
Collection of outtakes from ‘Screening Plexus’ & ‘Motion Pictures Regime’ sessions.

Collection of outtakes from ‘Screening Plexus’ & ‘Motion Pictures Regime’ sessions.

Sinusoidal returns to Pinkman with five adventurous tracks that bow to the downtempo domain. From the gloomy mind trips of Le Liminal, Liber Novus and Mind Killer to the lumbering menace of Arrogance Heights and Hoax Bureau. Moral Decay is a fever dream induced by the waking life.
This release is offered as name-your-price by Pinkman. More than a year after Russia’s full-scale invasion to Ukraine the help is still needed for those affected. All profits of this release will be donated to the Ukraine Humanitarian Fund: crisisrelief.un.org/t/ukraine

Years Of Denial is back on Veyl with their second LP ‘Suicide Disco Vol. 2’. The follow up to 2019’s ‘Suicide Disco’, the duo makes a triumphant return, elevating their distinct sound which fuses dark wave, goth, new-beat, post-punk, EBM, and techno. The LP features 12 tracks all written and produced at Ark of Noise studio, located miles away from the polluted noise of social turbulences, immersed in isolation, creative indulgence, and poetic writing.

Martin Steinebach is back with his EM1V project on Soil Records, delivering a new 15 tracks album called “Escape Pattern “. A mix between e.b.m, electro and synthpop on a CD release.

After releases curated by the masters Mick Wills and Intergalactic Gary, brokntoys presents the third and final installment in the Casting Shadows series with five tracks showcasing Maja Pa’s unique style. The EP opens with ‘A Perfect Day’ by Art Teachers, an excellent example of their distinct synth punk sound, providing the perfect introduction to the Veveo-verse. Next up is Vastechoses associate Brique Corps, who delivers the jagged body music of ‘Has Yo For All4,’. On the B-side, Czech duo Kontrajas contribute ‘Lunt,’ a circuit-breaker from their self-released Laguna EP. Label regular Rory McPike returns to his post-punk persona 2200 for the goth-infused Outlaw. The record concludes with Geoid Color Circle’s mournful ‘Adieu Trois Mort En Juin’, taken from their Six Sad World tape.

Plague Pits is a collective from Bern and Zurich, Switzerland. Inspired by the D.I.Y. electronic tape underground of yore, they play disco dirges for the Anthropocene – cold wave for a heating planet. “Punishment & Extinction” compiles some of the stand-out tracks from an array of self-released, cassette-only EPs Plague Pits have put out since late 2021.

Nation presents 4x LP and Zine (ft. photos, historical text and track narrations by the artist) set. An essential delve in to the retrospective works of SSPS.

After the stoppage we have suffered due to the current problem in the supply of physical discs, we have decided to release this compilation in digital format to overcome the material obstacles that hinder the release of music. After three years of starting our journey as a label, we take stock of what we have learned and where we want to be. “Under The Stone” is the result of a conscious awareness of the spectacularized and speculative electronic music that prevails today. A conscious and proud stance regarding the consumerist concepts of macro festivals and selfies that distort the idea of collective culture. The title refers to the double movement involved in lifting a stone. On the one hand, discovering the extraordinary ecosystem that is hidden underneath, and on the other, the act of throwing away the stone that was keeping it crushed. This album brings together a few artists, some to be discovered and others more established, but who share a common denominator, powerful sound and a challenge to established consumption clichés.

Label hencho LBEEZE returns to his label for the 10th release, linking up with one of his newest signed Up North members, Datura Inoxia. Techno EBM on side A and lofi slow EBM on side B.

The Hanged Man is a nihilistic noise doom electronics project from Athens, Greece. “Body Mind Control” his tape release via Spanish label Soil Records, includes collaborations with CTPAX and Extensive Infarction and remixes by Damaged Clock, Endless Nothing and Terror Cognitive Dissonance.

“The Brutality Of Rhythm” is a compilation series focused to rescue EBM-electro-industrial jewels from the 90’s. On the first installment have been included some hits, remixes and rare tracks by Sigbefia Five (Germany), Institute For The Criminally Insane (Denmark), Lights of Euphoria (Germany), Birmingham 6 (Denmark), Kevorkian Death Cycle (USA), Fiction 8 (USA), Sleepwalk (Germany) and Brigade Werther (Germany).

Third compilation of tracks originally released on V.A. albums. Tracks by Filmmaker released on Comme Des Larmes, Pildoras Tapes, Idlestates, Flagelante, Clan Destine Records, Homemort, Kontralamakina, Bombtrap, Khoinix and Osare Editions.

Gravitational Waves boss, Nephil, never looses his shadow and always comes with specific ideas bout his own productions. With “Scienz Of Life” investigates obscure forces and spaces around him, clearly improving and experimenting thru genres and structures with frenetic percussions, persistent noises, sires synths and acid blood with what you can commonly call hip-hop, drums & bass, electro, industrial, distorted beats.

‘Enter My Lair’ is an ode to cinematic aesthetics. Whether through slomo doom techno or raw EBM, it recounts tales of blood-drenched dungeons haunted by evil spirits, over-the-top police chases, and epic battles from the Viking and Roman eras.

Banshees Records presents a tribute for The Arch with ten fine remixes.



The Aussie master of the dark synth arts is back in full force as Buzz Kull with the third album Fascination. Early days of minimal wave seem far away now that Marc Dwyer has gone full Body Music with new full-length, but there is a thread that binds Buzz Kull hits from the past with these ten new cuts: a thread of darkness proper to the most handsome man in the game and that’s here to stay. Cause this record is not just about music subgenres we all know and love, it’s about a feeling that comes alive only with the dark and drives you through the small hours just to leave you drained and filled at once.

Natural Sciences Recs marks its 60th release with a split 12″ from Beau Wanzer and Hieroglyphic Being: two cult names from Chicago’s underground releasing on record for the first time, with Wanzer’s hybrid industrial rap alongside Jamal’s wired space ritual.