VA – 5 Years Compilation (Part Five​) [SEMANTICA030.5]

Spanish label Semantica have been exploring the shadowy nether zones of techno for five years now, and this 12″ sees them reach number five of their 5 Years Compilation, featuring original contributions from some of the most important names in techno. The 12″ opens with “Public Beheading”, a collaboration between Karl O’Connor (aka Regis), Peter Sutton (aka Female) and Richard Harvey; as the name suggests, its ominous tones and cinematic atmospherics paint a grim picture. The bleak tone is carried through on AW/SS’s “Nonnative”, where a solitary kick breaks the through vinyl crackle, with only wintry drones for company. The B-Side meanwhile features Ostgut Ton’s finest, Marcel Dettmann, remixing Svereca’s “Obscur”. In keeping with the tone of the EP, the beats are shuffling and suggestive rather than heaving slabs of concrete, with particular attention paid to the creaking reverb hanging over the modulating sub bass. The record finishes with Yuji Kondo, Katsunori Sawa and Steven Porter’s “Moonlight Graham”, a shadowy warehouse jam whose myriad textures bubble beneath its rough surface. In short, four reasons why Semantica is one of the most interesting techno labels in the world.

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VA – 5 Years Compilation (Part Five​) [SEMANTICA030.5]

VA – Bewildered [SUBD08]

Subsist Records delivers a cutting edge underground electronic/techno music compilation, showcasing a selection of tracks in all shapes and forms from talented electronic music producers across the globe.

VA – Bewildered [SUBD08]

Kowton & Tom Dicicco – Untitled EP [PSQ007]

Kowton and Tom Dicicco present a split EP on Project Squared. Tom Dicicco’s original is driven by a low-mid range thick stab and pounding kick drum, littered with intricate but not overbearing hi hat and snare work and some very atmospheric mid range. Kowton’s is subtle and sparse, low fidelity and plodding, with rattling percusion carrying the tune along. On the other side of the record, Kowton’s remix of Tom’s original is driven by an enormous bassline, with an off kilter dubby feel to the slow tempo and genre defying tune. Tom’s remix of Kowton rounds off the EP with a return to stab driven Techno, pulsating, dynamic and trance inducing.

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Kowton & Tom Dicicco – Untitled EP [PSQ007]

Unbalance – Unbalance #3 [UNBALANCE003]

Russian producer Unbalance continues to present his own vision of the many differing strains of techno for the third in an ongoing series of hand stamped clear twelve inches. On the A Side, “Legacy” jitters with peak time intent, as granite like textures collide rhythmically with the insistent jagged syncopation, with Unbalance deftly judging when to adopt an increase in pressurised poise. In comparison “Euphoria” commences in the deepest recesses, with the saturated bass throb becoming ever more viscous as the track bumps along, craftily accruing intricate sonic details which lend the track a woozy hypnotic narcosis. The mood gets drawn ever further down on the final, sludgy sounding “Violet’s Night” where fractured textures battle it out with the rattling percussion amidst swarms of cricket like atmospherics.

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Unbalance – Unbalance #3 [UNBALANCE003]

Norm Talley – Transmissions Part 2 [THEMA028]

In spite of 3 tracks on the original Transmissions that fell a little closer to what the heads would expect from Detrot Beatdown man Norm talley, on Transmissions, Chapter 2 he serves up two techno tracks.

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Norm Talley – Transmissions Part 2 [THEMA028]

Future Past – Game Theory EP [ART-DDS007]

Kirk Degiorgio dusts down his Future Past moniker for a no-nonsense techno release. The title track typifies the EP, with a bubbly bassline and doubled up claps supporting whooshing, churning filters. It’s the same approach on “Sparta”, where a walking bass and warbling acid lines suggest a clean, pure sound, but then an intense filter pushes it into the realms of peak-time techno. “Skrunch” dispenses with the lighter, more playful elements in favour of a tunnelling groove that flows to the sound of arcing acid and a dark riff undertow, while “An Act of Modulation” completes the transfer from bubbly techno to a leaner-edged sound with squelchy tones tweaked against the backdrop of an insistent spiky rhythm track.

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Future Past – Game Theory EP [ART-DDS007]

Andy Blake – Cave Paintings 3 [CP003]

The third installment of Andy Blake’s Cave Paintings series. All the Cave Paintings releases are one-take analogue excursions constructed by machines and recorded live. 3x is a simple but dramatically effective warmly buzzing bassline is clambered all over by layers of interlocking pure analogue percussion. 3y heads into thus far uncharted territory. An evil, growling LFO driven bass underpins militaristic percussion that’s slammed hard into ancient spring reverbs and accompanied by the sound of synthesisers being choked to death.

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Andy Blake – Cave Paintings 3 [CP003]

Paul Mac & Mark Broom – Essex Acid EP [BMD005]

Paul Mac & mark Broom revisit those aciiied days to show us how it’s done with the four-tracker, ‘Essex Acid EP’ on Mark Broom’s own imprint, BeardMan. Joining their production forces for the first two tracks, Paul Mac then goes it alone for the second half of the EP.  Originally recorded back in the day, ‘I Don’t Know’, ‘A Certain Era’ and ‘Knocker’ were first released on Mark Broom and Dave Hill’s seminal Pure Plastic label (PP066), while ‘Remember When’ was never previously released.

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Paul Mac & Mark Broom – Essex Acid EP [BMD005]

Hazylujah – Too Many Ghosts EP [DSRSP003]

Hazylujah is a new talent from Italy who here presents the first in a new series of webshop exclusives. His four track ‘Too Many Ghosts EP’ is a fizzing and machine wired world of deep space atmospherics, house beats and techno futurism. It clunks and splutters with analogue details in its own unique way.

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Hazylujah – Too Many Ghosts EP [DSRSP003]