
Distant Worlds present their fourth transmission from the multi-talented, Perseus Traxx. He delivers four deep, warm and fuzzy takes of analogue goodness that fit the Distant Worlds aesthetic perfectly.

Distant Worlds present their fourth transmission from the multi-talented, Perseus Traxx. He delivers four deep, warm and fuzzy takes of analogue goodness that fit the Distant Worlds aesthetic perfectly.

George Thompson aka Black Merlin is joining the family of Mannequin Records with this insane EP for the Death of the Machines, the series dedicated to new artists ready to smash the dancefloor. 3-tracks strongly permeated by drones’n’noises, EBM basslines and a 4/4 straight tecnoish kick drum.

Stephen Lopkin is back on M>O>S Deep with a great double pack of that gleaming sound. The Scottish artist has been making prickly house and techno for almost a decade. His style is serene and slick, and across the 10 tracks here he manages to conjure tracks that work in the club but that come with plenty of cerebral qualities. He never made a secret he takes a lot of influence from early Detroit Techno, even Several track titles pay direct homage to his musical heroes like Derrick May, Kevin Saunderson, Carl Craig and also the track New Euro Politique is made in memory of the late UK producer Matt Cogger aka Neuropolitique.

Dusty grooves from the dunes of Scheveningen. Inspired by myth, legend and scifi; Legowelt conjures up four ancient mysticism and space odyssey themed tracks that will take you on another journey through psychedelic space and paranormal rituals.

Recorded at “We Are Monsters” at Monarch – San Francisco (23rd June 2018)

Chem Clubs fourth EP titled Normal Condition by Brooklyn based duo SEER. Melds the atmospheric and distorted into a perfectly twisted mind bender of a release.

Digging deep into the Chicago Rave vaults to re-issue the debut EP from Billy Nightmare aka “Mystic Bill” Torres. Growing up in Miami, Bill was involved in various parts of the music industry, from working at Flamingo Record Pool, to playing guitar for the band Life In Sodom (80’s Synth/Goth band). His interest in both House & Industrial music inspired him to make his move to the Windy City. Bill quickly became involved in the night scene with residencies at clubs like Shelter, Crobar, & Smart Bar. ‘Reality Check’ was released in 1996 on Woody McBride’s label Sounds. Originally the project was to be titled ” Billy’s Nightmare”, but to avoid being jinxed for life, Torres decided to switch it to Billy Nightmare. He put the Mystic Bill alias aside, got a hair cut, changed his sound and became this new persona. ‘Reality Check’ consists of 4 tracks, recorded at Mirage Studios in Chicago in 1996. Two tracks on the A-side are dark thumpers and will haunt your head for days. Side B has 2 versions of the same song, lighter and funkier in mood both show the diversity Mystic Bill is capable of producing.

Dark Entries presents a 4-track EP from Austin, Texas analogue hardware enthusiast Bill Converse. Immersed in the early days of the 90s midwest rave scene, Bill began DJing at a young age in Lansing, Michigan. Techno, noise, ambient and tape processing are all part of his uncanny sound palette. ‘Hulled’ is a 25 minute journey spread across 4 tracks of glacial abandon. All tracks were recorded directly to tape with no overdubs, made at Converse’s home studio. Bill says these tracks represent “ocean waves in stormy conditions, dark grey blue water, or more generally speaking something ominous and beautiful.” The songs on this release reveal a sublime influence from Detroit techno, IDM, and Acid. Built around vintage synthesizer lines and gritty drum machine percussion, the tracks ebb and flow like the effect of sun shimmering on water, woozy, gauzy and ephemeral.

Acidic powerhouse Bill Converse makes his debut on Fit Sound. His sound is a refreshing perspective informed by the midwest warehouse parties of which he was schooled mutated into his own blend. Treading the line between melody and brutality, while never being heavy handed, Converse has proved himself once again to be a true original lurking in the underground today.

Brand new label Orden Extática from New York, featuring Loraine Sangre and Silent Servant. Limit-Xperience is a culmination of formative experiences as well as present of evolving influences of Silent Servant & L. Sangre. The two tap into both their distinct shared points of view, as well as integrating of the space where their individual inclinations lie. A joint expression of driven electronic music, and eras since passed filter thru and draw from electro, techno, industrial, and more of their musical fundamentals. In similarities as well as differences, their coming together allows for a permutation that is their own.

A project 18 months in the making, Marcel Fengler presents a IMF10, a three part compilation series detailing the past, present and future of his label Index Marcel Fengler. Part 3 focuses on the other end of the techno spectrum and features Marcel Fengler’s first original production in two years, a rare offering from Sebastian Kramer (aka Redshape), A prized Luke Slater re-work of Thomas Hessler, while Belgian shapeshifter Peter Van Hoesen crafts a powerful production to add to the pot. Avion makes a return alongside emerging Columbian talent Gotshell.

Following the critically acclaimed debut album from Tensal, Soma presents a specially commissioned remix EP to compliment the album. A varied collection of artists are prominent on the release with new and established alike, each delivering their own take on Tensal’s originals. UK producer Pessimist opens the EP. His unique aesthetic of Jungle/Drum&Bass – come – Techno certainly makes its presence felt on the A-Side as he delivers a monster of a remix, soaked in dark, brooding textures and broken rhythms. Another UK techno export makes his debut on Soma as Shifted lends his remix skills to the package. Pulsating and propulsive, Shifted exudes pure energy with his version of Santolaya. Prolific French producer Umwelt closes out the EP with his interpretation of Belga. An old skool, electro affair Umwelt still retains a melancholic edge to the production.

New US label Bodyworks kicks things off with Timothy J Fairplay. 4 tracks of electro madness with influences ranging from new wave, italo, gigolo/ebm, chicago (acid house & early industrial) & 1890’s haunted brothel vibes.

From the very first track, it’s clear that Abby Echiverri’s debut, the “Ab Initio” EP is something different and rare: a polished and fresh interpretation of electronic music that incorporates classic electro squelches with intricate broken beats and expansive synthesizer zone-outs.
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Klasse Wrecks present the first release in the new Compact Wrecks series, a new set of releases coming on Compact Disc. Compositions on COM1 come from label founders Luca Lozano and Mr Ho in addition to producers associated with the label, namely Omega III, Fett Birger, Privacy, Your Planet Is Next, Dawl and Alphonse. The compilation, which clocks in at just over an hour, ranges from frantic jungle and breakbeat-infused acid to chilled-out trance, making time for forays into bleep, electro and house

Qualm has a duality that Helena Hauff enjoys – The German word translates as fumes or smoke, whilst the English meaning refers to an uneasy feeling of doubt, worry, or fear, especially about one’s own conduct. True to form, the record is unapologetically raw and finds Helena returning to her original modus operandi – jamming on her machines, trying to create something powerful without using too many instruments and layers. By design, the 12 tracks are raw, distorted and lo-fi, with Hauff peppering heavyweight, redlined drum machine beats – think wayward Chicago jack, laidback electro and nails techno – with a mixture of razor-sharp acid lines, moody industrial textures and drowsy chords. The clattering intensity of the album’s dancefloor moments is in sharp contrast to the creepy and evocative, soundtrack style electronic soundscapes showcased elsewhere on the album. These – ambient in ethos, but more experimental in tone – are frequently amongst the set’s most inspired moments.


L.I.E.S. presents the first part of Broken English Club new album trilogy, White Rats. Following on from last years The English Beach, White Rats is described as, “a collection of caustic and absurd portraits of the human animal”. Oliver Ho continues to push his industrial influenced sound with metallic acid tracks, guitar noise/drone experiments and heavy synth wave once again with this nine track release. White Rats part 2 and 3 will surface in 2019.