
New Beau Wanzer EBM slammers on Jealous God.

Spoiled Drama reemerges exhibiting their darker side on “This is Our Mission”, their debut on the label embodiment of Berlin’s Fleisch collective. The five track EP exhibits a unique range and dexterity, blurring lines between the realms of techno, EBM, acid and electro with a touch of maladjusted pop and post-punk. From the anxious beat and shimmering tones of “Another Death Experience” to the ritualistic war drums and heavily distorted vocals of “Kisses Are Out of Fashion”, expect to feel dizzied, unnerved, yet beckoned to move. The eponymous track closes out the EP in an undeniably Drexciyan fashion, low-pitched vocals emerging from watery depths in lush sweeping pads and dissonant melodies. A mission accomplished with style.

Acid Jesus, the first of many collabs between Roman Flügel and Jörn Elling Wuttke. Situated in Germany’s then blistering techno scene and especially a mirror of Frankfurt at the time (and it´s holy label trinity of Playhouse, Klang and Ongaku), Flashbacks are also a feedback loop to what was happening in the UK and the USA. Flügel and Wuttke succeeded with their own and unique take on it, that owned as much to Underground Resistance and the Belleville Three as it did to Sven Väth and Andrew Weatherall. Including 3 (+1 more on MP3) unreleased tracks.

Dark Entries announce the latest album from Michel Amato aka The Hacker, ‘Le Théâtre des Opérations’. Michel’s new live project sees the enigmatic artist go back to his roots, performing a 100% analogue set directly inspired by his first true loves of New Wave and dark, powerful techno. ‘Le Théâtre des Opérations’ features 8 new tracks spread evenly across 2×12’s cut at 45rpm for maximum sound quality and DJ utility. The title comes from a metaphysical journal by French-born Canadian science fiction writer Maurice G Dantec. Passionate about avant-garde techno, The Hacker has taken his influences and crafted a potent homage to the power of the synthesizer. Songs veer from gritty, raw EBM to dark, subterranean electro, effortlessly channeling the strains of the Michel’s musical DNA. The only vocal track features an appearance by longtime friend and collaborator Miss Kittin, named Time X’ after the French science fiction television series Temps X.

J.C aka Jose Cabrera and Kastil collaborate and come with the exciting results. A fresh blend of fierce techno, ambience, industrial, noise and found sounds recordings. A full length captivating album that pushes and pulls you through an edgy and engaging world of sound. Part 1 mixes up trance-inducing deep techno with punishing drum programming. Synths have a life of their own as they whip and snap about and bring a post apocalyptic sense of foreboding. Some tracks are abstract modular gurgles and others are lo-fi, heavily textured affairs that are beguiling beautiful. The use of modular synths lends the whole thing an unpredictable and analogue feel that makes is bristle and brim with life throughout. Part 2 focuses on more suspensory ambient sounds. It means tracks zone you out and get you thinking, with distant melodies drifting next to warm solar winds. When drums do appear they are deep down below and dubbed out affairs that unfold slowly.

Autumns is the solo project of Christian Donaghey, from Derry, Northern Ireland. 2017 sees the eagerly anticipated release of his debut full length record “Suffocating Brothers”. On “Suffocating Brothers” Autumns presents a resolute nine track culmination of the fierce audacity that has come to define and distinguish the project since an assured first emergence in 2013. Written and produced over the course of six months, between July and December 2016, it’s an album that comes as a momentous and devastating fulfilment of what the Autumns project has outlined with increasingly ruthless intent over the last few years.

French electronic music stalwart ”Umwelt” has produced some modern day classics throughout his career. The Lyon based musician joins P.E.A.R.L.’s Falling Ethics imprint and comes up with the thirteenth installment in the series. ”Strange Attractor EP” is a well balanced EP that showcases several sides of Umwelt’s signature style that sits somewhere on the edges of Techno, Electro, Adventurous Electronics and anything in between.

Austere factory techno with a distinct Gallic swagger on Helena Hauff’s Return To Disorder label.

Delsin Records’ Inertia series is back with a powerful four tracker from Yan Cook. The producer from Ukraine has also released Delsin’s main label and associated Ann Aimee. He makes straight up techno that arrests your attention and does just that again here. ‘Toucan’ is first and is a spangled, underwater techno track with gurgling lines wrapping round shuffling percussion and insistent drums. It’s one to get into your head, while ‘Puffin’ is more physical, with more warped synths and paddy drums woven together into a fluid, rippling groove that never lets up. The drums on ‘Dialogue’ are deep and land with real resonance while dubby chords rattling out to the horizon. Last of all ‘Flamingo’ is the most manic of the lot, with hi speed synths and booming drums all coming together to make for powerful, sub shaking and room filling techno madness.

Number ten for X-Kalay is kicking off a series of Various Artist EPs. Whilst taking in 3 continents brings a certain geographical diversity, the aim of this record was to create a cohesive release bound by the common themes of electronic music they love at the label. On the A side Zurich based Douala lights it up with a perfectly crafted dubbed out house jam; awash with tape delays and spacey reverbs ‘The Mysteries of Life’ is an excellently understated piece of work. Next up Chilean Mucho Sueno utilisies some big drum workouts and tense atmospherics to turn in a tough 4×4 house track. Baked in the concrete streets of Santiago, the rough percussive interplay and strong bass grooves of ‘Yungelita’ quickly becoming a signature of this promising South American producer. On the flip it’s an all Australian affair with E.Davd contributing a deliciously lazy, boogied out electro number full of iced out pad work and a truly hypnotic groove. Finally, fellow Australian Escape Artist closes things off with a massive stripped back cut aimed squarely at the floor; the jagged electro bass and moody pad work of Archipelago upping the ante perfectly.

Two tracks from the late Andreas Gehm (more to come in later releases). Pressed on a one-sided, hand stamped and numbered standard weight black vinyl release. Accompanied by a printed info sheet insert.

Dark Entries returns to the New Jersey basement studio of Smersh to unearth an 18-minute jam session from 1989, backed with two contemporary remixes. “Sideways” was taken from a cassette titled ‘100’, which refers to a 100-minute jam session the band recorded to tape on June 12, 1989 in Piscataway. A frenetic hybrid of techno and acid with driving EBM style beats, “Sideways” weaves intricate industrial noises with synth melodies that drift in and out of phase. On the flip are two fresh remixes by different aliases of prolific Ann Arbor producer Tadd Mullinix. As JTC, he expands the sound palette, adding organ stabs and lush pads, drawing on Detroit deep house and UK garage. The Charles Manier remix features chanted vocals on top of an array of pulsating synths, stark percussion, and post-punky guitar effects.

Deep cerebral electro from Mor Elian. Challenging and advanced forward thinking tracks topped with some little acid flavour on the always reliable Delft label.

1997. ‘Drexciya don’t have no phone. They’re too busy to do your remix’. Mad Mike’s response was short and to the point, enough to put off some; but not Vincent Koreman. Addicted from an early age, the dutch producer dug deeper and deeper into the mythology and mystery of James Stinson and Gerald Donald. The sounds, images and ideas conjured up by the Detroit electro duo pulled Koreman in, his “fascination” growing ever more “intense” as the underwater dwellers sonically prospered. Fast forward twenty years and that fascination has not diluted one drop, in fact the aquatic dream of the wavejumpers is the inspiration for “Recolonization”. These tracks “would have never had existed,” says Koreman, “if it wasn’t for Stinson and Donald creating that great, energetic, abstract electronic music and coupled it with an original vision on the African diaspora, art and culture.” This music is an homage to the enigma of Drexciya, a tribute to the machine marine men who pioneered electro and a vision. Drvg Cvltvre continues that vision, one of “an underwater race” that has reconquered Earth, overcoming “big business, corporate greed and water pollution” to reclaim the surface from man. Forget mankind. Our time is over, ‘Recolonization’ is here.

Garçon Taupe has been around for quite some time but released only a few tracks. This 4 track EP is all about acid.

Hailing from Buenos Aires, Sebastian Galante a.k.a. Seph is one of Argentina’s main electronic music artists. With nearly 10 years of activity in the techno scene, he has established himself as a multi-fac- eted artist, dividing his time between roles such as an energetic, prolific producer, heavily requested remixer, Aula Magna Records label manager, and a live act which has driven him to perform all across the globe. A sound experimentalist at heart, he devotes himself into expanding the sonic experience on the dance-floor and in the mind.

Scuba refocuses his SCB project with ‘Below the Line’, coming on Hotflush Recordings. ‘Below The Line’ inaugurates a fictional timeline of events set in a hypothetical future. A climate-related disaster acts as a catalyst for a complete overturn in society, the repercussions of which will be explored subsequently.

Double trouble compilation featuring tracks by DJ Normal 4, Qnete, Xan, Seixlack, Rixdorfer Grau, Lutto Lento and Futers.