
This time around it’s a bold 303 mission, with Ben Sims on the machines, Tyree Cooper on the vocals and the illusive Geeeman on the remix duties.

This time around it’s a bold 303 mission, with Ben Sims on the machines, Tyree Cooper on the vocals and the illusive Geeeman on the remix duties.

3 tracks of serious basement bizz from Chicago’s Specter – following on his Pipe Bomb Sound release.

This is the 78th podcast from The Bunker. Recorded live at No Way Back at The Bunker at BEMF in Brooklyn on November 8, 2013.

Alien Rain is a tainted Techno project of Milton Bradley. Under this alias the Berlin based artist has served up disgruntled Electronics and downright deranged Acid. Panel beaten 90s tracks that pervert and pummel. Floor a-bombs that leave behind nothing but a 303 wasteland. Mr Bradley has caught the attention of Deep Sound Channel and been called upon to deliver his style of hypnotic fallout Techno. Two sealed vials of audio venom are the result. ”Acid Reign 1” is a looming beast, a corrosive creature dripping famine and pestilence from every pore. The flip is a steady builder. Slowly Alien Rain constructs an analogue scape. Bulging bass and tempered Acid annihilation threatens throughout but is kept in check. Beelzebub brutality from the warehouse warped mind of Milton Bradley.

Rising Belgian producer Innershades returns to Ukrainian label Wicked Bass for a second 12″ of the year. Given the fact That Girl, his debut EP for Wicked Bass was so popular it’s no surprise to see Innershades back and he’s laid down some serious productions. Lead track “Granuere” is banging through acid heavy techno in suitably grotty fashion, which contrasts nicely with the more electro-indebted ruffstep of “A Night To Forget”. Here Innershade’s quickly established rep for mnulti-layered synths shines, as it does on the chunky, whistle laden “Never-ending Summer” This latter track is giving a bustling house makeover from that man Dexter which sounds equally contemporary and redolent of a 90s R&S B Side.

Expansive new material from Swedish polymath Jean-Louis Huhta’s Dungeon Acid project. Rather than setting the controls to bludgeon, JL reveals a dynamic nuance on this three-tracker. “Move”, its purpose self-evident, begins with swinging african guitar, hand drums and an organ solo before acid and modular textures seep in. “Duped” is similarly elusive – on the surface, the track consists of a bobbing acid line and muffled vocal sample, but a closer listen reveals suitcase synth textures coloring the track’s murky corners. “Astro” is noiser and more cosmic, but maintains the introspective bent. “Move”, out on Detroit’s FIT Sound, is tough and functional dance music. The acid form is stretched to contain a wealth of influence, both musical and personal.

Neville Watson ends 2013 with a club-focussed 12” and the second in the DBA Special Editions series. Since remixing DBA003, and thereby providing one of the most requested tracks in the label’s history, it has only been a matter of time before the legendary UK producer joined the DBA camp for a full 12” release. In keeping with the remit of the Special Editions sub-label, all three tracks are …

Benny Rodrigues’ (Alves Fortes Monteiro) Rod alias debuted on Klockworks in 2007 giving Ben Klock’s label its seventh release. Following Etapp Kyle’s debut on Klockworks earlier this year, Rod returns with the first creatively titled EP the label has released. Anindica (Klockworks 11) provides two productions, and the title track is in line with a zapping Detroit style of techno, and perhaps something you may hear played in a current Eddie ‘Flashin” Fowlkes DJ set, while the muscular, dub-tinged, European B-side of “Hux” is well a truly destined for some heavy Ben Klock rotation.

The acid Arabic wind has not finished blowing. After the warm welcome of our Collections EP01, Versatile proudly present four new tracks for eclectic and demanding dance rooms. Once again, Guido & Herv from Acid Arab deliver one track and have asked producers from all over the world to contribute to the project. This time by Legowelt, Dj Gregory (Headcore) Professor Genius, Dj Gilb’r, Acid Arab & Shadi Khries.

Direct out of deepest Neukolln emerges Z O D I A C 4 4. Rusty, broken and cantankerous we spill forth our first ever release with Dungeon Acid at the helm. Dungeon Jams sees the Swedish producer summon madness from the depths of his mind and unleashes it on the world via his Computerriddimdrummachiner and the Analoguewavecombosignalizer. Aboard the pirate ship are fellow Viking Rivet and Nordic saint DJ Fett Burger with both bringing their own inimitable and unparalleled sonic grooves to the battleground.

3 rough, rugged, and raw tunes in which the waveforms are stopping eardrums and woofers, meanwhile experimenting but still staying true to the Chicago ethos. Man, you just got hit with some Guerilla Shit!

New floor filling EP where Lewis Fautzi, now re-baptized as Nuklear Default, takes us on another joyful ride of groovy techno. Explorations in acid are the mottos of 303 and Acid is back. Rocking and Intense are just few words we can use to describe these floor filling bombers. Filthy goes in another direction, where dub and techno are present and arranged with very strong drum programming. Again, the dancefloor is the target and the will to go crazy should arise and be huge.

Atom™ & Tobias. deliver their first tracks recorded for Ostgut Ton on the “Physik 1 EP”. For this collaboration they opted for two classic Acid jams. On the first side “Physik 44A” builds a steady sweep with its continually modulating Acid line and relentlessly driving percussion. Luscious beats are propelled through an intricately crafted hi-hat construction until the filter cut-off signals a break, only to allow the track to strike back in full force. On the B-side “Physik G321V” focuses on the groove. The same subject with a different approach. A surprising balancing act between the serious mood layed down by the track and the combined playful vocal stabs that are comfortably bathed in Acid as though they always belonged there. A thoroughly timeless record.

For the latest Apartment release two interplanetary gangs come face to face in a techno battle for the ages.
Hailing from the Phantom Planet we come across Forsh, Bin Man and The Red Defender, a trio of rebel Outlaws whose spaceship is under fierce attack from The Muscle Patrol, the Hi-tech Galaxy’s ultimate and most fearsome tool of oppression. Following wave upon wave of Acid attack, the Outlaws are forced to eject from their ship, landing on a mysterious jungle planet…
Unbeknownst to them, the trio have landed on Huguenot, infamous for it’s ghostly shark creatures which rise up to hunt the living…and they smell fresh meat…
…meanwhile, traveling across deepest space aboard The Viceroy 9-c we find The Dean of Threenie and e-D aka The Beets. They are 2 disparate characters from the planet Tr One, infamous for it’s GreenLight Sector, a nefarious haven for low-life traders and smugglers. The duo traverse the galaxy in search of rare treasures to capture and trade back on home soil. Unlike the Phantom Planet Outlaws, these two know what awaits them on Huguenot…or do they.
Will The Beets save The Phantom Planet Outlaws from the bloodlusting creatures of Huguenot? Will they sell them out to The Muscle Patrol? Or will they join forces to rid the galaxy of it’s most fierce oppressors?
The black gold sat upon your turntable contains all the answers…and more…

Andrea Solitario aka Andrew Soul is joining the Popcorn family with a Deep Acid work. Through 3 originals, this Italian born artist begins the EP with Don’t Let Others Influence Your Thoughts, as a deep introduction. Heavy bass starred with TR707 drums and filtered voices. Free mind remain in the same mood with an additional dance floor touch. The acid synth in the second part conveys the listener to the old school acid house basics. Where is Your Identity close the Ep with electric drops sprinkled through the theme, drums, reverbed voices and a nice deep groove.

Widely regarded for their efforts to promote the minimal synth scene in home town Rome, the Mannequin label have always proved themselves capable of looking much farther afield with equally good results. Mannequin return to the States here, but swap coasts landing in NYC to present this excellent release from Brooklyn troupe Dust. Described by the label as “a contemporary ouroboros of acid house, combat techno, and late italo”, Dust are a Bushwick-based music collective whose numbers include avant garde Korean noise goddess Green Jellyfish, psych musician/model Angela Chambers, dungeon wizard/tech genius audio engineer Michael Sherburn and DIY nightlife entrepreneur /DJ John Barclay. So far so Brooklyn you might say, but there’s evidently something special about Dust on the basis of all four tracks on the Onset of Decimation 12?, with final track “I’m Melting” particularly memorable; it feels like the work of Legowelt and Xosar shaken free of any tape dust by the sheer force of the reverberating acid lines that propel matters forward.