A collection of tracks, skits and moods for James Turrell´s visionary Roden Crater project by The Analog Roland Orchestra.
experimental
Credit 00 – PHNCST240
DJ soFa – Pingipung Podcast 64
Xosar – Holographic Matrix [FREE DOWNLOAD]
Techno mystic Xosar witha self-releasing 11-track album on Bandcamp. Holographic Matrix is filled with some of the murkiest and most sinister tracks of her career.
Nomad Ninja – Avond Sluimer [NW006]
Fourth in the Nightwind Records Cassettetape series. Dozing snuggy amateur synth jazz for the serious psychonaut. Oozing cloudy Rhodes electric pianos and saturated trip synthesizers. Comes in the usual luxurious vintage c64/zxspectrum style microVHS video game box . Also includes free professional dome sticker and “Nomad Ninja” Microzine/map.
Barry Donovan – Theories Of Escapism
B12 – Orbiting Souls [113DSR/B12-1]
Delsin present a new EP by B12 aka Steve Rutter entitled Orbiting Souls, a name which comes from the fact the veteran artist has recently spent contemplating the loss of a friend and believes we are surrounded by lost souls and spirits. Orbiting Souls is a somewhat complex journey, a representation of inner Bi Polar opposites; isolation; sadness, but also acknowledging the great and wonderful things around that swirl and support and energise us.
Tarquin Manek – Tarquin Magnet [BLACKEST047]
Tarquin Magnet is an album by Tarquin Manek (F ingers, Tarcar, LST), his first full solo release for Blackest Ever Black, and a unique synthesis of time-dilating folk jazz romanticism, brittle chamber dub and plasmic post-techno electronics.
Petre Inspirescu – Vin Ploile [MULEMUSIQ192]
Romanian minimal techno hero Petre Inspirescu releases a solo album on Japan’s Mule Musiq and what a moment in a brilliant career thus far. This guy is a true innovator and many are curious to hear what kind of journey into the deep and bizarre he can take us on. Starting out with the exotic bongo meditation of “Delir 1” and the breathtaking immersive ambience of “Delir 2” or the sinister and unsettling “Lumiere” things start to develop more movement later. Such as: on the deep hypnotic vibes of “Delir 4” or “Delir 6” which feature sombre string arrangements, emotive piano passages and some of the most expressive and restrained drums and percussion performances. All nine suspenseful compositions seduce with a deep melodic sensibility, harmonic adventures and an overall rhythmic ambiance of freshness and laidback enthusiasm. Together they represent a challenging auditory experience that will resonate in your mind long after the music has finished.
Charles Manier – American Manier [BOP004]
Tadd Mullinix returns to the lesser spotted Charles Manier avatar for the second album release on his Bopside label, and the first under this guise following releases for Nation and Ghostly. The resulting 11 track album is mostly new material with a lineage of inspiration that can be traced back decades, from box banging EBM club trax to spectral beatless excursions. Drawing influence from a variety of sources but still a cohesive, engaging listen – ‘American Manier ‘ is destined to become a future underground classic.
Chris Alexander – Music For Murder [GDLP003]
Journalist turned producer Chris Alexander is something of a hive-mind of information when it comes to obscure horror film music, so it’s perhaps unsurprising that his new album sounds like a pitch-perfect tribute to synthesizer-heavy, Italian “Giallo” soundtracks, and the horror-disco style perfected by John Carpenter. It’s made up of tracks Alexander wrote and released – usually via obscure, CD-R only labels – over the last decade. More importantly, Murder Music is actually rather good, with Alexander offering a perfect balance between clandestine synthesizer motifs, panicked beats, clanking industrial textures, hypnotic guitar lines, and chords that seem to creep up from behind.
Hieroglyphic Being & J.I.T.U. Ahn-Sahm-Buhl – We Are Not The First [RVNGNL033]
For those who maintain the more mutable dance music is, the deeper its impact on human evolution, RVNG Intl. presents ‘We Are Not The First’, an epic conducted and deconstructed by Chicago artist Hieroglyphic Being and the JITU Ahn-Sahm-Bul. ‘We Are Not The First’ combines the musical forces of Marshall Allen, Daniel Carter, Greg Fox, Shelley Hirsch, Shahzad Ismaily, Elliott Levin, Jamal Moss, Rafael Sanchez, and Ben Vida in deep dialogue with each other and humans’ hidden sonic history. Tracked as different personale patterns over a week of studio sessions in Brooklyn, said syntax translates into mesmerizing sound forms as the ensemble excavates sonic folklore and ancient music, employing spiritual-jazz’s welfare and health as an agency for balance. An album with an active brain, ‘We Are Not The First’ aspires to reprogram the mind, to transcend our expectations through bugged-out percussion, modular mayhem, flurries of free improvisation, and voices carrying through the air. Hieroglyphic Being & JITU Ahn-Sahm-Bul develop consciousness from primordial ooze. As in listening, the ooze intones an echo of our deep past, rendering the present ever focused. ‘We Are Not The First’ is an 11-part epic and each track is a movement therein that testifies: an ensemble’s vitality lives in its collectivity. When we ask the ooze, the ooze articulates: ‘We Are Not The First’.
Marcello Napoletano Presents Ra Toth and the Brigantes Orchestra – Introspettivo EP [BH025]
The last time that Marcello Napoletano flew this far off the radar was on Jamal Moss Mathematics label back in 2012. Now the follow up release comes on another outsider label, Berceuse Heorique and again, Napoletano treats the listener to another freeform selection. While the Italian producer’s house grooves have always been unconventional, going all the way back to Listen In Dreaming, this is in a whole different realm of weirdness. “Introspettivo” kick starts the release with doubled up beats and mad percussive whirrs and clicks and deranged cowbells. “New Old Think” goes in a jazzy direction with sax squalls fused with Patrick Pulsinger-style atmospherics and “Sunplasemood” ends the release with dubbed out beats and space invader bleeps.
Kirlian Camera – Eclipse [NTNO7871]
Norton North presents a collection of deluxe re-releases by Kirlian Camera: after 26 years the best-seller album Eclipse is again available on vinyl with the original tracklist and artwork. This record is one of the most representative albums of the 80’s, with his icy and pop style at the same time, a monumental classic for the synthpop and electronic scene, but also darkwave and experimental (the title-track “Eclipse” is a real classic for each underground club worldwide). Original released by Rose Rosse Records.
Mecánica Popular – Que Sucede Con El Tiempo? [VCR009]
Dead-Cert label have unearthed and reissued this curious record from Mecanica Popular. Originally coming out of Madrid back in 1984 and now available for consumption by a new generation. Because of its relative obscurity it’s difficult to say whether this has been influential or not but these guys were certainly ahead of the curve in many ways and were absorbing influences from great sources, remoulding them into their own vision of electronic music. ‘¿Qué Sucede Con El Tiempo?’ is a diverse and vibrant collection of tracks.
Bryce Hackford – Behind [MEA017]
Artist, producer and DJ Bryce Hackford presents the nine-track album Behind, his second full length since 2013’s Fair, and his first for Meakusma. Behind is an expansive collection for Hackford, who draws from experimental, process-oriented composition techniques to create sensorially engaging dance music. An ethos of presence, enrichment and dissociation pervades Behind – by stripping away the constructed-ness of so much dance music, Hackford allows himself to produce music that is as much a joy to create as it is to share. An ambassador of “ecstatic states” as he calls them, Hackford’s music suggests heightened temporal zones may be ubiquitous if you allow them to be. Behind is a proposition of such ecstatic states, its music pulsing vitally at opposite ends of the BPM spectrum. Distinctly unmotivated by polemic dialogues around dance music, Behind seeks a more soluble musical space for unmitigated engagement. It is music inspired by transitions, no less vital before sunset as it is after the curtain call.
VA – Concept 1210 [JUNE009]
June Records presents Concept 1210, a collaborative project between We Are Monsters, Ratlife Records, Nation and June Records. Represented respectively by All The Wild Eyes (Solar), Credit 00, Naughty Wood, Traxx, The Pedestrian, Villan X, Trenton Chase and June. Concept 1210 is a contemporary take on DIY electronics, made with the original rhythm machines, synthesizers and sequencers that became available between the period of late 1970s to mid 1980s.
Go Music – Go Electronic [GMFC001]
First volume from obscure label Go Music. Wicked evocative melodies and weird electronics from mysterious collective.
Patrick Cowley – Muscle Up [DE106]
Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, ”The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time, Patrick, along with his classmates Maurice Tani and Art Adcock, would create radio jingles and electronic pieces using the school’s equipment: first a Putney, then an E-MU System, and finally a Serge synthesizer. He would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.
Varg – Story Of K [NE023]
Jonas Ronnberg aka Varg with a mini album themed around dominance and glamour. This is the statement of Penthouse Electronics.
The Hipodrome Of Music 