
Co-founder of Endless Illusion, Exhausted Modern returns to brokntoys with a limited white label. Ampér shows the Czech producer running the gamut accross 6 tracks covering melodic acid, hypnotic slomo grooves and celestial electro.

Co-founder of Endless Illusion, Exhausted Modern returns to brokntoys with a limited white label. Ampér shows the Czech producer running the gamut accross 6 tracks covering melodic acid, hypnotic slomo grooves and celestial electro.

Hamburg’s Kluentah lay down 6 cut to the bone DIY tracks. One half of duo Fallbeil debuts on Sisters, in this release Kluentah brings his own brand of EBM infused techno and electro with tough & relentless drums, haunting synths and asphyxiated vocals, suitable for the end times or the club.

Daniel Avery perfectly bridges the light and dark contrast of his influences on ‘Diminuendo’, the new release on Phantasy Sound. Uncompromising tech-noid drums establish genuine frenzy, matched by a pulsating industrial drone, ultimately collapsing into ethereal feedback, before one final round of frenetic rhythm.

30drop debuts on Token with a six-track journey that evokes an excommunicative sense of splendor from the outer reaches of worlds beyond. Beginning with Surrender an immediacy pulsates from the outset and dances towards the playful exuberance of The Informant — calibrating the gears for what frequencies are to be heard in the interim. Space Beacons delights with elegant pads and wry rhythmic evocations, while Mathematical Language bursts with energies that have been long dormant since the days of Jeff Mills’ The Purpose Maker. In that same vein, Visitors From The Stars is an entropic message from above, seeking out a communicative line that’s emotive and conductive — leading towards the last track of this journey. Sagan’s Implication is an adroit homage to the legendary astrophysicist; leaning into melodics that are both marvelous and mysterious all at once — similar to finding the answers that lie above us. All in all, a journey that begins by looking past what’s diegetic and looking for answers past the narrative presented.

Estrato Aurora makes his first appearance on Bliq with some advanced deep techno immersions that match the profile of the label perfectly. ”Ursus Dolinensis” takes a slow ride into submission, placing all the emphasis on the low end and using subtle background frequencies to shape out the atmosphere. ”Lunanosorex” takes a particularly tripped out approach to electro, while ”Glyphodon” adds a little industrial bite into the machine funk framework without losing that steely atmosphere that makes the whole EP so appealing. Leonid’s remix of ”Ursus Dolnensis” is the perfect complementary addition to the EP – the Dolly and Sistrum artist adds his own rugged deep techno machinations to the track to deadly, understated effect.

Tuskegee Music welcomes a standout dance music innovator with a new EP from Chicago great Jamal Moss.

Diving into FM Synthesis, Dean Grenier brings his sophomore release to Omnidisc. Delivering a 3 track EP intended for mental gymnastics at 3 different periods of the night.

Gerd returns to AUS with The Prophetess EP, a four tracker that showcases a producer capable of soundtracking peak-time moments anywhere and everywhere. The A side leans towards breaky drums and punchy melodies whilst the flip includes two acid bombs.

For the fourth instalment of SCB remix EPs from Hotflush, Mor Elian and Hammer step up for their own interpretations of tracks from Caibu. Fever AM label co-founder and hybrid club producer Mor Elian provides a spaced out take on ‘Fish Bowl’ full of angular drums and woozy synths. For his take on ‘Test Tubes’, Hammer formulates a steady groover for the after hours.

The heavy industrial crunch and rubbery synths of FRAK’s trademark sounds come to Hypercolour with the four track ‘Berga Magic’. The EP comes brimming with raw analogue explorations and delightfully incongruous noise.

‘Previously Undisclosed Rituals’ is the first various artists release on Veyl — An Experiment in Noise & Body Music. Years of Denial, Cassegrain’s Rhyw (under his Poison Green alias), Downards affiliate Autumns, RNXRX, Exhausted Modern and label mainstay Maenad Veyl contribute one ritual each for this grimoire that is guaranteed to keep everyone angry and confused throughout the rest of 2018.

Amidst the chameleon-like output of his many monikers such as Ontal and Figure/Ground, Brooklyn-based Brenecki releases as his own name for the 3rd time in 10 years. Mutated funk techno under skilled hands, out to thrash pits across 5 tracks reneging against modern technology manipulation. Written and produced by Boris Brenecki in Brooklyn.

Sweden’s Kess Kill and Italy’s Veleno Viola join forces resulting in a (nowadays) rare vinyl split release, one side per label. Violet Poison needs little introduction, being one of the first and most productive in the new new wave movement of industrial music. He helms the Veleno Viola side, coincidentally being his own label, With three songs of purist industrial with its feet in both body and rhythmic noise. On Kess Killís Side B, the very same signore Baudazzi shows another side with his anarcho alias Bakunin Commando. Two tracks leaning heavily towards post-punk and proto-techno, raising the pulse far above the wholesome, in true Kess Kill manner.

Poverty is Violence returns with a killer 6 track EP from the mystery XXX, who delivers six cuts of Post Wave intentions. P.I.V. continue to search for the creative spaces where many fear to tread. Pushing sonic boundaries as far as possible in an effort to reject mediocrity and the status quo. From Why Did You Do That’s clanging drums to the rousing passages of Don’t Go After Her and the broken percussive tribalism of It’s your Uncle for Gods Sake.A This ep includes six guaranteed winners for your DJ life. Totally inimitable and looking to the future with a nod to the the past – a flawless recipe for satisfaction.

Versalife returns to TRUST with ‘Nova Prospekt’. Four tracks of broken techno manipulations and deep and sparse far-fiction electro continue to expand Versalife’s intricate sound universe.

Noamm is the electronic equivalent of a honed switchblade. With surgical precision the Bass Agenda alumnus incises keys, cuts chords, pierces percussion and razors through rhythms. It is this slicing sound that the Greek artist brings to his debut 12″ for Shipwrec. Seven tracks of machined melodies and frigid fire make up Psychoanalysis. The EP is brimming with calculated fury and clinical rage. From the coursing cruelty of “Ruhestimmung” and the menacing “Dance Macabre” to the future world coldness of “Das Schwarze Korps”, Noamm is direct and straight to the point with his hard hitting style and no-nonsense approach. Few respites are to be found on this 12″, “Into The Abyss Of Changing Subconsious” being the only refuge from the arctic winds and audio blasts that scour this record. Frosted ferocity from start to finish from this exciting musician.

“The Vessels Of The Blood”, pumping and pumping the love and the pain and everything in between. You must never be alone. My name is Morah.

For his new release on Nona Records Brooklyner Max Ravitz changes the formula again and delivers five spirited acid electro tracks .Continuing to tool and retool his modular synth rack, on ‘Free Lunch’ Ravitz produces energetic electro tracks that show a shift from the familiar hazy murkiness to a more present sound and almost song-like writing that introduces some more layered melodies, acid grooves and luscious pointillism.