
Word to the weirdos. Morgan Buckley’s vinyl debut with so many ideas and so much energy it’s almost hard to take it all on board in one listen. The sound of a man soaking it up and pouring it out.12″ comes with insert and a touch of ★magic☆.

Word to the weirdos. Morgan Buckley’s vinyl debut with so many ideas and so much energy it’s almost hard to take it all on board in one listen. The sound of a man soaking it up and pouring it out.12″ comes with insert and a touch of ★magic☆.

This fourth album from British techno veteran Inigo Kennedy – his first since 2010’s decidedly ambient September Pieces – has something of a “catch-all” feel. You see, Vaudeville refuses to stick to one sound, style or groove, instead referencing the many styles of techno and experimental electronic music that have inspired the popular producer over the course of his 18-year career. So, there are murky, IDM-inspired techno floorfillers (the melodious but faintly foreboding “Requiem”), early British psychedelic techno (“Plaintive”), dense, darkroom grooves (“Vallecula”), classic Yorkshire bleep and bass (“Petrichor”), Kompakt-ish organic techno (“Winter”), and spooky, droning ambience (“Narrative”).

Gunnar Haslam is a long-time regular at The Mister. By day he’s a scholar of particle physics and signal processing, and by night he makes very heady music, some of which has made its way onto our very first ten-inch release.

Philipp Weber is a musician living and working in Leipzig, Germany. His main focus when creating music is to capture the moment by using all kinds of instruments in a playful and intuitive way, experimenting with rhythms, sounds and melodies.

Varg debut EP for Semantica. Collection of recordings from tapes found hidden in the depths of the Ursviken tombs. Recorded live by Varg in Skellefte.

Defeating apathy by creating his own world, Abdulla Rashims music thinks before it speaks. Untangled energy and drive breathes life into the rigid rhythmic structures, where the wild, almost primal, core illuminates the heartfelt and soulful layers within in his music. This musical contradiction between thought and letting go, acts as the base foundation in Abdulla Rashim’s music. As a celebration and as a aural development, Abdulla Rashim releases his ‘Unanimity’ LP on Northern Electronics.

A new artist in the Diametric roster is delivering his debut album as Sons of Melancholia. Being a long time contributing artist in the techno scene, David Nizet, better known as Ozka, has put his heart and soul into this album. It is an album of sheer beauty and pure emotions and will enchant you with its honesty and rawness in places. The music is a mixture of harsh metallic percussive elements, abrasive sounds and breathtaking moody strings and pads. The clash of these elements makes this album so special and we at diametric. HQ believe that this will indeed become a classic electronic music album. For fans of early Autechre and 90s IDM music such as Beaumont Hannant, Stasis, Likemind and B12 but also with a nod to nowadays artists such as Vatican Shadow for example.

The LIES bossman delivers the third chapter in his ongoing series of electronic concoctions for Vatican Shadow’s ever-brooding Hospital Productions. Whereas Spit was an LP which wasn’t sure whether it stood in the techno realm or the noise pool, Periscope Blues is firmly grounded in Morelli’s most experimental frame of mind. It feels like a continuation of one concept over 30 minutes, a testament to his obvious passion for beatless, chest-pounding hardware experimentation. Comprised of eight tracks, Periscope Blues is the culmination of a mission gone wrong. Music for the stranded, the lost, those backed into a corner with nowhere to go, or maybe a reflection of sad individuals panicking on a tropical vacation gone awry. Somber yet very tense drifting off radar machine electronics that feel like a blistering sun beating down on decaying beach remains as time crawls on. That or the equivalent to working the grill summers at Jones Beach and stealing from the register just to get a little more.

The album Astral Traveling by Innerspace Halflife is among us with 9 tunes straight from the universal psyche, yet articulated with the tools of human perception through waveforms. Deeper and deeper the tunes take a listener on a journey of spacey pads, longing melodies, electronic bass notes, and jacking drum programming. In terms of human understanding, the universe is infinite which makes any scenario one can think of possible. With this in mind, Astral Traveling was composed and explores the deepness of creativity as Innerspace Halflife reaches down to pull out sounds using various techniques.

Francesco Clemente and Heinrich Dressel cross the sea of sounds where everything is permitted. The outcome is an album that’s rich in fascinations, and divided in two parts: in the first one the Canadian composer plays some suspended and gentle sounds, while in the second one Dressel brings the listener to an eternal struggle between darkness and light, comfort and despair.

Over the course of its intermittent output, Gunnar Wendel’s Ominira label has cultivated a reputation as a platform for intriguing cross format output that sits in the fuzzy nether regions between house and techno, complementing the Leipzig-based producer’s own work as Kassem Mosse. Typically for the label, Ominira’s first full length album release comes right out of left field with a long player from The Midnight Episode. With just a handful of prior releases to their name, there’s definitely an element of mystery and intrigue to the project from Nicola Cunningham and Karl ‘Kaneda’ Skagius, with the self titled eleven track set fully living up to its billing as a “selection of dark and glittering late night tunes drawing on the legacy of British horror”. Fans of Demdike Stare’s Tryptych series will definitely enjoy this.

Anom Vitruv continues to go against the tide with his second Mini LP on Tabernacle Records. It’s been almost two years since anonymous producer Anom Vitruv first appeared on Tabernacle, with a self-titled debut 12″ that effortlessly joined the dots between a myriad of crusty, hardware-heavy house and techno styles. This second outing for the label – like the first, a kind of mini-album of untitled tracks – continues in a similar vein, variously exploring bleep-heavy dream techno (“Track 1”), distorted experimental textures (“Track 6”), intoxicating Arabic techno (“Track 5”), spooky but melodic futurism (“Track 4”) and distorted post-electro (the standout “Track 3”, which sees cascading, 8-bit melodies riding a hissing wave of fuzzy drum machine percussion).

Christelle Gualdi’s second vinyl release as Stellar Om Source from 2011. The LP compiles little masterpieces from the same time period when her acclaimed “Trilogy Tapes” collection was released. With influences ranging from new age to experimental electronic music Christelle creates a wonderful and carefully layered album.

Jorge Velez returns to L.I.E.S. with his first effort since 2012’s Hassan LP. Through this six track LP we see the ultra versatile Velez weave seamlessly through numerous strains of electronics. From menacing drones to EBM influenced floor tracks to Sakamoto-esque melodic experiments, he creates an atmosphere equally suitable for home listening or adventurous club play. All of this very much reminding us of the days when Mute, Factory, Cherry Red, or Fetish Records were at their best.

Raw, analogue-drenched album by Syncom Data. Ranging from deep and dubby to detroit-inspired electro and industrial-influenced bass music.

This is the second release and second album for the Gilga series which seems to be proliferating on Felix K’s Hidden Hawaii label. The first LP came from Legowelt, last year’s uber-rare and slept-on Gilga 1, and for all we know Gilga 2 could come from the Dutchman too if we base our findings on the Danny Wolfers-esque track names. Synths and musicality play a big role right across Gilga 2 with dubsteppy drums and other elements effecting tracks like “Reversed Shell” and “These Are My Thoughts”, while there’s a Livity Sound-feel to “Purple Jude”. For something a littler deeper and rhythmic check out “Maschine Series” and “Slow Depression”, while “Harmony Korine (Happy Jungle mix)” ends the LP on a trippy note. Gilga 2 is intriguing machine-made music to say the least.

Vril debut LP on Giegling sublabel Forum. After appearances on other labels like Semantica and Delsin, Vril has now returned home to Giegling to release Torus, a surprise eleven-track LP with track titles that seemingly combine HTML-speak with Roman numerals. Vril’s productions combine elements of booming dub techno with murky reflections of rave with his own patented and progressive synth sound. Torus sees Vril deliver more of this, but he’s also extended the remit on this album to include other elements of dance music, with what sounds like Clone-inspired (west coast) electro, Chicago house and flashes of Adam X-industrialisms.

The JBLA outfit finally land on Desire with a supremely awaited EP that’s shimmering with gritty hardware flair and squelching noise trickery. The title track is a rampant, percussion-driven, post-punk tool and is hotly rewired by none other than LIES affiliates, Ron Morelli and Svengalisghost, who turn in a twisted, metallic version of the original – oscillating atmospherics and a minimalistic kick-hat form an alluring bundle of a groove. “Night With Potential” is a lo-fi kinda tune, with aqueous melodies and hazy landscapes. Our favourite LIES protege, Vereker goes in for the total kill on the remix, creating a nasty, cacophonous and industrial time-bomb for the end of days – this guys has plenty of tricks up his sleeve, apparently. A cop-on-site kinda EP, really…