Vectorvision is Brian Bishop, the man has decided to release his first twelve full of electro vibes. His tete-a-tete with the machines produce four electro tracks that share a unique combo of cold, industrial and robotic soundscapes. This will appeal folk that want it darker, that can see the apocalyptic future around the corner and really need a soundtrack to enhance their visions.
4 Electro/Techno tracks from Automat. Not Much To Say But Please Check Out This Release By Automat. 4 Tracks That Will Possibly Please All Kinds Of Electronic Music Lovers. House, Techno, Classic Electro, Everything Done With A Great Mastery Of Influences, Sounds And Vibes
Koova returns to Brokntoys for a second EP after his Empty Spaces . Conducere presents the producer showcasing his personal take on the genre, with 4 tracks of tense, melodic electro. The EP is backed up by a remix by Max Ravitz AKA Patricia who takes the originals into eerie, ghostly territory.
KØK presents a vinyl mix from Black Merlin during their party in Nantes from 15.06.2018.
Computer Controlled delves back into deep space with Norwell’s Interkosmos EP. Five tracks of Russian Space Race era influenced electro/techno.
The second release of the label Alley Version, features the return of Takeshi Kouzuki, with his combo of jackin’ house rythms with melancholic, deep and outer space melodies.
Comeme delivers Katerina’s very first EP to planet earth: ‘Just when you thought it was over’. Katerina from Helsinki – Finland via Sofia – Bulgaria is a passionate music lover, a skillful DJ, an imaginative music maker and an emotional and hyper sensitive artist. She produces music that is essential and timeless, tracks that feel necessary in your life once they have entered it. Her music breathes the emotionality of Hip Hop, the sensitivity of well placed, swinging beats, and that steady survival mode, that essential melancholy in dance music: where melodies tell about love and longing, and rhythms help you to keep going on.
Solar Phenomena continues with a new one release from Mystica Tribe – the musical alias of Tokyo-based producer, Taka Noda. Here he draws on everything from dub, soul, bass music, rhythm and blues and will always freak you out with his unusual sounds. This excellently absorbing EP starts with Love Is All Right, a fusion of Asian percussion and reggae drums that is high tempo and funky. The bright steelpan sounds offset the razor sharp percussion and make for a sunny dub that will get any crowd going. The same fusion vibes continues but in more blissed out and slow motion fashion on ‘Lawn Track’, the beautiful cosmic psyche-out that is ‘Ash’ and supple space journey that is ‘Voyage’ with its intoxicating melodies and loose, tumbling percussion. This is unusual but essential music from an exclusive talent.
Stone cold killers from the Hague don DJ Overdose. The Dutch electro specialist on board the lunar orbiter program for a new mission : Time Compensation.
Jack Roland pulls apart the control mechanisms of the club environment and the way this living and breathing installation can be a tool of elevation or suppression. Using club sounds as instruments for this idea, ‘Control / Applications’ is a split release born out of Amsterdam’s warehouse scene, fusing together electro matrix rhythms, IDM, with warped hums and breaks used by dancers and performers heading up the rave. With a track on our Future Works III comp last year, this is his debut record on the label: a release challenging superstructures buried among the sweat particles of the floor.
Eternal is the new VA series that celebrates the 10th anniversary of Attic Music label and the city where it was born: Rome. The first episode of the series is signed by Insolate, Abstract Division, Claudio PRC and Allen.
Black Codes Experiments presents a collection of four tracks by Tensal, Abstract Division, Ian Axide and Refracted.
Neel returns to Token with Transition. Conceptually based around four elements in the group known as the transition metals and recorded live in one take, each track is a mind-bending trip through the periodic table that retains the human touch of a live performance.
In the latest release from Public System Recordings, Kluentah (one half of Fallbeil) delivers a chalky electro smash with elongated snares and eerie chords passing from one end of the brain to the other, and to the floor. There is smooth vocal play as well as allowing for incoherent out of context speech samples that stab through minimal jumpy drum work. As diabolical and heavy as the hits and bass is, this enters the swath of dance floor records with a distinct flavor that sets itself above others’ execution. Full of sludgy breaks, there is a constant reduction even as sounds and samples are introduced, they enter the roving mulch in a stylish slide.
A compilation of 4 tracks from 4 different artists, all originally released by Borft 1997 – 1999.
Matt Edwards’ reissue label R-Time Records presents ‘After Dark’ with three tracks from Mark The 909 King. ‘After Dark’ set the tone of the package with a piercing drum groove, airy arpeggios and a funky bassline, before cosmic synths and crunchy snares work alongside scintillating chords in ‘Into Space.’ Concluding the package, ‘The Loft’ begins with a hooky bass sequence and filtered effects before soothing melodies come into play.
The Hipodrome Of Music 