
ElectroVision includes three Robert Cosmic iconic tracks, completely sold out for years, now remastered and included in one vinyl and a new track “Door Mir”, appearing on vinyl for the first time.

ElectroVision includes three Robert Cosmic iconic tracks, completely sold out for years, now remastered and included in one vinyl and a new track “Door Mir”, appearing on vinyl for the first time.

Mechatronica’s journey continues with Constellations Vol. 3, weaving together a powerful blend of electro and techno. Anthony Rother delivers his signature precision in sound design, while Maelstrom bends the grid with a glitchy, IDM-infused excursion. Credit 00 dives deep into electro’s darker corners, joined by a trippy collaboration from Serge Geyzel & Dagga, the rolling energy of TaronX, and The Spy’s industrial-tinged intensity.

The mystic SB&C, laying low amongst the stone circles of the Scottish Highlands send a message out to the cosmos with remixes from Orgue Electronique and Legowelt.

First Transmission Compilation is the very first compilation released by Meteors Recordings and the opening signal of its return for 2026. After stepping back to reshape its identity and welcoming new members into the team, the label re-emerges with a renewed vision and a sharper artistic direction. Bringing together artists who explore the edges of electro, EBM and darker experimental territories, this compilation lays the foundation of Meteors’ singular universe: raw, tense, and deeply atmospheric. Each track acts like a fragment of a message broadcast into the night: a true first transmission.

‘Shifting Bits’ marks the first full-length statement from 2:29, a rising young artist from the Netherlands. Rooted in shadowy, melody-streaked electro, the five original tracks (including one self-rework) revolve around the idea of transition and transformation. The title Shifting Bits reflects 2:29’s background as a software engineer: in computing, shifting bits alters values, creates new ones, or even causes loss, an irreversible process that parallels the way sound, workflow, and artistic intention evolve. Moving from DAW-based attempts to a more tactile hardware approach, these tracks capture the moment where experimentation starts crystallizing into a distinct voice. The cassette is rounded out by three remixes: a distorted and vintage-melodic rework from fellow Dutch producer Betonkust, a darker, driving version by Croatian veteran Le Chocolat Noir, and a contribution from Budapest’s Hadron Lundgren, his third appearance on the label, who reshapes the original into cold, atmospheric form.

“New World Vol. 3” marks the final chapter in Tiger Weeds’ VA trilogy and celebrates the label’s three-year anniversary. The compilation moves across Electro in its many forms, opening space for new directions while remaining rooted in the elements that define the Tiger Weeds sound.

The Xuntanza series returns with its sixth volume, reaffirming the collaborative spirit that has made it a reference within contemporary electronic music. In this new chapter, five artists from singular sonic universes come together on one record to shape a collective journey: Legowelt, Synth Alien, Vema Diodes, Irrational Language, and Sound Synthesis. The result is a mosaic of sounds in tune with the open and daring identity of Fanzine Records.

After the storm of their self-titled debut, Geneva duo Bound By Endogamy return to Pinkman with an album that trades brute force for precision. The rage remains, but it’s sharpened, disciplined, and driven by melancholy rather than rupture. Their minimal synth and industrial instincts rise to the surface, carving out room for melody without softening their confrontational edge. Angular basslines coil beneath Kleio Thomaïdes’ voice, at times detached and at times devastating, while Shlomo Balexert’s drum programming and synth work build a taut metallic tension. The result is both intimate and mechanical: love songs for disenchanted souls, post-punk electronics stripped to the bare wire. Bound By Endogamy have always blurred the line between performance and survival, and here they do it with minimal gestures and maximum impact.


Violet Poison returns to KRI with a full-scale assault of warped electro, mutant EBM and haunting wave. After previously appearing as a remixer and EP collaborator, Francesco Baudazzi expands his earlier contributions into a full-statement solo record that stretches from sub-zero electro programming to early-90s synthetic nostalgia and 80s romanticism. A diverse record by the veteran Italian producer is completed with remixes from Slow Motion affiliate Karolina BNV and long-standing KRI comrade Dj Nephil.

It’s that time of the year when Anthony Rother comes yet again with a new album, EXIT UTOPIA, as always available as ‘name your price’ on his bandcamp.

The word Datasal paints inner pictures for most people growing up in Sweden during the 1990’s. The datasal (a classroom for computers) was an ordinary classroom with few changes to fit the school’s 10 newly leased computers. The room represented the change of times in Sweden during this period: the fixed institutions and the awaiting digital flood wave. The music of Datasal sounds captures the feeling of printing a downloaded picture of your favorite hockey player or music artist or the expectations building up as you wait for the modem to log in to interact with the thousands of users of the internet in 1995. The tracks this release manifests the excitement but also the bit of fright you felt connecting to the world in the mid 90’s – a time when the internet still was fun. The sound is built around repetitive sequencer loops and programmed beats where electric bass, electric guitar and flute improvise around a theme, creating a sound that is best described as cosmic flute house. Datasal is an harmonic reminder of a time where digital progress seemed less harmful than today.

Skylax Records presents a monumental new release by two of France’s most revered electronic music icons: Arnaud Rebotini & Acid Washed. This record marks the first chapter of a secretive 4-part project – each release forming a piece of a bigger picture – a bold and mysterious tribute to the roots and future of rave culture.

‘Neoclash’ is DJ Hell’s new work. The Electroclash of the early 2000s is reconstructed here, its characteristic codes extracted and reshaped into a modern, reflective form. Neoclash is a cultural experiment – music as a medium of reflection, a structure for space and time, and a vehicle for exploring the tensions between technology, the body, and perception. Electroclash now – or a manifesto for the aesthetic relevance of electronic club music, combining strong old-school references with a new understanding. DJ Hell, a.k.a. Helmut Josef Geier, delivers a contemporary reinterpretation of the Electroclash genre. International Deejay Gigolo Records was the pulse of the movement 25 years ago – and Hell, its very namesake. Godfather of Electroclash reloaded. 25 years and many milestones later, DJ Hell returns to his roots with Neoclash, proving that Electroclash in 2025 can sound not nostalgic, but forward-thinking and visionary. Neoclash builds a bridge between past and present within electronic dance culture and club music.

This track from MVQX dates back to 2019; now it’s here, remastered, and available to download for free.

Marking the anniversary of three decades of career, Dopplereffekt debuts on Tresor Records with Metasymmetry. This latest release finds members Rudolf Klorzeiger and To-Nhan in deep inquiry in sound, contemplating structure and pattern in physics and nature resulting in a harmonious audio tessellation. ‘Metasymmetry’ itself relates to a kind of second-order reality found not in the structures of life but in the rules that govern these structures; that order exists not only in things but in the relationships among systems of order. It is a structure of structures, a logic of laws, an abstract unity embedded in the act of transformation itself.

Detroit meets the Dutch West Coast. When DJ Maaco (Detroit In Effect) teams up with Alden Tyrell, you know the result won’t be subtle. Banging electro grooves, early techno vibes, and pure machine funk—crafted with love and a healthy dose of fun in the studio. This is the sound of two producers letting loose, channeling the raw spirit of the underground with a playful nod to both Motor City classics and Dutch West Coast swing.

Crisis Records returns after a five-year hiatus with Archives EP, a new release from Imre Kiss and Norwell. Recorded between 2015 and 2020, the tracks mark the duo’s first collaboration since their acclaimed Ad Astra EP seven years ago. Across the EP, Norwell’s sparkling arpeggios sit comfortably alongside Imre’s atmospheric pads. The sharp, metallic drum programming anchors the tracks with cold, rhythmic precision, while rich basslines, occasional squelching acid, and eerie vocal samples create a captivating, hypnotic atmosphere. There is a strong sense of nostalgia throughout, with hints of Kraftwerk and Detroit’s Drexciya woven into the sound, yet the pair still manages to craft something that feels distinctly their own.

In “Time To Face”, Boris Divider seems to operate from an invisible sub-layer of the system, where machines no longer execute orders – they interpret, react and reconfigure themselves. Each track works as a fragment of a world in mutation, a territory where the friction between algorithm and synthetic consciousness generates brief sparks of humanity.