
Some say history has come to an end… we say the future is about to start… Two brand new nu-jack sessions by Jamal Moss aka Hieroglyphic Being and Noleian Reusse.

Some say history has come to an end… we say the future is about to start… Two brand new nu-jack sessions by Jamal Moss aka Hieroglyphic Being and Noleian Reusse.

Kingpin of the Dog in the Night label, Robert Crash is back with his third ep for the label this year. More smoking hot beat tracks and club ammo for the workin’ disk jocks out there. Uniquely deranged yet rooted in the classics, you won’t wanna miss this.

For their next trick, the anonymous R-Zone crew turn out three darkly engaging cuts that once again look back to a ravey heyday for their inspiration, but at the same time conjure up some refreshing contemporary ideas that will no doubt have dancefloors in raptures. EP opener ‘Onefourone’ is an epic end of the night track with big drums, melancholic chords and a sombre sense of finality that makes you think the world could end anytime. ‘Gravity’ sounds like an invasion from space, with falling synth lines, buried deep drums and clattering percussion all making for a foreboding atmosphere. ‘Stolen Birds’ fills up the flip side with a groaning and darkwave synth line and cooing birdcalls. As big hi hats come in and glassy tinkles fill in the airwaves, it turns into a stormy affair that is both dancey and cerebral at the same time. As always with R-Zone, this is compelling, creative music that bristles and brims with all sorts of occult charm.

3 weirdo ones on the Cult of Properness… Proper’s Cult, the label launched by Amsterdam’s San Proper, present their second release, the debut of a jazz-fusion drummer who goes by the name of ”D.”, hailing from Katwijk (NL)… Three deep and mesmerizing house workouts veering into techno territories, with an acid glitch to them. Yes, they come with a lot of question marks and exclamation points…

For the latest edition of the intriguing Dessert Islands Discs re-edit series, the label has called upon the well-renowned scalpel talents of German-in-Amsterdam Marcel Vogel, AKA Em Vee. The Double Denim-sporting eccentric drops another gem in the shape of “White Heat Shake It Out (Edit)”, a bouncy and seductive disco chop-job that makes great use of the source material’s bustling groove and steamy, spoken word vocals. On the flip, lesser-known re-edit heads Papi Del Pancake and Claude Von Reefer take up the challenge. Their “Gimme What You Got” has a little more deep house shuffle, but retains the key instrumentation and feel of a sumptuous disco-soul jam.

Parrish Smith, Pankow & Perseus Traxx and a Helena Hauff remix for Pankow’s “Das Vodkaliedon” on the label’s first release.

After 2 years of silence around the DYFR label thought it would be a good time to release a new vinyl. 3 timeless tracks from minimal acid / techno to cheerful electronics and ending in a massive underground acid fest.

Terekke once again delivering low key yet powerful, haze inducing productions. On this record he moves through various worlds, sometimes uplifting, sometimes nodding out – maybe even entering into the darker ambient side of the spectrum.

Given the expansive nature of Terry Farley’s first celebration of early and classic house, 2013’s five-disc Acid Rain, you’d think he’d be running out of choices for this second, similarly epic selection. In fact, Acid Thunder is, if anything, a more pleasingly deep and in-depth collection. Whereas that first installment was heavy on relatively well-known classics, this follow-up digs deeper for inspiration. As a result, it’s packed with tracks that many house DJs simply won’t know, or have struggled to get hold of; not just stone cold classics such as Bobby Konders’ “Nervous Acid” or Hexx Complex’s “I Want You”, but genuinely overlooked material from the likes of Risque III, Peter Black and Jack James Rabbit. It’s something of a welcome history lesson, even for those with a good grasp of house music’s formative years.

Super Rhythm Trax return to the original Acid House blueprint of the mid/late 80’s , updating it with fresh ideas yet maintaining the integrity and super atmosphere of those early and exciting times.

“Zone 4 was the first project that I created as a whole idea, the creation of Zone 4 started around the time that the final track selection to A New World was taking shape. It sat for a number of years, shelved till the day that I found a label that would honor it the way I had envisioned”.

The first part of another Golf channel double header from the insanely prolific and scarily on form combination of Dean Meredith & Ben Shenton. A side ‘C.E.R.E.M.O.N.Y’ has been dubbed ‘the barnyard stomp’ by split secs’ / sonns’ Travis Kirschbaum (aka TK Disco) – 11 minutes of bluesy peyote riot that features Derek Holt of 70’s black country legends The Climax Blues Band. B side ‘Hiding from my Shadow’ is ripe with the funk too, but takes us away from the fertile stench of the psychedelic session in the barn and instead channels Minneapolis via Stafford as P-funk squiggles give way to Mr. Meredith’s trademark chugging bass.

Classic Italian Disco including Leo Mas & Fabrice Instrumental Dub and a Dj Rocca Vocal Edit.

Wicked Bass label presents a new release by newly emergent Detroit talent Manuel Gonzales, aka MGUN. Opener ‘Mono Port’ is a sludgy, dirty track with scuzzy ambiance, grainy white noise and plenty of grit obscuring buried deep kick drums and raw synth patterns. Second track ‘Frosted Lakes’ is a just as knackered sounding bit of whacked out techno. Broken kick drums trudge below spiralling synths, static interference and the general imperfect buzz and hum of analogue gear and it builds into a loopy banger that will blow minds as well as speakers. Last is ‘Chip Implemented’, another dystopian bit of depraved sounding techno with groaning synths, hurried drums and plenty of stormy winds blowing across its face. This is hugely textured, darkly cerebral music that manages to be minimal in design yet maximal in impact from start to finish.

Warmer than warm club/techno groovers by the man Brooks Mosher, delivering his third release on Dolly. 4 very strong cuts with exactly that dreamy & sensual feeling which might be the main reason why we like to dance & sweat in the dark so much… body to body with the eyes closed, far away from everyday trouble.