
Continue reading “Andrew Red Hand – Dark Science Electro Guest Mix”

Broken Arrows are the powerhouse duo of London’s Bill Ambrose and Spruxx. United over an envy inducing collection of vintage and modern synths and drum machines. Broken Arrows are the sound of a slime coated pansexual Club D’Amore as populated by malfunctioning ED-209s getting real freaky. Taking cues from classic EBM, Minimal Synth, these three dark-fucking-wave destroyers are complimented by a remix from the one-man-brutalist-factory known as Drvg Cvltvre, taking the title track and twisting it into a reimagined 8-bit NES grinder / grindr.

Very limited installment of Joe Drive’s brand new label Kooaad Muzik; a journey into sci-fi movie sound. Four brand new tracks starting from the electro jazz anthem of the title track followed by late night cinematic motors of Behind The Screen. On the flip side the post-Drexciyan electro-techno funk of Mesmerization closing with the true Manifesto of this release, Cinemascope. John Carpenter and Drexciya Inspired First excursion into electro.

Playful melodic ”IDM’ and electro by MNLTH aka Dave Monolith, Photodemetia, etc – Hot off the heels of his Time EP on WeM Records. Dave is giving his fans a real treat in 2015.


Rich with analog ideas, Matrixxman shows his interests in deep Chicago moods with techno futurism. StuxNet follows the futuristic path Matrixxman has carved out with two new acid-leaning cuts: StuxNet I and StuxNet II paired with two Amulet EP stand-outs, Venetian Mask and The Caravan, remixed by Hieroglyphic Being and Silent Servant.

Amir Alexander Acid (AAACID) returns with his Jack Ingoff alias, a sub-alias of his Smiley Virus pseudonym to bring you an abstract acid dj tool EP. As per usual, the tracks on this label always feature odd time synth patterns against 4×4 beats creating poly-rhythmic effect that first stupefies and then invigorates the crowd as they realize that these are not the average acid tracks. Stripped raw bangers. Just 909 and a 303 pure and simple.

Acidicted strikes back – raw deep and moody – with a full length 2x12inch album. For the 10th release Adalberto picked the finest tools out of his box to kick acidicted_2.0 on a trip new from the past to the future of electric houze. against all odds Toolbox comes along with 8 fresh oldschool flavoured trax, showing a wide range of hardware based and tb-303/tr-909 driven stuff……ride on!

Epic, tense, and driving Russom goes for the throat crafting beautifully produced functional club tracks that teeter on the edge of the deepest psychedelic realm. With hints of many different electronic strains creeping into his productions, we get the full specturm and see this talented producer doing some of his best work in recent times, the hidden gem being the b-side’s closing track, The Telstar File.

Raw Tools returns with four powerful tracks from the vaults of talented Scottish producer Stephen Lopkin. Chicago flavored beats and acid driven grooves bolted onto Detroit rhythms and swirling pads of analog goodness.

Time to hit the vape and embark on the journey of your lifetime, or at least a most pleasant trip this week…or as long as your attention span can handle it. Rising Sun Systems – Oberheim Space, 11 tracks of ambient g-funk slow jams and psychedelic space muzak. Using special frequencies to alter your brain waves and make u a smarter and better human being. Written, produced and performed by Danny Wolfers on Roland Juno 106 KIWI, Oberheim Matrix 1000, Korg DW8000, Yamaha SY35, EMU EMAX II etc.etc.etc.

This double LP album arrives through Modern Love and features a handpicked selection of tracks from the Death Is Unity With God cassette box set Dominick Fernow aka Vatican Shadow issued on his own Hospital Productions label last year. 12 tracks featured here are a balanced blend of broken, ice-cold techno and finely calibrated drone pieces backed by subtle percussive patterns. There’s also plenty of his more raucous beat thrashing and even a few moments of nostalgia.

Dutch label Field is back with another album project, this time from American producer Christopher Ernst, aka L’estasi Dell’oro, who also records as Penalune and is co-founder of the Voodoo Down label. Before now, Ernst has proved himself to be adept at crafting deep and atmospheric, excellently ambient techno on a range of labels. Varying his tempos and textures, he does acid, raw stuff, tough beats and more industrial grooves. Across this new 8-track album, all this and more is explored in captivating fashion. This is an expressive and expansive modern techno album from L’estasi Dell’oro that is perfectly at home on the always interesting Field label.

Sequencias first release for 2015 comes from Chicagoan, Area. He has melded elements from bass music, industrial, electroacoustic, spoken-word and techno into 3 tracks that distill their influences into something greater than the sum of its parts. Opener “Circadian” is built on a two-chord refrain to a stepping rhythm amidst a dank warehouse atmosphere. Spoken-word interlude, “One Less Me,” is little more than a female voice processed and cleverly twisted over crisp electronic filigree. The EP closes with “XXeXX” (Crushkilled Version), which sounds like the remnants of the opening track after being drop-forged and scattered to the breeze—long peals of reverberating melodic feedback straining under a dense bank of static fog—breaking free every few measures to expand into the light, then crushed. “One Less Me” is the beginning of a new relationship that we look forward to see flourish in the future, and of course, to share it with you.

Dutch producer Mohlao is next up on Shipwrec offshoot Deep Sound Channel with a four track EP that showcases his specialist dub techno style. This four track EP kicks off with ‘Cladistic Mutation’, a sparse underwater soundtrack with only the gentlest suggestion of rhythm, lots of reverb and tiny little details that float by like micro-bacterial debris. ‘M2’ is a more beat driven dub track but is still way below the surface: the kicks are smooth and hunched over, the chords are smeared out in all directions and the atmosphere is lo-fi and grainy. On the flip, ‘Grain’ gets even more energetic, with firm techno kick drums setting a stern tempo as all sorts of aqueous details and spacious effects pepper the groove. ‘Neurowaves’ closes things down in blissfully dubbed out and horizontal fashion, with large sweeping pads, tweaked filters and evocative little details all placing you firmly under water.