Elektro Guzzi deliver one of the most thrilling live performance models for techno and an innovative leap in the art of band performance at the very same time. Parquet, their second studio album sees them in an unprecedented monomaniacal techno mode. Throughout the 9 tracks the distinctions between instruments and roles are totally vaporized. While their instrumental approach is at the core of their aesthetics, it really doesn’t matter anymore if one sound comes from a guitar or bass or drum – it has all been merged into one sonic unit and all there is, is the music as a unified entity. While all the qualities of live performance are at hand – real time interaction, visual plausibility, instant miniscule adaptations – it is a radical break with what group performances have been about so far. The rhythms are stripped down to the core and structured for affecting longer stretches of perception. Every track comes with a distinctive, almost “branding” feature – like the hypnotic meter-shifting line of Affumicato, the gated chords of Pentagonia or the abridged rhythm of Absorber.
