VA – Terra Incognita [ERC034]

Emotional Rescue starts its 5th year by shining a light on one of Europe’s best underground 80s’ label in Spain’s Auxilio De Ciento. Their Terra Incognita Volumes I and II collated an international mix of synth-pop, new wave, world and industrial sounds to a small but appreciative following. Released in 1985 and 1986, the Volumes have become highly regarded and rightly sought after, finding a place in discerning playlists from London to Amsterdam and Dusseldorf to Glasgow. Here, taking a premise of avoiding the songs unearthed on other recent reissues, is a unique album itself. Starting with Denis Mpunga & Paul K’s esoteric Criola, a fusion of fourth world ideals and poly-rhythmic funk. The music of Mal, Bene Gesserit and La Caida De La Casa Usher, however, soon highlight that the decade also belonged to dark, minimal synth as to shiny balearic ideals. The inclusion of Hector Zazou with Bony Biyake and their contribution Komba, is a fitting continuation from their cult Noir Et Blanc LP before, things continue with US avant-artist Danny Alias and his humorous Big Brother “response” to Laurie Anderson’s Superman O. Image Pour Image loose indie-pop and the inclusion of seminal Beast Of Burden lead again to a Zazou contribution, this time in his collaborative Stranger In A New Light, before the compilation eclectically ends with the dadaesque Lakota and the post punk dub of Instead Of’s closer, Angels .

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VA – Terra Incognita [ERC034]

Philipp Gorbachev & The Naked Man – I Don’t Give A Snare LP [ARMA016]

Arma presents the debut Philipp Gorbachev & The Naked Man album. Philipp Gorbachev, the Russian musician and DJ, has been throwing killer parties and making some of the most innovative and exciting electronic music to come out of Moscow in years. In 2014 he released his debut album Silver Album but when invited to perform a live Boiler Room he had something else in mind: a band scenario. The resulting concoction was not something locked into a 4/4 beat but rather a much more organic, groove-based sound with funk-strutting bass lines and live drums that rolled and flurried around the beats that jumped around leading the charge of the songs along with Gorbachev’s Damo Suzuki-like vocals. Taking that experiment into the studio, ‘I Don’t Give A Snare’ is a wild ride that jumps genres, switches paces and alters tones frequently. The opening ‘Goodman’ exploding in intense rhythms and heavy, spiralling riffs that at times recall Sabbath but the ever-shifting drums and gargling electronics give a wonky freshness that feels impossible to place into genre. Whilst Gorbachev cites a range of influences from Beck to Blind Willie Johnson as being core to him, the primary motivation is the live nature of the project itself. ‘The main influence is the constant live experience we have as music players and performers. I want to get the most out of every party, every jam, and every dancefloor.’

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Philipp Gorbachev & The Naked Man – I Don’t Give A Snare LP [ARMA016]

Kӣr – Imrali (Live At Medika Zagreb) [CREMECS002]

Recorded live during an Ekstrakt party, in the legendary Medika squat in downtown Zagreb. Kӣr is the production moniker of WhyBaneWhy, resident DJ of Belgrade’s dankest technoclub, Drugstore. Bane’s sets incorporate a wide range of influences and travel far off the beaten path, drawing in influences from techno to new wave to power electronics, obscure ambient, folk music, twisted echoes found deep in lost wormholes and whatever else it takes to distort your feelings, lost and disorientated whilst working up a sweat. Kӣr takes all this and pushes the envelope with punishing hardware. Its visceral music, embracing drones, repetition, rippling soundscapes and obscure sonic horizons, to boldly go where others throw in the towel.

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Kӣr – Imrali (Live At Medika Zagreb) [CREMECS002]

Gunnar Haslam – Kalaatsakia [BK025]

The latest transmission from the world of Gunnar Haslam, Kalaatsakia wildly sprawls across the intersections of techno and more abstract sounds to take us on a wideranging journey from the subterranean to the coastal, from blown-out dub tones through fractured rhythms. An incredible work that is not easy to pigeonhole, Kalaatsakia is a full length album that navigates and sketches landscapes where new languages are created from old, dead ones to emerge as the lingua franca of interconnected immersive zones. Haslam is an avid home listener of dub, dancehall and calypso, and that influence is quickly felt as Kalaatsakia launches with a tight electro snap and dubwise crash. Kalaatsakia advances and retreats seasonally, tightening up for the floor with the chrome-plated ‘Broadcast’ and ‘Kjolle’ while splintering apart on ‘Kalapuyan’ and ‘nxbound’. Its constituent parts are often left to collapse in on themselves, smearing themes into residual trails. As the narrative of the album disintegrates and unfolds into more deconstructed territory, it stretches out even further with a striking skittering mental tease, settling into burbling sub-audible vocals and resonant spaces that all form a part of Haslam’s self-created subconscious language.

vinyl / CD

Gunnar Haslam – Kalaatsakia [BK025]

Fontän – Fontän [HNRLP010]

FONTAN - Fontan

There are many ways for a band or an artist to compile an album: some make it in a week and some let the process go on longer. The latter approach does often mean that that the record will not be better than had it been recorded and mixed within a short amount of time, rather the contrary. However, there are those albums that just could not be made within in a week or a month, those compilation of songs that needed the time to melt together to form an album. Fontän’s third album titled ‘Fontän’, released on Hoga Nord Rekords is that kind of an album. Put the opening track ‘Mangsebung’ on, then stay with the record until the closer ‘Shadows’ rings out and you will go clear, sharp, and mildly messed up by the listening experience because this is an extremely well directed trip in mind-altering music! This album needed time to reach such heights. With Johan Melin’s and Jesper Jarold’s love for music and non-sentimental creative approach, this album proves that the band never gets hung up on trying to sound like the past masters, but to develop what they once started.

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Fontän – Fontän [HNRLP010]

VA – Five Years Of Loving Notes [ATN5YEARS]

5th Birthday comp featuring a host of artistst who’ve graced the label over the perioid.. Exclusives from Tolouse Lowtrax, Geena, Iueke, Domenique Dumont, . Inoue Shirabe, Raphael Top-Secret and more… Gatefold Sleeve. The music on this compilation covers a wide spectrum of moods and atmospheres, from the dark and raw excursions from Tolouse Low Trax or Iueke to the lush instrumental crafted by Nico Motte and Syracuses Antoine Kogut; however as the listener gets deeper into the compilation, the whole of the tunes, sitting side by side on the records, start to make sense as they all seem to point towards the same direction. If one should try isolating a common trait from all these songs, one might come to the conclusion that it lies in the way they all speak directly to the listeners emotional receptors, unvarnished and without abusing of producers tricks.

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VA – Five Years Of Loving Notes [ATN5YEARS]

The Mulholland Free Clinic – The Mulholland Free Clinic [AWAYLP001]

Even though they’ve only played together on three occasions since 2013, The Mulholland Free Clinic has already been praised as one of the ultimate collaborations when it comes to underground and improvised electronic live music. Move D, Jonah Sharp, and Juju & Jordash build this so-called super-supergroup by combining their individual and mutual projects rEAGENZ and Magic Mountain High. Using an armada of analog hardware, The Mulholland Free Clinic’s self-titled debut album is the product of a live set recorded at Berlin’s emerging party series AWAY at ://about blank in August 2016.  Their three-hour long, totally improvised jam session was edited down to a little over 80 minutes with seven tracks internalizing the motto that you won’t benefit from diverse perspectives if you aren’t open to utilizing differences. Like a well-coordinated ensemble, The Mulholland Free Clinic develops a common language by acknowledging their multi-variant range of influences and dynamics while constantly shifting, rearranging, and finally communicating ideas without being beholden to any genre. Whether it’s the rich and beat-less ambiance or the synth-dominated excursions, the cosmic futurism or the overall melodic playfulness: the quartet knows its crafts, mastering the off-the-cuff approach to illuminate all corners on and off the dance floor.

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The Mulholland Free Clinic – The Mulholland Free Clinic [AWAYLP001]

Marco Shuttle – Systhema [SPAZIO009]

For its ninth release, Italian label Spazio Disponible looks to countryman Marco Shuttle for a first full length. ‘Systhema’ comes three years after his last album on his own Eerie label and finds him again focussing on an absorbing ambient techno style across eight enthralling cuts. Shuttle layers sound in subtle ways and has a meticulous attention to detail that results in a cinematic techno style that is cavernous and hypnotizing. Always operating in a region where ambient, techno and heady soundtracks become one, with this album Marco Shuttle once again confirms he is one of the finest sonic sculptors out there.

vinyl / CD

Marco Shuttle – Systhema [SPAZIO009]

Biosphere – The Petrified Forest [BIO30LP]

Biosphere is the main recording name of Geir Jenssen, a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album. The Petrified Forest mini-album is inspired by the movie of the same name, released in 1936 and directed by Archie Mayo.

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Biosphere – The Petrified Forest [BIO30LP]

Credit 00 – Recordings From Schonbrunn Strasse 2009 – 2012 [NYH081]

Having established himself through a consistent stream of quality releases for Uncanny Valley and the immaculate collection of stomping dj tools for Rat Life, Credit 00 – real name Alexander Dorn – brings the heat on cassette for NYH81. These are recordings taken from his old apartment, and feature a heavy dose of reference to classic Gertronica. From Can to Kraftwerk to Neu! to (now) Munich’s Dopplereffect, this is some really nifty classic electro. From the 20 minute opening joint to the perfect pop song length closer ‘No Future Sound Of London’, these joint combine experimentation with spot on electro bangers. Audio perfection on cassette tape.

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Credit 00 – Recordings From Schonbrunn Strasse 2009 – 2012 [NYH081]

Danny Wolfers – Unfolding The Future With Amateur Space Jazz [NW014]

What is Amateur Space Jazz One could call it a Lo-Fi Minimal Wavish version of Cosmic Space Jazz and anything closely related to it…from spiritual soul, G-FUNK, ethiopian jazz to ambient and everything in between…no knowledge of musical theory is required…Played with a D.I.Y punk approach on crappy digital synthesizers – preferably with dubious renditions of real instruments. Warmed up to the right temperature with some offbeat effectsbox. Multitracking is a technique widely used…to Create a “one person band with all its members oneself’s multidimensional copies in time.”…….Comes with a 24 page graphic novel written and drawn by Danny Wolfers himself and a Nightwind Amateur Space Jazz gummy domed sticker…….Let’s enter world of Amateur Space Jazz!!!

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Danny Wolfers – Unfolding The Future With Amateur Space Jazz [NW014]

Move D & Thomas Meinecke – On The Map [OMLP12]

The long-standing partnership of Moufang and Meinecke hit album number five with On The Map. A conceptual piece comprising five tracks that explore and celebrate black music and cultural history in five neighbourhoods across America, we’re treated to an arresting blend of found sounds and motifs across the deliciously slo-mo soundscapes. From the coastal blues of “Norfolk” and the darker, paranoid twangs and unease of “Washington DC” and “Watts” to the strutting space bound “Houston” and jazz blasts of “East St Louis”, this could be M & M’s best trip to date.

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Move D & Thomas Meinecke – On The Map [OMLP12]

VA – Mono No Aware [PAN077]

Mono No Aware is the first compilation to be released on PAN, collating unreleased ambient tracks from both new and existing PAN artists. Featuring Jeff Witscher, Helm, TCF, Yves Tumor, M.E.S.H., Pan Daijing, HVAD, Kareem Lotfy, ADR, Mya Gomez, Sky H1, James K, Oli XL, Bill Kouligas, Flora Yin-Wong, Malibu, and AYYA, the compilation moves through more traditional notions of what is called ‘ambient’, to incorporating wider variations that fall under the term. ‘Mono No Aware’, ‘the pathos of things’, also translates as ‘an empathy toward things’, or ‘a sensitivity to ephemera’. A term for the awareness of impermanence, or the transience of things. A meditation on mortality and life’s transience, ephemerality heightens the appreciation of beauty and sensitivity to their passing. In investigating the passing of time, the boundaries between memory and hallucination become blurred; between fiction and reality. The movement of time transforms into an eternal present..

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VA – Mono No Aware [PAN077]

Biosphere – Black Mesa [BIO029]

Black Mesa is the first single from Biosphere´s forthcoming album The Petrified Forest. Biosphere is the main recording name of Geir Jenssen (born 30 May 1962), a Norwegian musician who has released a notable catalogue of ambient electronic music. He is well known for his works on ambient techno and arctic themed pieces, his use of music loops, and peculiar samples from sci-fi sources. His 1997 album Substrata was voted by the users of the Hyperreal website in 2001 as the best all-time classic ambient album.

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Biosphere – Black Mesa [BIO029]

John Heckle – Tone To Voice [TABR038]

‘Tone To Voice’ is John Heckle’s fourth long player, and second on Tabernacle. Science fiction tracks of the highest order demonstrating a subtle development of John’s already widely recognised sound.

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John Heckle – Tone To Voice [TABR038]

Orphx – Archive 1993-1994 [MNQ089]

There are less than a handful of bands that can honestly say they were equally involved in the early 90’s noise scene, the mid 2000’s dark ambient scene, and what simultaneously emerged as the power noise movement in Europe. Orphx is one of these pioneers and have gracefully interwoven their tortured electronic architecture among the various subcultures of fringe electronics, while seamlessly continuing on to remain a vital part of the contemporary wave of industrial techno hysteria. Mannequin Records presents an archival collection from the what could be considered the genesis of Orphx’s unique sound. Inspired by early industrial music and new waves of noise from Japan and Europe, the compilation is gathers together some of the best material from their first two cassette releases along with previously unreleased tracks recovered from the original 4 track tapes.

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Orphx – Archive 1993-1994 [MNQ089]

Tolouse Low Trax – Decade Vol.3/3 [ATN030-03]

The thrid an final installment of archive material. Tolouse Low Trax just needs an MPC, a small Synthesizer set up and some effects to create subliminal hypnotic music trips, driven by dark synthlines and drunken shuffled patterns. ”The primitiveness in my music is linked to something simple, and that don’t have to be obligatory minimal. For me it is enough to dance rough around the core. Music you don’t shape till the end contains of a moment of beauty. A veil of secrecy. I work very simply. I rather reduce my possibilities in ompass. Limitations offer lots of liberties.”

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Tolouse Low Trax – Decade Vol.3/3 [ATN030-03]

Xosar – Xymeria [FREE DOWNLOAD]

The year is 2051. The human race has split into two groups. One maintained their basic human state, while the other transformed by tapping into their psychospiritual lifeforce potential. The second group created a higher dimensional civilization. They called it Xymeria.

Xosar – Xymeria [FREE DOWNLOAD]

Peter Westheimer – Cool Change LP [LER1008]

WESTHEIMER, Peter - Cool Change

If you walk into a record store you might discover Peter’s recordings filed under the usual headings: Electronic, Ambient, Experimental or New Age. Peter has long loved blending sounds from around the globe, with both Asian and European classical influences often finding comfortable spaces beside his synth pop sensibilities within his soundscapes. In the record stores of our minds you might also file some of Peter Westheimer tracks like ’Walking On The Edge’ or ‘Elastic Smiles’ under Mutant Disco or Divergent Dance Music.

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Peter Westheimer – Cool Change LP [LER1008]

Denis Mpunga & Paul K – Criola [MFM019]

MPUNGA, Denis/PAUL K - Criola

The last Music From Memory is a mini LP of works by Denis Mpunga and Paul K. Combining elements of traditional African music with experimental electronics, the Belgian/Congolese duo released only a handful of tracks, scattered across a few rare LP and cassette compilations that were put out in the mid eighties by obscure european labels . This release also includes a few previously unreleased songs that were found on the original master tapes.

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Denis Mpunga & Paul K – Criola [MFM019]