
Genetic Music present the new Bakterielle Infektion album “In Grief”, featuring 8 tracks.

Celestial Joy has been recorded by Edmund Xavier at Video West in San Francisco in occasion of Horrid Red first West Coast tour and first ever live appearances. As from the title, Celestial Joy is a step away from the depressive synth punk of their first releases. Instead, there is some sort of light cleaved through this album, though only a weak light can filter to the depth of the dark environment we are moving in. The recording session saw the newly established core trio of Edmund Xavier, Bunker Wolf and Clay Ruby (Burial Hex) in charge, with further assistance by Nathaniel Ritter, Tim Berresheim, Carly Flies, Catholic Pat and Christine Boepple.

‘Emergent Behaviour’ is what one might determine the calm before the storm, as we dive into the second instalment of ‘The Jupiter Cycle’, as the drifting ambience and somewhat ominous synths proceed ‘Abstract Thought’, itself a stubborn barrage of hardened electro beats, rigid stabs, crystalizing and melding into an explosive mayhem and of course, ‘The Ghost in the Machine’, if anything a more traditional styled, yet irresistible electro hit. ‘The Deep’ showcases Hadamard in a distinctly experimental mode, where all the fine details are tuned to perfection for maximum atmosphere. Finally, drifting into ‘The Collective’ and ‘Satellite Swarm’, both gliding onwards and ever deeper into pure ambience, the latter closing piece eloquently preparing the audio stratosphere for the next chapter in The Jupiter Cycle…

The first phase in the breath-taking new musical project from Hadamard. As we enter Hadamard’s universe of ‘The Jupiter Cycle’, we hear a synthesis of straight-up electro coalesce with spellbinding ambient and experimental futurism, to create an overall Bladerunner-esque environment.

“Cosmo Rhythmatic” by Hieroglyphic Being is the 18th CD on Music From Mathematics. The Sun God once again delivers claustrophobic technosoul of the highest order.

Pomelo presents Alex Cortex’ third album. ‘Kihon’ is a very personal effort, as suggested by the self-portrait on the cover. The carefully elaborated design of this gatefold double LP speaks as a whole and in true minimalist fashion about the passing of time, without ever declaring nostalgia to be a means for itself. In 11 nameless tracks, ‘Kihon’ takes us on a journey through organic worlds of sound that invites us to flow with the music and connect with the feelings contained in it. Concentrating on the bare essentials, the music begins to speak, turning the album into a harmonic whole. ‘Kihon’ therefore is also a return to listening, away from a utilitarian perception of music as a background sound.

Aybee shows his other side with the 7 short tracks on this EP. While the aural palette is similar to his 4 to the floor work, the beats here leaning more to the hip hop side. Funky & deep, the way you’d expect, but with a twist.

Sympathy Nervous is the project of Japanese artist Yosihumi Niinuma. Automaticism features songs Yosihumi Niinuma recorded between 1979-1981. Most were originally slated for a cassette release but never saw the light of day until now.

Minimal Wave proudly presents Cities Of Steel And Neon, a compilation of early tape recordings by Greek electronic pioneers In Trance 95. In Trance 95 was formed by Alex Machairas and Nik Veliotis when they were just 18 years old. From its inception, the duo shaped their sound using portable analogue synthesizers and drum machines, becoming one of the first artists in the minimal synth / cold wave / EBM vein to come out of Greece in the 80s.

Holland’s deep electronic specialist Conforce release his next full-length work, “Escapism”, on Delsin Records. Boris Bunnik has crafted another album of deep digital and authentic analogue bliss, combining elements of futurism with real hardware, decent software and to simply goes wherever it takes him, be that a landscape doused in dub, formed from a firmer techno template or built on a house groove. As such, the aptly entitled album is a wholly immersive listen from start to finish. Operating in its own deep and subliminal world of rhythm, it goes from lateral and dubby to more upright and kicking, touching on ambient moments and the odd classist moment along the way. From start to finish Escapism grabs your attention without being rushed, hurried or over-complicated. It’s the sort of album which works on both headphones up-close, but also on a dancefloor at distant thanks to its devilish detail but palpable presence.

Martyn takes a step back to reflect in his new release Ghost People out on Brainfeeder. The LP gives off a jigsaw effect, pulling apart genres of music while delicately piecing together a mass of influences from all over the musical spectrum. The album itself is a masterpiece; ram packed with deep nostalgic notes while being filled to the brim with crunching dance floor bangers!

‘We Stay Together’ is a brand new doublepack from Andy Stott, a companion piece of sorts to the radical inversions of the ‘Passed Me By’ EP released earlier this year. These six tracks, produced in its wake, amp the pressure to throttling degrees. Entering the digital compression chamber of ‘Submission’ you become a willing participant, before the lights are cut and you’re forced to adjust to the humid atmosphere and bruising, muscle-contracting darkroom throb of ‘Posers’. Suitably initiated, the EP’s fearless centrepiece ‘Bad Wires’ plunges into full on mud-party mode, dropping the tempo while intensifying the kinaesthetic funk with slow, clusterf*cked syncopation until you’re drowning in synthesized oil and crushed-glass textures. Fully submerged by ‘We Stay Together (Part One)’ time becomes elasticated like worn VHS tape, calling to mind Jamal Moss and James Ferraro soundtracking a rave in a sodden, flooded sauna, before inescapably tumbling into the sheer black hole of ‘Cherry Eye’ and left to the slompy jack of ‘Cracked’.

New double CD inspired by the motion picture “Fantastic Voyage” (1966) and artist Osamu Tezuka. The soundtrack was initially made for the cinemix event at Cite de la Musique in Paris in May 2011. Composed and produced by Jeff Mills.

New album by Portable. On the fifth longplayer, Alan Abrahams teams up with Efdemin, Johannes Schön and “Süd Electronic” labelmate Lakuti, to lead us “Into Infinity”.

Andy Vaz’s Straight Vacationing, his first full-length artist album since 2006, registers as less a straight-up collection of dance-floor burners and more of a variety pack that mixes club tracks and full-fledged house songs. Listeners hungry for just ordinary 4/4 throw-downs will not entirely get their share of those, but they’ll also get a whole lot more on this dynamic and well-rounded set of eight album tracks and that is exploring House Music not just as a simple one way street, but give you a very personal view of the music we call House. Straight Vacationing dives into the genre in all it’s rich variety: From deep melodic, early Chicago influenced Acid House, Jacking-Jedi Mind Tricks to Disco-type grooves and last but not least excursions into Bizzaro World, with a vaz typical almost psychedelic experimental-edged Sound, it’s all there.

Luke Slater maintains his prolific output with “The Messenger”. His new album on Ostgut Ton stays very true and honest to the Planetary Assault Systems goal: a journey of discovery, to create new sounds which are not otherwise present in club music at this time.

HTRK’s Ghostly International debut Work (work, work) is a flat-lined study of desire and submission, sentimentality and dysphoria. The art-rock duo (pronounced “Hate Rock”) finished the album’s production while grieving the sudden loss of founding member and bassist Sean Stewart to suicide in March ‘10. And while that tragedy has certainly found its way into the music’s bottomless sonic void, Work (work, work), written from 2006-10 in Berlin and London, is about much more than abject darkness. On Work (work, work), HTRK craft a stark soundscape: achingly slow 808 beats, eerie synth arpeggios, vaporous guitar noise, and Jonnine Standish’s androgynous, detached vocals, dripping with reverb. And yet it’s the careful way the pair combine those elements—organizing and juxtaposing them with a minimalist’s attention to detail—that makes their music so emotionally devastating.

Originally released on Paris Records in 1985 Ruth’s LP sold just 50 copies and was relegated to obscurity until the track “Polaroïd/Roman/Photo” started appearing on bootlegs and compilations in the early 00’s, slowly becoming the cult synth pop classic it is nowadays. An original copy goes for upwards of £300 on ebay and Ruth are a shining light from an oft forgotten music scene that is becoming increasingly influential today.

The debut album from Tanz Ohne Musik, a project by Dan Serbanescu (The Pixels, Divine Muzak).

After closing their first series (Zusammen 1-5 was a more electro(nix) based series), a new project emerges. Precurseur Grand Bois is a concept of total art, a great project where the ”60’s meets the 80’s into the Zero Age”. A mixture of elements made of analog electronics, acoustic percussion and spoken word.