The KVB – Minus One [AUK109]

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London-based “dark wave” duo The KVB are a productive lot. Somewhat remarkably, this is their sixth album since 2011. It further explores there trademark distant, discordant, murky sound, blending barely-audible vocals and shoegaze guitars with fuzzy tones, clandestine moods and atmospheric grooves. While they can do full-throttle noise – see the growling “Dominance/Submission” and “Something Inside”, which push reverb and multi-layered guitars to their limits – they’re actually at their best when exploring less intense pastures. There’s much of this on Minus One, with the wide-eyed “Passing By”, dreamy “Endless” and clandestine “Kill The Lights” standing out.

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The KVB – Minus One [AUK109]

Shifted – Under A Single Banner [NAIL007LP]

Cover art - Shifted: Under A Single Banner

It’s been a busy couple of years for the producer behind the Shifted project. On top of an extremely well-received album for the Mote Evolver label, the producer has edged further out into the fringes of electronic music under a number of aliases, taking in noise/ambient variants as Covered In Sand, as well as more distorted, technofied productions under the Alexander Lewis moniker, a sound described by the Blackest Ever Black label as “S-M techno.” His new album as Shifted, Under a Single Banner, finds the producer converging these strands into a lucid re-imagining of techno, starting off from the toughened, purist templates honed down by the likes of Sandwell District and Marcel Dettmann, and stretching out into more textured, sometimes noisy, often introverted and melancholy signatures. It’s a perfect fit for Bed Of Nails, a label that’s given a platform for the more direct dancefloor mutations of Dominick Fernow’s own productions as Vatican Shadow, Rainforest Spiritual Enslavement, and Christian Cosmos, as well as familiar Hospital Productions affiliates such as Kris Lapke under the Bronze Age guise. There’s a rich and earthy warmth to Under a Single Banner that’s perhaps at odds with the puerile fixation on all things noisy at the fringes of techno these days, but for the most part, the tension and momentum keeps the album definitively aimed at the floor without ever resting on its laurels.

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Shifted – Under A Single Banner [NAIL007LP]

Madteo – Insider [DOSER018]

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Madteo’s return to Morphine. Really expanding his electronic pallet for this one and going into some heady experimental realms. Insider continues down the distinct path the fast talking Queens resident Madteo took on last year’s Sahko long player with “The Hiding Hand Principle” a particular highlight. It’s a sparse, sinister affair, with a high pitched drone wailing just under distorted vocals lurking just out of earshot, and a crawling kick drum that seems to drag itself along the ground like a wounded animal.

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Madteo – Insider [DOSER018]

Ron Morelli – Spit [HOS407LP]

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Given his stated role as curator at the head of the ‘non-stop’ LIES, it makes perfect sense that Ron Morelli would look elsewhere to issue his debut album. Gravitating towards the Hospital Productions label run by Dominick ‘Vatican Shadow’ Fernow makes equal sense given their shared appreciation of noise, ambient and industrial music. Apparently the first of three planned releases on Hospital from Morelli, it’s no little surprise that Spit arrives with much expectation. Spend some time with the eight tracks that make up the LP and you’ll begin to understand why Morelli has used such words as pressure, monotony and stress to describe the motivating emotions behind Spit. The corrugated growl of “Modern Paranoia” and the broken metallic rhythms of “Crack Microbes” are considered highlights!

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Ron Morelli – Spit [HOS407LP]

Kerridge – A Fallen Empire [DNKLP001]

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First surfacing with an impressive debut EP for the Horizontal Ground label, it makes perfect sense that Berlin-based Samuel Kerridge should then gravitate towards Downwards to further expand on his own brand of industrial techno. You get feeling that the knowing sense of humour apparent in many of the titles to Kerridge productions appeals to someone like Downwards label boss Karl O’Connor. After several EPs for Downwards, Kerridge unveils his debut album A Fallen Empire which comes brandishing “7 pieces of sonic warfare” that lodge the producer ever deeper into the crawlspace between jagged industrial techno and white noise laden experimental sounds. B side behemoth “Death Is Upon Us” is a morbid highlight.

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Kerridge – A Fallen Empire [DNKLP001]

Emptyset – Demiurge [SUB010]

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James Ginzburg and Paul Purgas are getting crustier and more experimental with every passing year. Recur, their fourth full-length excursion, is decidedly fuzzy and discordant. Seemingly intent on pushing experimental electronics to its limits, the formerly Bristol-based duo serve up a challenging but rewarding set based almost entirely around half-rhythms, white noises, drones, feedback and hissing atmospherics. It’s spooky, intense stuff, all told, occasionally enlivened by sparse, pared-down concoctions that sound like a smacked out take on Autechre. But for all the bleak, out-there sounds, Recur is strangely involving, due in no small part to its immersive nature.

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Emptyset – Demiurge [SUB010]

Esplendor Geometrico – Ultraphoon [GR2130CD]

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Recorded in Madrid and Rome during 2013, this is the new album by the influential electronic duo ranked as industrial music pioneers. Ultraphoon is a leap ahead as for production and sound quality, with a stunning and brutal outcome, richly detailed nonetheless. Rhythms, noises and processed voices from different sources come together in hypnotic –bordering on trance– soundscapes along the lines of previous releases such as Pulsión (2009) and Desarrollos Geométricos (2011). Most of the meticulous mastering process has been carried out by Francisco López, internationally renowned as one of the top sound art and experimental music personalities, giving a new twist to the usual Esplendor Geometrico sound.

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Esplendor Geometrico – Ultraphoon [GR2130CD]

AnD – Ard Core Krew [ANNAND]

Cover art - AnD: Ard Core Krew

Mancunians AnD have lead the way when it comes to the industrial techno revolution of recent times and now serve up three such tracks on the small but perfectly formed Ann Aimee label after plenty of great work on their own eponymous imprint. The titular track ‘Ard Core Krew’ kicks things off with squealing machines, huge dump piston sounds, metallic synths and brutalist kick drums. It’s a hostile world of sound in which it is easy to get disorientated, and ‘Changed My View’ is much the same, with every single element sounding raw, frazzled and under plenty of strain. It’s a fuzzy, dirty track with lots of detailed activity as well as huge stomping kick drums, which pin it all together. ‘Free At Last’ is the most propulsive and forward moving; surging as it does on a grimy brew of splintered hi hats, incessant kick drums and low fizzing frequencies.

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AnD – Ard Core Krew [ANNAND]

Esplendor Geometrico – Francotirador EP [FRV012]

ESPLENDOR GEOMETRICO - Francotirador EP

Frigio is very honored to release the biggest and most important Spanish electronic project of all times Esplendor Geometrico. From the early 80s until today, theyve been delivering the most authentic, raw and powerful industrial electronics you can hear Francotirador which means Sniper is a track recorded back in 1989 and this record includes original plus 3 remixes by Sneaker (who previously did a remix for Twilight Ritual), Juanpablo (head of Frigio Records) and Spanish producer Vinz Vincenzo.

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Esplendor Geometrico – Francotirador EP [FRV012]

Musumeci – Schwarze Morgen / Zusammen [MNQ042]

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Mannequin Records presents one of the most rare and unknown Italian Minimal Synth bands from the 80’s. Musumeci were formed in Turin at the beginning of 1985, from an idea of Mauro M. (synthesizers – ex guitar player of Rude Pravo) and Franco G. (programming – ex noise maker of Errata-S-Corrige). The group was founded as a link and expression of various experiences, aimed, at least initially, to highlight the individual personalities of the members. The formation settles after six months of testing with the final entry of Laura G. (ex-keyboardist of Rude Pravo) and Paul C. (voice of K Position). Musumeci were playing several shows, preceded by long monologues in which find space rumorism, electrical scans, voices, screams, etc. Presented here are the two super rare demo tapes that Musumeci recorded in 1985 (“Schwarz Morgen”) and in 1986 (“Zusammen”), on their own label Zeltweg.

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Musumeci – Schwarze Morgen / Zusammen [MNQ042]

Dust – Onset Of Decimation [MNQ039]

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Widely regarded for their efforts to promote the minimal synth scene in home town Rome, the Mannequin label have always proved themselves capable of looking much farther afield with equally good results. Mannequin return to the States here, but swap coasts landing in NYC to present this excellent release from Brooklyn troupe Dust. Described by the label as “a contemporary ouroboros of acid house, combat techno, and late italo”, Dust are a Bushwick-based music collective whose numbers include avant garde Korean noise goddess Green Jellyfish, psych musician/model Angela Chambers, dungeon wizard/tech genius audio engineer Michael Sherburn and DIY nightlife entrepreneur /DJ John Barclay. So far so Brooklyn you might say, but there’s evidently something special about Dust on the basis of all four tracks on the Onset of Decimation 12?, with final track “I’m Melting” particularly memorable; it feels like the work of Legowelt and Xosar shaken free of any tape dust by the sheer force of the reverberating acid lines that propel matters forward.

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Dust – Onset Of Decimation [MNQ039]

Mika Vainio – Kilo [PTYT076LP]

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Finnish experimentalist Mika Vainio always continues to surprise and amaze with each new release, managing to always re-invent hi sound and go beyond his peers. Kilo comes courtesy of Blast First Petite and goes through ten tracks of Vainio’s finest drone manipulations via way of complex beat-driven machinics. Everything from the opener “Cargo” to tracks like “Cranes” or “Sub-Atlantic” and even “Wreck” display a a more aggressive side of Vainio that harks back to his classic work with Pan Sonic, albeit with a more explicit industrial techno fury

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Mika Vainio – Kilo [PTYT076LP]

Massprod & Herva – Technology Fail As A Birth Control For Unnecessary Recordings [KMWL006]

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“As a label manager a lot of music reaches you ears. Some you get especially attached to. This release is one of those. The two Italian producers Massprod and Herva has together produced some music that feels very unique and different. The EP that goes under the wonderful title Technology Fail as a Birth Control for Unnecessary Recordings, contains a set of songs that blend distorted funk, lo-fi tape recordings, noise and ultra minimal electronica. Titles like ‘Mike vs Speak and Overdub as a Weapon Against Modern Laptop Wanking’ and ‘Fourth Dimension Opens Up to Show Invisible Boogie Maze’ might even open up for new horizons for our label, the label with no set goals. We hope you like this one. We do.”

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Massprod & Herva – Technology Fail As A Birth Control For Unnecessary Recordings [KMWL006]

Helm – Silencer [PAN043]

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Helm’s Impossible Symmetry was one of PAN’s most far-out musical transmissions of 2012 – something that was no mean feat – and on Silencer, Luke Younger continues his exploration of sound’s darker corners with four equally as nuanced productions. The title track seems to tap into the similar rhythmic zone as Demdike Stare’s recent Testpressing releases, combining noisy textures with clattering rhythms, while “Mirrored Palms” creates something more meditative altogether, as a drawn out drone creates images of a scorched wasteland, and “Bergamo” and “The Haze” comes across as more elegiac in their approach, despite their lumbering Emptyset-style rhythms.

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Helm – Silencer [PAN043]

Jahiliyya Fields – Pleasure Sentence [LIES032]

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Following last year’s “Unicursal Hexagram” LP Brooklyn producer Jahiliyya Fields enters a new realm with this four track EP. Taking elements from his past industrial fueled efforts and this time expanding upon them with the addition of the kick drum. One can hear a non-traditional and refreshing approach being brought to traditional beat driven electronics with piercingly harsh undertones and creeping melody. This ep explores the vast sonic elements which are designed to affect the body, the mind and the relationship between the two and the music.

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Jahiliyya Fields – Pleasure Sentence [LIES032]