Work consisting of a version of the original track, released in Le Galassie di Seyfert, (recorded in 2011 for Synth Alien Live @ Elektro Sikness 3), a new track ”My Universe” and a brilliant remix of the original track signed by my Brother and the legendary Alek Stark.
As Benedikt Rugar’s superbly illustrated cover art for the recent CockTail D’Amore compilation Nothing Matters When We’re Dancing proved, the Berlin collective proudly celebrate their status as a forum for Berlin’s gay community to fully express themselves. With no releases on the label since that compilation arrived in January, Discodromo and DJ Boris have now unveiled a sister operation with a focus on edits under the wonderful name CockRing D’Amore. The debut release features contributions from label regular Massimiliano Pagliara, the unheralded Trent and founders Discodromo.
With the birth of this new Dublin based record label, Lime Street Music, we have the first debut EP from Marvis Dee the more house leaning alias of mysterious producer Jeremiah R. Marvis offers up six varied analogue house jams from the spacey sounds on Dreams of Another Planet through to the acidic vibes of Jungle Trip and Subconscious then rounded up with the reflective moods of Tapedeck Adventure, Cancun Seventies and Weeks.
There’s something particularly admirable about Lobster Theremin’s often-stated desire to eschew tried-and-tested producers in favour of newcomers and lesser-known studio buffs. Here, they offer a label debut to William ‘Royer’ Thurman. He escorts us on a trip into the deep depths of his musical imagination, where drifting chords, barely audible vocal samples and dusty melodic motifs rub shoulders with crackling drum machine grooves and blazed, locked-in rhythms. There’s much to enjoy throughout, from the horizontal textures and rolling grooves of “Facts”, to the minor key techno wonkiness of “Collectively”. TRP remixes that track, delivering a heavier, more raw sounding interpretation.
The return of the Windy City’s Ike Release to the tougher than solid Episodes label. Mr.Ike Velez makes his appearance heard quickly and loudly from the first bass drum of “Apollo3”, an all-out dancefloor winner with a distinctive US edge, sci-fi sonics and gorgeous hardware tweaks. “Guzzle” is more soulful and chord-heavy, while “Socialite” takes a dusty drum programme and chucks it over a deep house vibe, and title track “Watercolours” wins the beauty show thanks to its pounding beat and majestic waves of synths.
Stump Valley returns to Rush Hour’s ‘No Label’ offshoot with more attractive, ear-pleasing fare. There’s a slightly more sun-kissed feel to Magica Movida, with opener “Oceans Refuse No River” coming on like a dusty and tactile nu-disco take on the dreamy, new age influenced Mood Hut sound. There’s plenty more to enjoy across the EP, with the dawn-over-the-Adriatic feel of “Sunshine Hotel” standing out.
Wicked 3 part in the series… slightly dark EBM-tingled techno by Caltrop, Vault, Frak & Heinrich Dressel.
Nijmegen electro imprint Shipwrec shows us how its done yet again, with Roel Dijcks aka Ekman keeping the Dutch west coast spirit alive with 4 dramatic and haunting acid voodoo tracks certain to draw a new generation to the beauty of the dark side.. “Autapse” begins proceedings in haunting fashion; spooky church organs provide the backdrop for an epic, soaring acid lead while “Uncertainty Principle” is sub-aquatic, Drexciyan electro for freaks. On the flip is the title track; keeping on like before but with a four to the floor beat for added dancefloor dynamics. Finally “Antinomy” delves into deeper terrain; its razor sharp and morphing synth line leading you further into the darkness of the abyss.
DMX Krew makes his debut on the quality Last Known Trajectory. “RAM Expansion” is a heady electro tune with a sunken load of synths at its disposal, while ‘Experiment 5″ is classic DMX – mad modular-like patterns surrounded by menacing drums. You also got the weird and wonderful bleeps of “Quantum Computer” on the A-side, whereas the flip kicks off with a fiery techno punch in “Division By “Zero”, heads to more AFX territories via “Rubout”, and ends on high-tec electro stroll of “Bad Vibes”. This is no nonsense dance music at its finest.
Creme Organization label off shoot Jericho One serves the second release, this time from NOFACE. This is a moniker of Mella Dee. Here he offers three new pieces that show a passion for high energy, lo-fi tracks with inventive grooves. ‘Saturate’ is littered with old school signifiers but is essential a brutal, high power techno banger with immovable kick drums, slithering percussive patterns and fiery vocal ad libs that imbue the track with a sense of afro-futurism. ‘Polar’ is a similarly physical track with massive, monstrous kicks, reverberating synth lines and a barreling sense of groove that washes over you like a braking wave. Finally, ‘Warrior Charge’ is another physical and functional cut with robust drums, oversized hi hats and woodpecker like hook that demands you stomp and head bang from start to finish.
Africa Seven Records presents volume two of their Africa Airways compilation, featuring 9 pure african funk tracks.
Continue reading “VA – Africa Airways Two: Funk Departures 1973-1982 [ASVN010]”
Given the undoubted quality of Howard Williams’ first release for Berceuse Heroique under the Japan Blues moniker – the superb Brasserie Heroique Edits Volume 2 – you’d expect this second 12″ for Kemal’s imprint to be equally inspired. It is, of course, with Williams’ digging deep in his near bottomless crates of obscure Japanese releases for inspiration. He begins with “Spurned My Colour”, a delightfully jaunty and cheery fusion of chiming synthesizer melodies, broken electro drums and sampled vocal stabs. He goes dense and tribal on “Stoned Bird”, brilliantly cutting up, manipulating and rearranging a killer, African-inspired percussion track. As for closer “Beak”, it expertly joins the dots between wonky, undulating live percussion and the weighty pulse of contemporary techno, via some thrilling backwards drum hits.
La Mecánica Popular takes to the night for a much anticipated follow-up to their critically acclaimed, self-titled album. This special edition single features a natural modification of their signature psychedelic style – a time capsule of 1970s Afro-Peruvian roots gone American Rock & Soul. Noche Triler (Thriller) takes the form of an uptempo instrumental stunner, a unique combination of styles from guaracha and cumbión, and a refreshingly thrilling flip of Michael Jackson’s iconic masterpiece. Already a staple in the band’s live performances, Mótame En La Tormenta (Riders On The Storm) transforms the Doors’ cowboy-jazz road saga into a brilliantly versioned Amazonian cumbia, a beautifully dark and shadowy trip into the heart of la selva.
The second tape on Legowelt’s Nightwind Records Cassette series. Through his remote viewing powers Danny Wolfers channeled the music of Saab Knutson of Faroe Islands circa 1993. 60 Minutes of Nordic Ambient with a disturbing undertone of dark melancholia with vague notions of distant happiness. Saab Knutson is a man with many issues, but on the Faroe Islands there is no time for issues. To stay of sound mind, Saab plays his synthesizers in the few spare hours he manages to find, unmistakenly influenced by Faroe’s spellbinding landscapes and grim climate. Though Danny has never been to the Islands he has a definite puzzling calling to them, a ‘luring’ force, so to speak. Hopefully he will sell enough Saab Knutson albums so he can fund an expedition and find out more about this mysterious destiny… Played on Yamaha DX100, Roland JX3P, Alpha Juno 2, EMU 16 bit digital sampling keyboard. Ruby metallic cassette tape in luxurious faux plastic case.
“The Right Place Where Not to Be” is the title of Giorgio Gigli’s first full-length “sonic movie”, a work emerging from the depth of his soul and which properly filters every musical input he’s developed over the years. The album takes its outset in a scenario where all human and animal life-forms have perished and only plants and minerals have survived. Giorgio performs that concept writing an ultra-detailed soundtrack to an imaginary movie, using rich textures that reveal new acoustics, enhanced by alienating atmospheres that captivate the listener. The album is focused on obsessive rhythmics cut on low frequencies, a persistent motion, and a stable tremor. The world is justifying its life-forms in detail. The sky is darkened by laden clouds and stratified sonics that electrify the sound of space. Blooming sensations that cover a wide spectrum, alternate from a feverish tension to the lightness of faith. Confines are rejected, techno meets ambient, purging our body of consciousness. A sonic bubble from a faraway era, a timeless atmosphere that describes a vision that seems to answer to the most important question: why? The task of creating an album is brilliantly managed in a manner that cinematically depicts a surreal concept without the loss tension. The experience of the music is enhanced by the intricate artwork with an evocative artwork that expresses Giorgio’s concept: The sequence of mountains dominated by clouds on a clear sky and the depths of flowers are tinged with the memory of a wonderful past.
Continue reading “Giorgio Gigli – The Right Place Where Not To Be [EDLX045LP]”
Last year, Abdulla Rashim took time out to develop his alternative Lundin Oil project, delivering two EPs of in-your-face noise and industrial techno textures for Northern Electrics. Here, he switches back to his main creative name for a second Abdulla Rashim set that joins the dots between intense, beatless ambience and modular techno box jams. Despite the general bleakness of his sounds and method, A Shell of Speed is surprisingly picturesque and melodious in parts, with the brilliant “Crossing Qalandiya” delivering the kind of trippy, delay-laden electronic soundscapes that recall the halcyon days of IDM and ambient. Even so, it’s his more surging, rhythmically intense compositions – see “Red Pool” and “Ador Tracers” – that arguably stand out.
Bolstered by the unshakable body of work behind it, Brooklyn-born Berlin-based techno label Chronicle reaches its milestone tenth release with its gaze fixed dead ahead. Ten releases in, it pays to make a strong, defiant statement of intent, toasting to what the label has been about so far. More important though is to remind those tuned in to take heed, because the next step is always the most significant. Joining in on this behemoth project is; Aiken, Arnaud Le Texier, Ben Gibson, Hironori Takahashi, Imugem Orihasam, Echoplex, Mike Storm, Staffan Linzatti, & Zadig. The forward-thinking nature of the music in this collection sums up the ethos of Chronicle as a whole. Each artist has a distinct identity but they all strive to push techno into unexplored realms, placing the emphasis on atmosphere and psychological impact. In such an approach can the most affecting sounds be found, and there will surely be few listeners left unmarked by this record.
