Dimension Controller is in the cockpit, preparing to land his sophomore album thru R&S. A robot pilot announces imminent landing on the intro to the hyPer-Funk of the title track, and ‘While I Was Away’ wistfully gazes starboard to lush neo-soul vibes – imagine OPN doing slo-mo electrosoul. ‘It’s A Cold Planet Without You’ keeps a tense slowfast vibe with fluctuating drums and strobing cyber-dub FX, and the Eno-esque ‘Music For Spaceports’ decelerates the whole thing to lush ambient bliss mode upon reentry to orbit. listen
Space Dimension Controller – Welcome To Mikrosector-50 [RS1303]

Durant – The Dove Ultimatum [VVR005]

Vae Victis can’t hide their love and passion for raw house and techno. On this 5th release there is another fine selection of hybrids between styles perfectly expressing their love for genre bending music. Durant exists out of a small collective of producers with main roles for Steve Murphy, Die Roh and Lucretio. The Dove Ultimatum, a 4 tracks ep of punchy analogue electronic music. On the a-side lay General Motors and At Ten, 2 broken beat electro techno tracks a la Drexciya showing the hardest and most experimental side of the project. While on the flip the trio bring things on a housier field, though staying loyal to the a-side vibe by delivering 2 dark and obsessive raw house tracks.

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Durant – The Dove Ultimatum [VVR005]