Dopplereffekt – Cellular Automata [LSR020]

“Cellular Automata” is the new album from Dopplereffekt (Gerald Donald and Michaela To-Nhan Bertel), their first in ten years since 2007. Cellular Automata approaches mathematical growth and decay as an iterative process, with each data input considered individually relative to the overall model. The result represents one of the group’s boldest creative endeavors, defying expectations while remaining unmistakably Dopplereffekt. Cellular Automata is the third Dopplereffekt release to come via Berlin’s Leisure System label, following 2013’s “Tetrahymena” and 2014’s “Hypnagogia”.

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Dopplereffekt – Cellular Automata [LSR020]

From Nursery To Misery – Pixies In The Woods [DE153]

From Nursery to Misery were three teenagers who grew up together on the same street in Basildon, Essex. Formed in 1987, the band was comprised of vocalists (and identical twins) Gina and Tina Fear, along with keyboard player and producer Lee Stevens. Lee invited the twins to over to record some music with him, suggesting they try singing over some instrumentals he had written and recorded on a newly purchased 4-track. They played a sum total of four gigs before splitting in 1991. Their recorded output, however, was relatively prodigious, with the band appearing on over 22 compilations, as well as self-releasing two album-length tapes ‘The Oak Tree’ (1989), and ‘Equilibrium’ (1990), and a split EP with Germany’s Nostalgie Eternelle, ‘Art is the Tool’ (1990). All these releases were home-produced, hand-made cassettes distributed and swapped via the Mail Art scene. ‘Pixies In The Woods’ is a 13-track career spanning compilation including three previously unreleased tracks. Tracks range from no-fi synth pop overlaid with ethereal, child-like vocals, to audio collages of animal noises and harrowing, double-speed monologues. Lee’s expansive synth productions, informed by the Blade Runner soundtrack, early electro records, and 4AD acts like Dead Can Dance, provided a rich, spacious platform for Gina and Tina’s sung-spoken introspective lyrics. Their songs are disarmingly direct and unfiltered, the product of three self-confessed misfits exploring difficult, often intensely personal issues.

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From Nursery To Misery – Pixies In The Woods [DE153]

Frequency vs Atkins – Mind Merge LP [OUTA005]

One day back in end of the Eighties, a pair of friends began sharing a deep love for music, the music we have been supporting, playing and now, able to put it out for your listening pleasure: ‘Mind Merge LP’ is a beautiful quintessence of Detroit electro, funk and techno, partially blending with contemporary electronic contaminations and we believe it’ll be as timeless as many of their records before.

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Frequency vs Atkins – Mind Merge LP [OUTA005]

Mystica Tribe – Island Oasis [SSDB001]

Mystica Tribe is the musical alias of Tokyo-based producer, Taka Noda. Drawing on a wide range of influences from dub, soul, bass music, rhythm and blues Mystica Tribe has quickly been developing a very distinctive sound that exists in a weird, freaked out zone between dub and techno. Noda is especially interested in deep, psychedelic music, and this is reflected in his productions, which are equally suited for late night listening sessions or bent, broken in dancefloors. Now he heads over to Canadian label Silent Season for his debut album, capitalising on his emergent career in the field of dub-influenced downtempo with his most complete artistic statement to date. From the spacious stalk of ”On The Lookout” to the edgy piano delay of ”Peek-a-Boo”, this is the work of a man who has immersed himself in the tradition of classic dub music, but not at the expense of bringing things up to date. The loose, live and natural feel of the album is testament to Noda’s skills in the production department, not to mention his instinct for a killer sub-heavy rhythm.

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Mystica Tribe – Island Oasis [SSDB001]

Peter Westheimer – Cool Change LP [LER1008]

WESTHEIMER, Peter - Cool Change

If you walk into a record store you might discover Peter’s recordings filed under the usual headings: Electronic, Ambient, Experimental or New Age. Peter has long loved blending sounds from around the globe, with both Asian and European classical influences often finding comfortable spaces beside his synth pop sensibilities within his soundscapes. In the record stores of our minds you might also file some of Peter Westheimer tracks like ’Walking On The Edge’ or ‘Elastic Smiles’ under Mutant Disco or Divergent Dance Music.

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Peter Westheimer – Cool Change LP [LER1008]

Denis Mpunga & Paul K – Criola [MFM019]

MPUNGA, Denis/PAUL K - Criola

The last Music From Memory is a mini LP of works by Denis Mpunga and Paul K. Combining elements of traditional African music with experimental electronics, the Belgian/Congolese duo released only a handful of tracks, scattered across a few rare LP and cassette compilations that were put out in the mid eighties by obscure european labels . This release also includes a few previously unreleased songs that were found on the original master tapes.

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Denis Mpunga & Paul K – Criola [MFM019]

Shankar Jaikishan – Raga Jazz Style [OTR001]

Never before reissued, this legendary 1968 EMI recording is a revered Indian jazz rarity; a collectors’ holy grail. Raga Jazz Style is an original Indian excursion into Indo-jazz fusion. A one-away recording from the almost unknown Bombay jazz scene, it is among the few jazz LPs to hail from the subcontinent. Raga Jazz Style takes the melodic, scale-based raga system of Indian classical music and marries it with a swinging jazz rhythm section assembled by Bollywood’s most highly acclaimed musical directors, the soundtrack composing duo Shankar Singh and Jaikishan Panchal. Singh and Panchal were a dominant force in Hindi film music from the late 1940s onwards. Shankar had been trained in classical tabla, while Jaikishan was an expert harmonium player. They worked together on well over a hundred films, and their innovative compositions and orchestral scoring revolutionised the music of the nascent Bollywood industry.

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Shankar Jaikishan – Raga Jazz Style [OTR001]

Petre Inspirescu – Vîntul Prin Salcii [MULEMUSIQ211]

Petre Inspirescu delivers ‘Vîntul Prin Salcii’ – another longplayer enlarged with seven, up to epic twelve minutes long arrangements. They all listen to the name ‘Miroslav’ and only differ numerically in their title. You can call them ambient. You can call them minimal music in the sense of classic compositions by Steve Reich or Terry Riley. They groove – sometimes more, sometimes less. and they spread the sounds of flutes or saxophones, delicate piano figures, organic jazz drumming, arpeggiated analogue synth-lines, mesmerizing strings, choral singing, alienated looped vocals and spaced out new aged spheres. What unites them all is the way, the melodies dance upon and in each single tune. Their beautiful tex-tures ensnare and they are continuously engaged with experimentation. A mystical album full of evolutionary music to which each listener is able to paint his very own emotional picture. Moody, dark and at the same time light-flooded shape-shifting compositions – made for those who love to surrender them-selves to a gentle dance between experimentation and attractiveness.

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Petre Inspirescu – Vîntul Prin Salcii [MULEMUSIQ211]

Helena Hauff – A Tape [DE149]

Dark Entries present ‘A Tape’, a double LP of early work by Helena Hauff. ‘A Tape’ is a compilation of Helena’s earliest recordings from 2011 and 2014, originally released on limited cassette by Handmade Birds in 2015. Clocking in at over 50 minutes, this collection spans Hauff’s musical universe, from jacking acid-techno to krautish zone-outs and scuzzy feedback interludes. It’s tempting to consider it Helena’s debut album, but she views these tracks as mostly forgotten sketches left on the cutting room floor. It a gripping collection of deep, sinister analog synth sequences, industrial dissonance, and heavy percussion. Her equipment set up was a Roland Alpha Juno 2, Juno 60, TB-303, TR-707 and TR-808. Both of the discs end with Hauff stepping outside of the intentionally stiff, robotic rhythms, instead showing her skill at crafting less conventional electronic sounds.

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Helena Hauff – A Tape [DE149]

Credit 00 – Game Over [UVLP005]

CREDIT 00 - Game Over

Credit 00 delivers his debut album “Game Over”. After four EPs for Uncanny Valley the Leipzig based musician is now ready to let loose his electronic visions on full length. As everybody can confirm who saw him playing live or DJing, the head behind Uncanny Valley’s sub label Rat Life is a slave to the rhythm on a full-time basis. Obsessed with sound, he can’t stop pushing the buttons of his synthesizers and drum machines like someone torturing the controls of an Arcade machine. “Game Over” is an electronic love letter to the romantic fantasy worlds of classic video games and their bleepy and clonky sounds which used to be common also in repetitive electronic dance music.

Collecting tracks from the last six years, “Game Over” is also a passion project that channels all his influences. You can get a glimpse of the ingredients that make up his record collection. Whether it is Hip Hop,Techno, Electro Boogie, New Beat, Italo, Jungle, Reggae, House or Chill Out. Though, all those different sounds and styles do not tear this album apart. It’s a bit of a miracle that it feels so flawless for what happens between the appetizing “Level One” and the final track “The Last March”. Those beats on “Game Over” can be brutally effective like the fatalities in Mortal Kombat while the overlying sounds can be smooth like the lemmings’ animations in the eponymous Amiga game. Just listen to the title track. Or the instant hip shaker “Breakers Revenge” that comes with a little help from friends like Sara Stammburg on vocals and Max Rademann on Rhodes.

Without losing sight on the dance floor Credit 00 creates an electronic wonderland that delights dancers and connoisseurs at the same time. To top things off the wonderful artwork was created by Alexander Dorn a.k.a. Credit 00 himself.

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Credit 00 – Game Over [UVLP005]

Frak – Altan Gathering [KM049]

“A long time ago, at a festival far, far away, the members of the legendary Borft trio Frak were just going to bed in their tent when something caught their attention. Now, this was well before Frak’s rise to international fame – in fact, this moment was Swedish music history in the making, because what they heard was someone playing a Frak tune. That someone turned out to be Kontra-Musik’s own Ulf Eriksson and once their paths had crossed, there was no turning back. Frak has since released five highly sought after records on Kontra-Musik and Kontra-Musik White Label. When it was time for a 10-year anniversary gathering in Ulf Eriksson’s private garden, Frak of course turned up together with other Kontra artists like TM404 and Rivet. For those present – we few, we happy few – this turned out to be one of the most magical summer nights in living memory. The Swedish word for porch is altan, and so, to honour this wonderful experience of the whole Kontra-Musik family coming together, Frak decided to name their brand new album Altan Gathering. Another great friend of Kontra, Henrik Jonsson aka Porn Sword Tobacco, made the album cover and we wouldn’t have it any other way. His aesthetic choice of tin foil is on point: Listening to Frak is a lot like biting into a fresh falafel wrap without first removing the aluminium foil holding the delicious mess together; it’s mouth-wateringly warm and moist but at the same time intensely harsh and tough to chew. This might seem like a far fetched analogy but if you’ve ever went partying in Kontra-Musik’s home town Malmo you’ll know the feeling. And if you’ve never been to Malmo, well do stop by someday. It seems, when the stars align, the gatherings here can be the stuff both legends and albums are made of.”

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Frak – Altan Gathering [KM049]

30drop – The Time Of Cruel Miracles [30DLP001]

30DROP - The Time Of Cruel Miracles

Since launching the project in 2014, Barcelona-based 30drop has been releasing on End of Dayz, Detroit Underground and of course the 30drop label which has also seen appearances by Der Zyklus, Population One, The Black Dog, Sterac and Trolley Route (Oscar Mulero). Now, the Spaniard announces  his album “The Time of Cruel Miracles” which includes 12 original tracks and 4 remixes by Substance, Architectural, Rivet and Zero Mass (30drop + Geistform).

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30drop – The Time Of Cruel Miracles [30DLP001]

Din A Testbild – Programm 4 [MNQ093]

‘Programm 4′ is their fourth album. Mixed and auto-produced by Mark Eins near the Wall in West/Berlin in 1983, the album was rejected at the time by Innovative Communication, considered too much synth/punk/techno’, while the new label managers were looking more into new age stuff. In fact Schulze eventually sold the label in 1983, which started to release a plethora of acts loosely grouped around the NAM genre.

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Din A Testbild – Programm 4 [MNQ093]

Din A Testbild – Programm 3 [MNQ092]

Early pioneers of the German New Wave music scene, Din A Testbild were formed in 1978 by Mark Eins and Gudrun Gut. Din A Testbild played a significant role in defining the avant-garde music of Berlin. Legendary is their partecipation at the Festival Genialer Dilletanten” in 1981. ‘Programm 3’ is their third album. Mixed and auto-produced by Mark Eins with help of Ziggy Schöning, it was released on Klaus Schulze’s record label Innovative Communication in 1983.

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Din A Testbild – Programm 3 [MNQ092]

Rude 66 – From Reason To Ritual [BAP079]

Early 20th century. Barbarism on an industrial scale. After the final shots had rung out Europe was left a husk, a shell to be rebuilt. And she did rebuild. Slowly, but surely, normality returned. Different zones. Different ideologies. One Europe. Yet not everyone was happy. Within this struggling continent there were those who saw the hand of authoritarianism at the wheel, past criminals ruling and lands being led back to dictatorship. The solution: the sub machine gun. From Reason to Ritual is Rude 66´s most ambitious album to date. Amsterdam´s premier electronic musician maps the rise and fall of terrorism over two slabs of wax. Gruesome naivety, one that led to countless deaths, is given an electro beat on the first record, “Reason.” Warbling wave vocals from Ruud’s wife Shaunna tell a bitter tale of paranoia and looming violence. That violence is truly realised on the second record “Ritual.” Beats rain like shards of broken glass, constricted acid and echo as the enemy closes in for the final hollow defeat. An album that takes you from manifesto to death march.

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Rude 66 – From Reason To Ritual [BAP079]

Planetary Assault Systems – The Light Years Reworks [MOTELP003]

Having already unleashed a considerable amount of collaborative magic with the ”Planetary Funk: 22 Light Years” series of remix EPs, Luke Slater has now upped the ante with six full sides’ worth of material,all of them injecting the spirit of classic P.A.S. into new sonic organisms. Behind the controls: Marcel Fengler, Function, Psyk,Octave One, Kamikaze Space Programme, Lucy, Slam and Steve Bicknell.

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Planetary Assault Systems – The Light Years Reworks [MOTELP003]

Dollkraut – Holy Ghost People [DA001LP]

DOLLKRAUT - Holy Ghost People

Amsterdam based artist Dollkraut (Pascal Pinkert) is back with his sophomore LP on Dischi Autunno – new label founded by Jennifer Cardini and Noura Labbani. “Holy Ghost People” sees Dollkraut delve deeper into his recognizable lo-fi and organic sound, inspired by old movie soundtracks, creating gritty atmospheres mixed with the purest of melodies. Album opens with instant hit “Bonnie Said”, where Pascal’s vocals magically merge with the darkest of bass lines. “Valium” continues the journey, increasing the tempo but confirming the feeling of being in a lost sci-fi movie soundtrack. On “Oblivian”, the rhythm slows down again, allowing us to dive even more in this twisted yet candid universe.

vinyl / CD

Dollkraut – Holy Ghost People [DA001LP]

Silvia – Silvia LP [DE152]

Silvia is the name of a Neue Deutsche Welle (NDW ”New German Wave”) project created Tommi Stumpff and Silvia Nemanic. The pair met in Düsseldorf in the late 1970s and started dating when Tommi was the singer of punk band Der KFC. Silvia was absolutely inexperienced in musical things, she said, “I’ve played the recorder.” Tommi rented Klangwerkstatt studio for a few days in January 1982 to record his an album with his bandmate Ferdinand Mackenthun aka Käpt’n Nuss of Der KFC, but finished earlier than expected. With one extra day that was already paid for, they quickly wrote some more songs and recorded them. All they needed was a singer, so they asked Silvia. Simply titled “Silvia”, the record was released in mid-1982 on cult label Schallmauer Records, which had released many German punk, NDW, and New Wave records in the 80’s. Tommi and Käpt’n Nuss played all instruments and wrote the lyrics. Since Silvia had a very deep voice, Tommi slightly pitched up her vocals to sound higher on the recordings. The album displays Tommi’s transition from punk rock to cold electronics, EBM and eventually Techno. Tommi’s instrument set up was a Sequential Circuits Pro One and Moog Prodigy controlled by a Fricke sequencer and a Korg SQ-10 Analog Sequencer. Silvia urges the listener to save themselves and says “No miracle will happen You die tomorrow, young and guilty” evoking the urban Zeitgeist of the Cold War. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. Housed in the original jacket featuring a full color of Silvia on the front with hand drawn magenta type. Each copy includes a replica insert of the original lyrics sheet in German and a postcard featuring a black and white photo of Tommi and Silvia. Sadly Silvia passed away in 2003 and this reissue is dedicated to her.

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Silvia – Silvia LP [DE152]

Teakwood – A Distant Star [MSLP9053]

It is a rare occurrence, especially when you consider that we are writing this in the year 2017, that an unreleased soul/disco album from the 1970s surfaces after 40 years. The Tramp crew first heard about the album while discussing the re-release of Teakwood’s sole 45RPM single release “Can You Dig It” with former band leader and founding member of the group, Fred Forsh. It was in 1972 when two new Berry College freshmen met and realized that they were both music majors which led to an impromptu jam session in the lower level of the student center. This was the beginning of what would soon become Teakwood. “Those two original members, Ralph Moore on saxophone and me on piano, along with five others went into the studio in 1976 and recorded two songs for our first and only single”, remembers Fred Forsh. Unfortunately, shortly thereafter, Moore and Forsh parted ways but Teakwood continued with four remaining members plus two new ones and with this new lineup, went into the studio in 1977 to record nine songs under the collective title “A Distant Star”. However, for some obscure reason the songs were never released but luckily the reel-to-reel master tapes survived. The tapes were sent to the head quarters of Tramp Records in early 2016. In the end it took several attempts at three different recording studios to transfer them successfully.

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Teakwood – A Distant Star [MSLP9053]

Claudio PRC – Volumi Dinamici [SEM087]

Volumi Dinamici is the second long player of Claudio PRC, a project that combines music and art inspired by the Futurist concepts of movement and dynamism and artistic currents such as Abstract Expressionism; the name itself is a tribute to a work of Italian artist and pioneer Luigi Russolo. Volumi Dinamici is a collection of 11 tracks accompanied by the same number of illustrations, different from each other but characterized by a common technical and compositional approach. The several shades of the atmospheres and the linear rhythm of the grooves come together to form a dense and mental musical dimension, a journey into the sounds and their intrinsic symbolic value. Depth, lights, shadows and noises are tangible elements of this work that mark the beginning of a new sound research based mainly on the instinctive use of machines and analogue instruments.

vinyl / CD

Claudio PRC – Volumi Dinamici [SEM087]