Maoupa Mazzocchetti – Laugh Tool [MNQ080]

Mannequin Records announce ‘Laugh Tool’, the debut full-lenght of Maoupa Mazzocchetti, pseudonym of Florent Mazzocchetti, young and talented French producer based in Brussels. Maoupa Mazzocchetti is finally bringing back to life the earlier days of electro-industrial, in a mixture that is very close to the late 70’s/early 80s period of Fad Gadget, Throbbing Gristle, Portion Control, Cabaret Voltaire and Front 242, crossed with the more fresh and innovative deep electronic experiments of Beau Wanzer and Charles Manier. Strongly addicted to a DIY ethic, and so to a punk ideology and anticonsumerism, most of Florent’s releases are recorded in his bedroom without any professional equipment, using analog synth and sequencers, modified drum machines, tape loops and a load of pedal effects. Florent started to experiment with the rhythm since his early age. Developing a passion for the drums at the age of 10 years, soon after he was moving to rock records and guitar, which became his instrument and one of the keystones of his perception of music. Florent approach with rhythm and drums was never traditional, making him feeling more a researcher than a musician. To an audience of contemporary electronic music consumers, who had only closely followed techno, electro and disco, the sounds of ‘Laugh Tool’ will appear unearthly, entirely unexpected, withering comets of strangeness. A 10 tracks album ready to change their minds…

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Maoupa Mazzocchetti – Laugh Tool [MNQ080]

Dust – Agony Planet [2MR010]

Fantasy Techno collective DUST – a trio comprised of audio engineer Michael Sherburn, DIY nightlife entrepreneur John Barclay and multi-disciplinary artist Greem Jellyfish – will release their nightmarish, alien horror narrative debut full length, Agony Planet, on Mike Simonetti’s new 2MR imprint. Immersed in Brooklyn’s DIY rave community, all three mem- bers held roles in the genesis of notable extinct venues 285 Kent and Trip House, and now Bossa Nova Civic Club. In 2012 Sherburn and Barclay joined forces to found DUST and were joined shortly thereafter by Jellyfish; the following year they released their first 12′, ‘Onset of Decimation,’ on Man- nequin. Between 2013 and 2015, they released several more 12’s, two on Mannequin, as well as one for Sci-Fi & Fantasy and one for 2MR. Over these years, with Sherburn at the helm, the framework and themes for Agony Planet began to be conceptualized. Twelve tracks, spanning in genre from digital hardcore, dun- geon techno, and celestial ambience, are all held together by a theme of extravagant extraterrestrial warfare. Club-savvy techno engineering accompanied by frontwoman Greem Jellyfish’s bizarre monologues and warped screams beckon listeners on a journey through the occult mysticism of the nightmarish and torturous deep ocean of an alien hell. Agony Planet is an unrelenting and bold debut from a trio not afraid to explore the dark caverns of the underground.

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Dust – Agony Planet [2MR010]

Palais Des Bauzards – In The Grassfield [OS028]

Palais Des Bauzards pursued an industrial and electronic variant of the sound that swept into vogue during the first half of the ’80s. This compilation digs into the original material provided by the band and offers an amazing selection from start to finish. The sometimes rudimentary though gripping tracks tracks on the first side are emblematic for their early period, for example “Money” a song driven by a screeching rhythm box, distant guitar lines and a nonchalant voice. Cabaret Voltaire comes to mind. They’re not afraid to experiment and to explore new horizons (the track “Lies”). The second side shows a more developed dark wave sound with In The Grassfield and Knowing Too Much both produced by legendary Belgian producer Ludo Camberlin. On top of this there are two dark goth rock stomper hidden in the selection, they hide by the names My Life Is A Sin & Eat Out Of My Hands. Overall it’s a broad selection of tracks which show the capability of the band to do something different with the new wave genre. Initially the group was formed in 1983 in the Belgian city of Leuven by Danny Jacobs, Dirk Van Regenmortel, Chris Serré (+2006), Frank De Wit and Rudy Stuyckens. In 1983 they released two tracks on the Mask Live LP together with Front 242. In the three following years many of their home recorded tracks were published on a bunch of cassette labels.

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Palais Des Bauzards – In The Grassfield [OS028]

Crash Course In Science – Jump Over Barrels [DE102]

Crash Course In Science are a post punk band that formed in 1979 in Philadelphia. “Jump Over Barrels” was recorded at the Third Story Studio in Philadelphia in 1981, one year after “Signals From Pier Thirteen”. The song remained unmixed and unreleased at that time for a proposed album titled “Near Marineland”. Lyrically the song tackles overcoming obstacles, self imposed or otherwise, with vocal interplay between Michael and Mallory. On the A Side is the original mix and a demo mix from 1981. Then on the flip is a brand new remix by prolific Ann Arbor producer Charles Manier, a pseudonym of Tadd Mullinix, who toughens up the track. Also included is an unreleased demo version of the song from 1980, accentuating the raw and skeletal nature of the track.

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Crash Course In Science – Jump Over Barrels [DE102]

Teeth Of The Sea – Highly Deadly Black Tarantula [LAUNCH084]

In the last decade, this iconoclastic four-pronged force has traversed from its origins in pub gigs and basement rehearsal rooms to far-flung locales aplenty. Yet this band has never lost sight of its original vision – to reconcile a fearless experimental drive with a primal lust for noise, and this is manifest on this fourth effort. Machine-driven yet melodically abundant, the widescreen industrial expanses of this album combine the influence of long-time band favourites like Aphex Twin, Angelo Badalamenti and Throbbing Gristle with new inspiration that spans from Chicago footwork to black metal. Yet this a fearsomely coherent assault of post-everything dementia sounds like no-one but Teeth Of The Sea.

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Teeth Of The Sea – Highly Deadly Black Tarantula [LAUNCH084]

Corporate Park / Beau Wanzer – CP / BW [BW003]

CP/BW is a collaboration between Corporate Park and Beau Wanzer. The LP collects material recorded over the past 3 years from various fits and bursts in Denton, TX. It’s a slimy hodgepodge of varied influences processed by warped minds and melting hardware, displaying Wanzer and Co.’s unique brand of American electronic madness.

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Corporate Park / Beau Wanzer – CP / BW [BW003]

Europ Europ – Much More Ordinary [PETITENFANT011]

After years of silence, the ”Petit Enfant” series which focuses on all things synth pop is back. Europ Europ never sounded so rhythmic before, but their typical (post)-industrial style is also there of course, resulting in two tracks of weird post-industrial disco.

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Europ Europ – Much More Ordinary [PETITENFANT011]

Charles Manier – American Manier [BOP004]

Tadd Mullinix returns to the lesser spotted Charles Manier avatar for the second album release on his Bopside label, and the first under this guise following releases for Nation and Ghostly. The resulting 11 track album is mostly new material with a lineage of inspiration that can be traced back decades, from box banging EBM club trax to spectral beatless excursions. Drawing influence from a variety of sources but still a cohesive, engaging listen – ‘American Manier ‘ is destined to become a future underground classic.

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Charles Manier – American Manier [BOP004]

Chris Alexander – Music For Murder [GDLP003]

Journalist turned producer Chris Alexander is something of a hive-mind of information when it comes to obscure horror film music, so it’s perhaps unsurprising that his new album sounds like a pitch-perfect tribute to synthesizer-heavy, Italian “Giallo” soundtracks, and the horror-disco style perfected by John Carpenter. It’s made up of tracks Alexander wrote and released – usually via obscure, CD-R only labels – over the last decade. More importantly, Murder Music is actually rather good, with Alexander offering a perfect balance between clandestine synthesizer motifs, panicked beats, clanking industrial textures, hypnotic guitar lines, and chords that seem to creep up from behind.

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Chris Alexander – Music For Murder [GDLP003]

ASSS – 100 EP [DTLSND006]

At first sight, ‘100 EP’ is the most abrasive techno output of Portland duo ASSS. Alex Smith and Sean Sumler have crafted an excellent four-track assault of propulsive drum sounds filled with industrial textures. Across the frequencies of ‘101’ to ‘104’, dense dynamics and unpredictable manipulation of modules reflect their own spontaneous, improvisational style into a new highly destructive release.

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ASSS – 100 EP [DTLSND006]

Broken English Club – Suburban Hunting [CITI018]

Minimal Wave sublabel Cititrax announce a full length album by artist Broken English Club. Oliver Ho (also known for his Raudive alias) expands upon the themes in his earlier output. Now though, he is presenting Broken English Club as the multifaceted project that it is. He fearlessly exposes a range of emotion through varying sound, texture and song structure. The result is a manifestation of his influences (post punk, noise, techno, grindcore) melded into his own unique vision and culminating in an album that sounds absolutely massive, both on and off the dance floor.

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Broken English Club – Suburban Hunting [CITI018]

Mecánica Popular – Que Sucede Con El Tiempo? [VCR009]

MECANICA POPULAR - Que Sucede Con El Tiempo?

Dead-Cert label have unearthed and reissued this curious record from Mecanica Popular. Originally coming out of Madrid back in 1984 and now available for consumption by a new generation. Because of its relative obscurity it’s difficult to say whether this has been influential or not but these guys were certainly ahead of the curve in many ways and were absorbing influences from great sources, remoulding them into their own vision of electronic music. ‘¿Qué Sucede Con El Tiempo?’ is a diverse and vibrant collection of tracks.

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Mecánica Popular – Que Sucede Con El Tiempo? [VCR009]

An Ultimate DJ – An Ultimate DJ? [PRR002]

A fusion between Maoupa Mazzocchetti, DJ Coquelin and PD Cloarec.Dark, guttural, noxious analogue filth and noise experiments here loosely held together with some kind of nod to the dancefloor.

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An Ultimate DJ – An Ultimate DJ? [PRR002]

Abdulla Rashim – A Shell of Speed [NE024]

Last year, Abdulla Rashim took time out to develop his alternative Lundin Oil project, delivering two EPs of in-your-face noise and industrial techno textures for Northern Electrics. Here, he switches back to his main creative name for a second Abdulla Rashim set that joins the dots between intense, beatless ambience and modular techno box jams. Despite the general bleakness of his sounds and method, A Shell of Speed is surprisingly picturesque and melodious in parts, with the brilliant “Crossing Qalandiya” delivering the kind of trippy, delay-laden electronic soundscapes that recall the halcyon days of IDM and ambient. Even so, it’s his more surging, rhythmically intense compositions – see “Red Pool” and “Ador Tracers” – that arguably stand out.

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Abdulla Rashim – A Shell of Speed [NE024]

Ron Morelli – A Gathering Together [HOS447]

A Gathering Together is Ron Morelli’s second full-length for Hospital Productions: a ‘techno’ cacophony brought to its granular detail and reduced to its most elemental tonal depths. A cohesive fusion of surreal and feverish deja vu loops, brittle noise, fucked rhythms, scrap metal percussions, pro-one metal synths, and an injection of near-buried, Drano vocal samples, it’s a fearsome celebration of brokenness, of amplified surroundings. Stereo-shifting drones and driving rhythms that tell the stories of those now gone, more a soundtrack for a wake than 4/4 crafted for the dancefloor. There’s a naked anxiety at work that doesn’t turn away from loss, but runs with an excited melancholy that looks to a future that won’t exist. The boldness of the gestures are not to be confused with exuberance. With this effort Morelli has shown remarkable restraint and patience most notably highlighted on title track ‘A Gathering Together.’ An intense cut born from rapid-paced dead-end urban environments that force people together. It’s a calling to do more, include more, and celebrate the many forms within those inconspicuous places. Upon numerous listens, it’s clear the sound design is a reflection of heavy compositional themes that suggest a greater whole. This is hard, dirty techno–humid, reduced, bare bones, yet dense and dissolved to its electronic soil. Heavy without being oppressive, it is the culmination of many elements pulled from all spheres of modern electronics, eaten, digested, and spit back out.

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Ron Morelli – A Gathering Together [HOS447]

Maoupa Mazzocchetti – Untitled [MNQ078]

Hailing from Brussels, Maoupa Mazzocchetti debuts on Mannequin Records with a killer 3 tracks proto electro / industrial single, anticipating his debut full length planned for the beginning of 2016. Deep, dark, stripped-down, Mazzocchetti’s tracks regurgitate the lesson of the 80s Belgian ebm/minimal synth legends in a new and fresh nervous musical urgency

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Maoupa Mazzocchetti – Untitled [MNQ078]