DJ Overdose – Housejam Freaker [UTTU052]

DJ Overdose heads over to Unknown To The Unknown for a spot of techno-jackin’. Thrillingly, “Housejam Freaker” combines fizzing, upbeat machine drum rhythms, deep space chords and wild, sped-up Motor City electronics to create something that sounds like the bastard offspring of Jeff Mills, Drexciya and Phuture. Willie Burns provides the obligatory remix, offering something that retains the original’s energy whilst increasing the beauty factor tenfold. Elsewhere, he wanders into deep acid territory on the straight-up jacker “Dikzak”, and delivers a surprisingly funky dose of intergalactic electro on the cheery “Vinca”. A string of handy locked grooves complete a tasty package.

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DJ Overdose – Housejam Freaker [UTTU052]

VA – SALT001 [SALT001]

As label debuts go, SALT001 feels like a genuine statement of intent. Run by Melbourne producers Shedbug and Rudolf C (who both contribute tracks), Salt Mine’s first outing touches on a number of contemporary deep house trends whilst retaining the kind of hazy, Balearic feel most associated with the Australian city. Mall Grab & Rudolf C’s dreamy “Untitled (Track 2)” pays tribute to the new age house sounds of Vancouver, while Shedbug’s “End of the Drone” inhabits the ambient techno territory recently visited by Shine Grooves and the Acting Press crew. Elsewhere, Coastdream’s “Untitled 16” sits somewhere between Motor City futurism and the raw rhythms of L.I.E.S, and DJ Phlowgod’s “Summer” is a pitch-perfect analogue jam full of clattering machine drums, boogie synths and jackin’ intent.

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VA – SALT001 [SALT001]

Marvis Dee – EP 1: Sailing Over Alpha Moon [DREAMS001]

Marvis Dee opens the newly varnished In The My Dreams imprint with a boogie-led 5-track EP of late-night 80’s house and slow groove-soaked beats. Drawing from the magical influence of the conga-a-plenty TR-727 drum machine along with stomach rumbling basses and glistening synth romanticism conjured from the same machine. Sailing Over Alpha Moon is the first in a 3 EP series exploring these ideas, machines and the nostalgic attachment to things we have once experienced but may not remember. Trapped solely in the memories of others, but returning in our dreams.

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Marvis Dee – EP 1: Sailing Over Alpha Moon [DREAMS001]

Mark Broom / Victor Santana – Helium [CHAVAL014]

The next release on Chaval Records unites its main producer, Victor Santana with one of the masters of British techno, Mark Broom. How much Helium does the Techno you usually listen to contain? This new offering from Chaval has an extra supply of the chemical compound. The best-known use for this noble gas could be to inflate balloons and airships. A chemical element used to both fly to the sky as well as dive to the depths of our seas. These properties are very similar to the techno we like. If you bind two atoms of oxygen to the sun’s temperature then you create helium, and if you join Mark Broom and Victor Santana, you get Techno. The EP features 2 new tracks by Mark Broom and 2 by Victor Santana.

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Mark Broom / Victor Santana – Helium [CHAVAL014]

Dust – Moth On Fire [2MR004]

DUST is an international, amorphous, conceptual techno project known for futuristic acid compositions and noisy, immersive live performances. Perhaps the most notable element of the live aspect is Greem Jellyfish, whose heavily processed screaming and flamboyant costumes often erupt crowds into techno riots.

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Dust – Moth On Fire [2MR004]

Floating Points – Elaenia [PLUTO001]

For the past ten years, all roads Shepherd has followed have been slowly leading to ‘Elaenia’ – an album with roots deep in his formative years, and one that draws upon everything Shepherd has done so far. An album that provides context to the music that Shepherd has been making to date. Every DJ set he’s performed, every talent he has produced, every composition he has written are thought of as precursors to ‘Elaenia’ – a dazzling score which puts Shepherd in the spotlight as a composer who has produced an album that bridges the gap between his rapturous dance music and formative classical roots. Drawing inspiration from classical, jazz, electronic music, soul and even Brazilian popular music, ‘Elaenia’ – named after the bird of the same name – is the epitome of the forward-thinking Floating Points vision in 2015.

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Floating Points – Elaenia [PLUTO001]

Oliver Ho & Danny Passarella – Multi [PASS002]

Oliver Ho produces music on the axes of techno and noise. Danny Passarella works with synthesisers, but also designs clothes. Together they’ve made Multi, a conceptual EP on the subject of gender (non-)binaries. Four tracks of thoughtful synth-scapes and reverbed techno. 12” release on Passarella’s self-titled label.

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Oliver Ho & Danny Passarella – Multi [PASS002]

Shinichi Atobe – Ship Scope [DDS014]

Hugely sought-after techno classic  – the precedent to ‘Butterfly Effect’, originally released on Berlin’s legendary Chain reaction and out-of-print for 15 years, now newly remastered from vinyl by Matt Colton at Alchemy. A massive personal favourite of Demdike Stare’s, Shinichi Atobe’s ‘Ship Scope’ was Chain Reaction’s penultimate release in 2001 and, with the benefit of hindsight, also one of the legendary label’s most sublime offerings.

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Shinichi Atobe – Ship Scope [DDS014]

Subversive – Domestique [VRV005]

Subversive delivers a follow-up to last season’s VRV release, ‘Chainbreaker’, this time with two measured explorations of atmosphere and movement. The title track, ‘Domestique’ builds its drama around delayed stabs, crafting a wash delayed environment that keeps a strong pace. ‘Corosync’ emerges from a similar approach but intensifies the drum programming and strips away melodic layers. VRV label bosses, Raíz, rework ‘Corosync’ with emphasis on thicker beat construction and synthesized psychedelia.

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Subversive – Domestique [VRV005]

Celldöd – Mekaniskt Gränsland [SUCTION033]

Suction Records is pleased to present “Mekaniskt Gränsland,” the debut full-length release by Sweden’s Celldöd. Celldöd’s Anders Karlsson is a seasoned EBM musician and fanatic, a member of bands including The Pain Machinery and Bunkersex. “Mekaniskt Gränsland” (translation: Mechanical Twilight) is dirty, electronic dance floor music, hardware driven, mostly instrumental, and stripped to the bare bone. The album was made during long, late-night sessions, working with semi-functioning gear from the past (analogue synths and drum machines, cassette decks, old tape delays and spring reverbs) as well as new, small and inexpensive machines. Karlsson’s modus operandi for Celldöd is to keep the grit and the rough edges in the production, submitting to the beauty and power of imperfection.

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Celldöd – Mekaniskt Gränsland [SUCTION033]

Dexter – Troubles [KLAKSON023]

Steffi and Dexter announce the re-lauch of Klakson, the legendary electro/techno label. Klakson was one of the major west coast labels during the second wave of Dutch electro/techno heydays at the beginning of the century, releasing several classics such as Dexter’s ‘I Don’t Care’ or Fastgraph’s ‘Systematic’. Now the time is right and a return in style it is… Without mercy Dexter drops four of his trademark razor-sharp sci-fi electro p-funk bombs that will make dancefloors explode worldwide.

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Dexter – Troubles [KLAKSON023]

VA – Trust XV-III [TRUSTXV-III]

EXALTICS, The/PLANT43/ADAPTA/EPY/MICROMEGA - Trust XV-III

The final chapter in the Trust XV trilogy once again brings together an elite crew of electro programmers. Tracks by The Exaltics, Plant43, Adapta, and Epy x Micromega conclude the fate of interstellar mining outpost 61 Cygnus e.

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VA – Trust XV-III [TRUSTXV-III]

October – Black Body Radiation [SKUDGEWLP002]

Bristol based Julian Smith aka October returns to Skudge Records with the full length Black Body Radiation. Sounding like the soundtrack for a long lost dystopic Anime movie. Action packed, intense, fast-moving. Body music from the future.

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October – Black Body Radiation [SKUDGEWLP002]

Legowelt – Dark Days 1992-1997 [BAKKDD001]

Those familiar with the Strange Life label operated by Danny Wolfers will know it’s rife with CDr material worthy of the vinyl format. Whilst our personal favourite (the bizarre Portopia by Wolfers alias Satomi Taniyama) remains looked over by labels, Berceuse Heroique were responsible for a quite sumptuous double LP edition of Smackos album The Age Of Candy Candy earlier this year. Now local Den Haag crew BAKK have got their hands on 2004 Strange Life album Dark Days for an equally classy triple LP edition. Wolfers fans not familiar with this album will immediately fall in love with Dark Days, thanks to the signature blend of goofy track titles (“Lego Resistance”, “An Obnoxious Affair On Tape”) and music that veers from soaring, synth vistas to grotty techno via cold, primitive electronics and more.

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Legowelt – Dark Days 1992-1997 [BAKKDD001]

Greg Beato – When Monkeys Attack [APRON019]

Greg Beato returns to Funkineven’s Apron imprin, serving up three more chunks of woozy machine music. Beato sets the tone on “When Monkeys Attack”, which expertly fuses booming bass, fizzing drum machine hits and dreamy, hypnotic synthesizer motifs. There’s a hazier deep house feel to “El Dinero Falla”, which despite its’ inherent beauty is also notably tough and more than a little wonky. Another excellent outing closes with the clanking drum machine cowbells, Syclops-goes-rave riffs and furious percussion programming of the more techno-leaning “Sadati”.

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Greg Beato – When Monkeys Attack [APRON019]

Dream Weapons – Reach Dystopia [MRT003]

DREAM WEAPONS - Reach Dystopia

Athens reminds us of Berlin right after the Wall. Gritty, chaotic, dirty, and partying like there’s no future. Dream Weapons is a reflection of these confused greek days. With limited means and a DIY attitude he builds harsh, lysergic, electronic dreams on the ruins of a once splendid empire. MRT is the perfect place to do so. We believe in total failure.

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Dream Weapons – Reach Dystopia [MRT003]