
Hotmix presents Mono Village, the new acronim of Stereociti from Japan with three tracks of obscure deep house music.

Hotmix presents Mono Village, the new acronim of Stereociti from Japan with three tracks of obscure deep house music.

Neville Watson’s original ‘One Four Green’ is the obvious highlight, a wiggly bottomed but robust jacker with hands-on drum machine tweaks and lovely melodic developments working just the right side of proggy. Remixing, Deep Space Orchestra beam it into more ecstatic cosmic house zones and Perseus Traxx has his tracky way.

Debut release by new artist Florian Kupfer. On this four song 12 inch we’re taken through a wild journey of a man and the story of his machines. Very emotional and human feeling, these lovingly saturated tracks move through the worlds of techno and house in subtle, unassuming fashion though totally distinct in their own right as each song possesses its own personality regardless of the man/machine relation.

Anthony Naples adds The Trilogy Tapes to his growing impressive discography with the superb El Portal EP. A true statement and this is impressive stuff; doling out raw abstract deep house that threatens to swell over on the title track, while “Pueblo” provides a rough downtempo rhythm whose scrappy hi-hats come laden with funk and a jazzy piano refrain. On the flip, “Busy Signal” provides house track whose sweet chords are counterbalanced by a particularly driving rhythm.

A Luminous Veil is the debut release by Alexander Lewis. Six tracks of heartsore modern industrial and S-M techno created using synth, microphone and pedals. Recorded in one take with minimal computer processing or post-production.

In it’s third year of operations Vatican Shadow became an unavoidable issue on the international noise and techno agenda. Following Type, Blackest Ever Black and Modern Love editions, Dominick Fernow aka Prurient aka Vatican Shadow ploughed forth with his project, resulting in three tapes ‘Jordanian Descent’, ‘Ghosts Of Chechnya’ and ‘Atta’s Apartment Slated For Destruction’, collected here on vinyl for the first time. Disc one features both sides of his extended ‘Jordanian Descent’ meditations, some of his longest in this guise and given to incredible, unfurling loop repetitions; Disc two holds ‘Ghosts Of Chechnya’, one of his most concise and varied issues, eight tracks wide and tending towards gloomy, urgent, cinematic arabesques including the outstanding ‘Voices Came Crackling Across A Motorola Hand-Held Radio’; Disc three comprises the four parts of his amazing ‘Atta’s Apartment Slated For Destruction’ including the impeccable darkness of ‘Once This Fire Gathers Strength’.

Shifted unveils yet another cloaked figure with his Covered in Sand project, the first release on the Avian sub-label Mira following two impressive turns from the mysterious Bleaching Agent. The title track to Heavens Gates Suicides is saturated in overdrive with cloudy Regis and BMB influences evident. Vatican Shadow remixes “Heavens Gates Suicides” adding subtle musicality to his version, almost throwing the track out of sync with it’s awkward snare hits – if you can call them that. “Russian Gold & Blood Diamonds” is like a beatless Severed Heads piece pulling desperately at your heartstrings while “Pale Skin” is another electronically shambled scuzz of hollowed hisses and jittery sound design.

John Beltran returns on Delsin with a brand new album entitled Amazing Things. As a life long pioneer of ambient soundscapes, blissful downbeat and stirring techno, Michigan born John Beltran already has his place in history assured with a bulging back catalogue that takes in influential releases on vital labels like Peacefrog and R&S. This new 17-track album sees the man draw on his lifetime in music to craft an immediately timeless body of work that’s stuffed with genuine musicality, pregnant with emotion and laden with organic blissfulness.

These last few years Rome based producer Egisto Sopor has been turning heads with a steady stream of most excellent releases. A cdr on Legowelt’s Strange Life Records, a tape on 100 % Silk, a double LP on Planet Mu and an evergrowing series of jams that are put on soundcloud or on his youtube channel. All of which offer atmospheric acid tinged techno laced with idiosyncratic touches. He has thus developed quite a cult following among lovers of lo fi electronic music who eagerly await his next grainy video, that feel like lost transmissions from an early nineties MTV broadcast. Polysick doesn’t get out much and keeps a low profile which adds to his rather enigmatic standing.With his new LP ‘Daydream’, Egisto has created the perfect soundtrack to a midnight trip through darkened cityscapes. Starting out like a confused jam session it slowly takes off and twists into uncanny shapes conjuring up images of a futuristic nightlife that plays out under neon lights, with a feeling of dread constantly lurking in the shadows. This is techno that tells a tale; a storyboard that comes pushing through in muffled flashes. A chase scene through deserted back alleys, executed while hunter and prey are both in a half-awake state, stuck in an infinite loop. And when the ambient synth twirls unravel and a 4/4 pulse kicks in and tears through the dreamy state of conciousness, it never signals a reassuring release of tension. You might dance to it, but not without anxiously looking over your shoulder.

First of two new bassheavy techno-ish dub EP’s by Mystica Tribe. Four tracks of excellent electronic dub with heavy techno and acid influences. Although only his second release after his debut in 2011 with ”Meditation Stick” the Japanese Mystica Tribe already delivers a powerful trademark sound: loose, shuffling beats, layered with heavy basses, tribal percussion and trippy elements, like the dark acid tale on titletrack ”Flowers” and the classic melodica stabs on ”Fractale” and ”Moon & Stone”. Tokyo Dub at it’s best.

After twenty years on the road as international ambassador of electronic music, Biosfera marks a return to Detroit Underground for Oscar Mulero. Biosfera is comprised of seven experimental soundscape compositions each inspired by a different Autonomous Community in the Principality of Asturias — the mythical, semi-mountainous region on Spain’s north-west coast. The result is an exceptionally rich aural tapestry of lush spatial environments from one of the world’s foremost sound designers.

Wild Oats is proud to present the KMFH debut album The Boat Party. After a year of collaborative releases, Kyle Hall, under the alias KMFH, has produced a debut album; a fusion of original work, sample tracks, and raw edits. The Boat Party album artwork pokes fun at European summer boat parties and juxtaposes the destitute state of Detroit and its recent proneness to discarded luxury in financial crises. Mainly, the inability to leave and the sometimes pleasant isolation of a boat party is what the album exudes. The listener has a certain commitment to the material which definitely has its place on the dance floor. You can find tracks that have soulful, funky, and organic feels, while others have a more abstract, mechanical, and robotic sentiments. The Boat Party was carefully constructed which makes the album a cohesive mix of soulful etherealness and roughly raw sounds; KMFH’s cueing into the true aspects of Detroit.

Dimi Angelis & Jeroen Search back on the road with 3 trippin and detroitesc techno tracks on their A&S Records.

Native-Detroiter Terrence Dixon‘s longtime alliance with Godfather of Techno Juan Atkins has helped forge his own powerful sound in the world of minimal Techno. Originally released on Claude Young’s Utensil Records in 1995. Both Sino (Hong-Kong) and Thema (New-York) join hands to re-release this classic which many consider as one of the early foundation in the minimal techno movement. Thema presents part.1 featuring remixes by Mike Huckaby, Silent Servant and DVS1 Sino presents part.2 featuring two remixes by Ben Klock and one by Edwin Oosterwal

New Marcelus 12” on his own label.. forward thinking advanced techno tracks with a little of that jacking chicago drive in it.

The second EP in their new “Lost Archives” series stands out in it’s clear dancefloor direction and it’s recognizable oldschool feel. On the A side Makam brings in a typical oldschool techno track which resemblances a mixture between old Jeff Mills material and Robert hood’s Floorplan output. The title of the B track simply points out it’s purpose. Roch and Pacou were resident DJ’s at Tresor, when they recorded this track for Roch Dadier’s Label Portrait in 2002. However, short afterwards it was recorded, Roch stopped his label, so this gem never saw the light of day. Pacou and Roch Dadier show us that tribalistic techno is still actual these days with this rhythmic piece of music.

Jeff Mills ventures further into unknown extra terrestrial worlds in the eleventh installment of his Something In The Sky series.

The third of M_Rec Ltd’s vinyl only Grey Series comes from Asma, a new collaboration between Ascion and M_Rec boss Max_M. Supposedly inspired by Dutch experimental filmmaker Frans Zwartjes’ 1968 short film of the same name, “Birds” offers some expectedly atmospheric techno; opening with tribal, rolling, warehouse-sized drums and foggy strings in the background, the track soon gives way to a heady concoction of bristling static and plucked textures played over a sonic void. Sandwell District alumnus Silent Servant’s remix is a stark contrast, pairing some vintage chord stabs, snare rolls and drum machine percussion to create a basement ready house jam laced with spectral atmospherics that is possibly one of the more club-ready tracks he has produced to date.

Mike Dehnert with a new 4 tracker, including a massive live version of Drehimpuls. The rest is slightly lighter with Eigenzeit as serious contender for winning the election of favorite tracks on this EP. A proper peak time techno monster. However b2 track Isolant is another one of Mike’s seductive grooving techno tracks in the known Dehnert style.