
Two remixes for Rick Wade’s “Night Station” on P&D Recordings by Zadig and P&D (Phil Weeks & Didier Allyne).

Two remixes for Rick Wade’s “Night Station” on P&D Recordings by Zadig and P&D (Phil Weeks & Didier Allyne).

Raw techno and dark wave craftsmen Morphosis is back with a new two tracker on his own Morphine imprint. A-side ‘Exposure’ hears an ambulance-like siren pan across a desolate landscape of buzzing and humming static. It’s bleak but somehow optimistic and sounds typically ‘live’, whilst ‘Postatomicpoetry’ has a heavy bottom end thudding deep down below as various machine noises and electric wires stretch out in all directions above. It’s chilly, hostile and heady, building in highly hypnotic layers like only Morphosis can.

The final part of Svreca’s “Obscur”series with 2 new tracks and old ones remixed by Silent Servant, Skirt, Regis and Orphx.

Having become something of a regular fixture in the Mote Evolver camp, Shifted is back once again to head up Side A of the second Parallel Series 12″. As you might expect, the techno comes bleak and throbbing from the Shifty one, although avoiding excessive heaviness over immersive progression and dubby FX. On the flip Samuli Kemppi plies his quirkier trade, using offbeat synth mess to counteract the steady rhythm of the bottom end on “Trans Neptunian”. “Detached Object” meanwhile fires off streams of interlocking sounds which spiral around the relentless kick for a classy exercise in techno restraint.

Debut release on A&S Records by the dutch duo Dimi Angelis and Jeroen Search, featuring some dark and dirty analogue mixup between detroit techno and chicago house.

Ugandan Methods = Ugandan Speed Trials (Regis) + Ancient Methods. ‘Sixth Method’ is their second collusion of Industrial Techno mechanics, following a razing session on Downwards’ DN label in 2009. A-side is the droning, ‘floor ploughing behemoth ‘Beneath The Black Arch’, spiking AM’s war funk rhythms with a seething tribalist madness to deadly impact. Flipside ‘Between A Sleep And A Sleep’ relies on a more subtle sense of swing and hypnotic layering to deliver the desired effect, before they gorge on bludgeoning kicks and skin-flailing noise with remorseless brutality on ‘She Belongs To An Eternity’.

Subsist Records delivers a cutting edge underground electronic/techno music compilation, showcasing a selection of tracks in all shapes and forms from talented electronic music producers across the globe.

BlakeAndrew presents The Darkness Speaks Softly EP a 3 industrial tracks EP, free for download.
Free download on soundcloud.

Astonishing album by Mark du Mosch, who delivers his first full length album on Syncom Data Records and it’s quite simply overwhelming. In a true Detroit fashion Mark du Mosch rides that fine line between techno, house and disco. That line which guides you to the dancefloor as well as a higher musical and emotional level. With ”Salmiak” Mark du Mosch shows he’s not only a great DJ, but one of Hollands finest producers as well.

With catalog number 006 another techno legend joins the Killekill family. Neil Landstrumm has delivered a handful of tracks which combine his typical dirty techno sound with the aesthetics of UK Bass. Extremely funky and with a big drop of acid they cross over electro, techno and even hip hop and therewith fit perfectly to the sound of our label. The co-production of weirdo mastermind Si Begg on ”Touch it” just adds the icing on the cake.

A wonderful project new/old by Detroit Techno Legend Anthony Shakir on Kyle Hall’s label, featuring remastered tracks from the rare Shake out of print 12inch ”M3 Sessions” originally released by the, now defunct, legendary Detroit record shop ”Record Time’. Fortunately Wild Oats Label head Kyle Hall, and Detroit Legend Shake have now gotten together for the new full release of the record which also contains unreleased material from that very same DAT Tape. On the 7inch there are 2 secret little Locked Grooves ”GJ LKD” and ”FRCTBEAT 6LKD” making for both a fun and Functional DJ tool.

Ostgut Ton presents two remixes for PAS. Silent Servant transforms Bell Blocker to a slow burning hypnotic techno ride. For their remix The Black Dog combines their brooding melodics and dancefloor oriented production skills to create the perfect counterpart to the flipside of this 12”, somewhere between plain scary and profoundly deep.

After Conforce’s tight album release on Delsin and other concept projects he did he/we went wild with this one and selected some tracks we just want to play out loud in a club from vinyl (incl. a killer remix by Gesloten Cirkel for the title track). At first sight these tracks dont have much in common… and probably still not for the second listen, but we didnt really bother for this one. It will be a standard in our dj box for the coming months with 4 tracks that all have a bit of a different groove and a different mood. Grain, Be There At Night, 24 and 24 remixed by Gesloten Cirkel. This is probably as versatile as a Clone Basement release can get.

Modularz label head Developer launches a special project currently limited to only vinyl on limited pressings. The ”Developer Archive” sheds more light on re-invention of American Techno in its purest form.

Coming from Workshop associate Madteo, the first release from Joy Orbison and Will Bankhead’s Hinge Finger doesn’t disappoint. Aesthetically, the grainy, Bankhead designed sleeve is typically beautiful, whilst sonically has all the appeal of the aforementioned German imprint, oozing the foggy atmosphere of Amber-era Autechre, filtered through the lens of Detroit beatdown.. On “Bugler Gold” for instance, a languorous bassline drips between a barely-there kickdrum; it couldn’t be more different than “(Biz R Us (Whore Powers Resolution)” which follows it, a clunking rhythmic machine that maintains a thunderous forward momentum despite its sharper edges being coated in a soporific blanket of Chloroformed cotton wool. The B-Side delivers a further surprise in the library music inspired oddity of “Scream Seq”. “Xtra Loose Change (2010 refix)” meanwhile, is the sort of relentlessly deep house that is held together with little more than rhythm and pure atmosphere, each percussive micro-element perfectly balanced with a bass which is almost beyond the limit of human hearing.

Kansas native 785 debuts with his first 12″ ever on Jerome Sydenham’s Apotek records. It is clear this evasive sound engineer has a special gift to craft Techno from sources.

Mark Forshaw makes his debut on Council House Recordings. Mark is a fellow hardware freak with an impressive collection of vintage analog synths and dusty drum machines. It is these old, gritty machines that give Mark’s productions their sound. The release includes two originals by Mark and remixes by Martin De Brig and Liliths’ Dusky.

Justin Berkovi delivers 2 heads down mid-tempo Techno dance tracks for his ART debut. Clean, crisp production with thunderous low end characterise both tracks. The title track Drive delivers its power via modulating synth stabs, whilst When I Throw Down commands the dancefloor with its demonic vocal.