J.C. – Portrait Of The Flying Sky [SPMBLP001]

Fred P’s Soul People Music returns with a full length from the artist formerly known as Kapser and Esperanza main man Jose Cabrera. Last seen on Peterkin’s newly inaugurated Boards imprint, the Madrid native presents us with some killer techno tracks on here. “Endorphinas” sounds like a restrained take on the Jeroen Search & Dimi Angelis sound, and sounds great! “Human Behaviour” is brooding moody techno at its finest. On the other side “Nebula 584 (feat. Dario Zenker)” is the kind of steely cyclical techno you would expect from such a collaboration while “Hyperion” is more on the Robert Hood tip with its entrancing stabs that repeat on and entrance you with, you guessed it; claps on the kick; and it’s rather infectious.

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J.C. – Portrait Of The Flying Sky [SPMBLP001]

Hodini – Money $ex 03 [MS003]

The mysterious Hodini takes the wheel on this, the third outing on Money $ex. Another triumphant tapestry of sample sources, reinvented and ramped up into an effortlessly effective extended player, taking dusty MPC sample sessions through a variety of moods from head-nod bumpers to wayward House numbers – Swing set to stun all the way and another top quality outing on this label Collaborating with the very best of Germany’s new school.

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Hodini – Money $ex 03 [MS003]

Sa Pa – Fuubutsushi [FORUMIV]

There’s something decidedly mysterious and otherworldly about this fourth release on Giegling’s Forum sub-label. As usual, they’re not giving much away, and to make matters worse the artist at the controls – the previously unheard of Sa Pa – is a debutant. Happily, the music – a mix of crackly, fizzing, minimal-influenced experimental techno, ambient and weirder, dub-flecked explorations – speaks for itself. Fuubutsushi is an impressively atmospheric and off-kilter affair, with Sa Pa paying much attention to the tiniest of details (see the intricate sound collage that forms the rhythm track on the bleak “Tagularius”). If this is indeed Sa Pa’s first outing (and there’s a suspicon it’s an alter-ego, given the quality of the production), it’s rather impressive. A poet’s reminder of a specific season.

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Sa Pa – Fuubutsushi [FORUMIV]

2AM/FM – 2AM/FM Album [BOP003]

After over a decade of music on pedigree labels like Spectral, Nation, M>O>S, and Creme Organization 2AM/FM offer their debut LP on Bopside. Based in Ann Arbor and raised in the Detroit area, D’Marc Cantu and Tadd Mullinix are charged by a lifetime of midwestern soundwaves and the reinforcement of contemporaneous area innovators like Carlos Souffront and Traxx. Again, they join forces but with this monumental excursion into the ether of their very own techno/house universe. Sounds herein are cast from debonair techno funk, rumbling house grooves, italo acid, galactic swing – offering a diverse array that’s perfect for the album experience.

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2AM/FM – 2AM/FM Album [BOP003]

Night Court – Law & Order [NNF313LP]

NIGHT COURT - Law & Order

The origins of these enigmatic VHS-scrambled prog-techno explorations are so true and tripped they’re worth quoting in full from co-chairman Christopher Hontos: “Night Court was recorded in July two summers ago (’13) in a remote cabin on Lake Namekagan (located on national forest grounds in northern Wisconsin). We usually do these ball-busting weeklong recording sessions up there with a good group of folks and a grip of mushrooms. For this one we had this idea of setting up our synths on the deck and doing a trippy somnabulistic overnight open-air recording sesh that would be called “Night Court.” However when the time came and the crew got together we interpreted the name literally and ended up jamming out an album of legal system-themed tracks. We recorded the entire album in one day every song in one take and with very little post-production. Track after track flowed and we never drifted from the theme nor spent time diverting our focus (with the exception of Farstad being vetoed after trying to start up a footwork-style track). After the session we were all so burnt-out and fried we thought little of the recordings. But as time passed we went back to them and realized we had struck gold. Italics ours – this is rare ore. A freaked fusion vision, flowing cold city collectivist synths interlaid with executioner guitar, ambulance/TV samples, alley haze, and flashing sirens sax. Insane music for insane times. Its meanings are manifold: political (a sweeping overview of the nothing-specific nature of humanity via the American legal system), metaphoric (tongue-in-cheek turns to fist-in-air, and we realize that life imitates fiction less than fiction imitates life), realistic (at the time of recording none of us had ever seen an entire episode Law & Order).”

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Night Court – Law & Order [NNF313LP]

Second Layer – World Of Rubber [DE096LP]

Second Layer was a side project of Adrian Borland and Graham Bailey, members of post punk band The Sound. The music was bleak, detached, and desolate, but very beautiful. Honest songwriting and a harsh sonic backdrop set them apart from their peers. Second Layer’s World of Rubber, first released on Cherry Red way back in 1981 – some two years after the duo’s first outing on 7” – has long been considered something of an industrial classic by those in the know. Here, it gets a deserved re-press from the folks at Dark Entries. 34 years on, it still retains the power to shock, with Adrian Borland and Graham Green’s raw, weighty mix of post-punk basslines, sharp guitars, fuzzy electronics, tape loops and basic drum machine grooves still sounding deliciously fresh. Certainly, it’s comparable to many more celebrated releases of the time, and arguably more spontaneous in feel.

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Second Layer – World Of Rubber [DE096LP]

Smackos – The Age Of Candy Candy [BH018]

Smackos is one of Danny ‘Legowelt’ Wolfers lesser-known aliases. It was first used in 2004 for The Age of Candy Candy, a suitably eccentric experimental electronica full-length that was only ever released on CD in limited quantities. Here that album finally appears on vinyl thanks to the efforts of Berceuse Heroique, and it’s every bit as weird, wonderful and out-there as you’d expect, with Wolfers pursuing his passion for spacey, weightless electronics, far-out soundscapes, occasional skuzzy rhythms and dystopian synthesizer workouts. It’s previously been something of a hidden gem in his vast discography, and should be an essential purchase.

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Smackos – The Age Of Candy Candy [BH018]

Not Wawing – Voices [NW004]

Alessio Natalizia’s Not Waving moniker goes from strength to strength, even since ending his collaboration with Sam Willis in the highly regarded Walls project. Now focusing on the textured, modular workouts and cinematic synth journeys seen on the brilliant two previous albums Umwelt and Human Capabilities, he returns with his most ambitious outing yet. This double LP gathers together all the material Natalizia issued on the cassette series of the same name and is a must for those who like their electronics immersive to the max. From the retro futurism of “Witzelsucht” and “It Needs No Medication” to the brazen industrial attitude of “The Behaviourist Approach” and “Creating Capabilities” there are many moods of his musical identity that he explores here. But for most part its the beauty in the soulful mechanical soundscapes that he creates on this imaginary soundtrack, particularly on “Part of Thought”, “Dangerously Well” and “Negative Reinforcement”.

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Not Wawing – Voices [NW004]

Alessandro Cortini – Risveglio [HOS426]

For his last outing on Hospital Productions, Nine Inch Nails collaborator Alessandro Cortini utilized just two pieces of equipment: a Roland MC-202 and a delay pedal. For this follow-up, he’s expanded his toolbox a little, supplementing those hardware pieces with two further machines: a Roland TR-606 and TB-303. Musically, Risveglio inhabits a similar space to its predecessor, with Cortini creating blurry, fluid dreamscapes built around semi-rhythmic loops, distorted chords and fuzzy ambient textures. Listeners may struggle to spot the TB-303 – most often used to create ragged waves of intense electronics – such is the unique way in which Cortini manipulates it. Regardless, the Italian’s post-industrial, half-awake soundscapes are thoroughly mesmerizing.

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Alessandro Cortini – Risveglio [HOS426]

Alessandro Cortini – Forse 3 [IMPREC418]

Most pieces consist of a repeating chord progression, where the real change happens at a spectral/dynamic level, as opposed to the harmonic/chordal one. I believe that the former are just as effective as the latter, in the sense that the sonic presentation (distortion , filtering, wave shaping, etc) are just as expressive as a chord change or chord type, and often reinforce said chord progressions.

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Alessandro Cortini – Forse 3 [IMPREC418]

Bézier – Telomeres [DE097]

Analogue synthesizer enthusiast Bezier first surfaced on Dark Entries in 2012, delivering the hard-wired retro-futurist fantasy Ensconced. Two years on, he’s finally ready to release the follow-up, the similarly sharp and sci-fi themed Telemores. As with his previous output, the influences are obvious – think Radiophonic Workshop, electro, minimal, new wave and Italo-disco – but he smartly steers clear of pastiche and empty revivalism. Instead, we’re treated to a range of dancefloor-friendly instrumental cuts, cyborg jams, and intoxicating robot rinse-outs. Closer “Fukushima”, in which he doffs a cap to the synthesized horror-disco of John Carpenter, is particularly potent.

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Bézier – Telomeres [DE097]

Fingers Inc. – Another Side [ML9001LP]

Some 17 years after it’s original release, Fingers Inc’s expansive debut album, Another Side, remains one of the greatest deep house full-lengths of all time. Here, the album gets the re-master and re-issue treatment, with the original double vinyl set being expanded to a triple to guarantee loud cuts for club play. While there are plenty of well-known Heard and co classics present – “Mysteries of Love”, “Bring Down The Walls”, “Can You Feel It” etc. – it’s actually the long-forgotten album tracks that really hit the spot. It’s on these moments – often influenced as much by ’80s soul and synth-pop as acid and Chicago jack-tracks – that Larry Heard, Robert Owens and Ron Wilson really cut loose.

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Fingers Inc. – Another Side [ML9001LP]

Teknospray ‎– God In Land [DERKLANG001]

Active on late 70s / early 80s Teknospray were formed by Andrea Costa, Mauro Tavella (who later formed Monuments), Andrea Lesmo, Alberto Ramella (who later formed Carmody) and Lucio Lesmo. They recorded few demos and an album which they never released until today”God In Land”is now reissued on Disordine’s sub label Der Klang for the 1st time. The ten tracks mix influences of Devo with dark synth electro and they sound still fresh and amazing.

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Teknospray ‎– God In Land [DERKLANG001]

Gene Hunt – Living In The Land Part 2 [MD6002]

Killer Gene Hunt double pack from 1995, with 9 killer tracks spread across 2 discs. Heavy duty jackers. Released in conjunction with Trax and MAAD records.

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Gene Hunt – Living In The Land Part 2 [MD6002]

G-Machine – Primo Contatto [BAP044]

Turning back the clock, before fast forwarding it, comes Giovanni Damico as G-Machine. A new virtuoso of space boogie. Buckle up, destination: Primo Contatto. Across eight tracks the Italian astronaut traverses the sounds of the cosmos. Warbling reverberations introduce “Flying Objects”, with thick bands of synthesizer throbbing in its veins. The ultra slick “Contact” follows. Electrofunk bars float beneath stratospheric synth. Styles co-mingle. Patrick Cowley melts with Afrika Bambaataa. Disco Magic meets Tommy Boy. An overarching groove permeates the album, a heady funk that courses through tracks like “Body on the Ground” and “Transmission”. The moon based mirrorball sounds flex and flow, “It’s A Shame” cutting floors with sleek vocoders and addictive analogue riches. If you’re waiting for re-entry think again, there is no return ticket. G-Machine will only be taking passengers further and further on his cosmic odyssey with tracks like “In My Arms” and “Boogie Down”. Buck Rogers in the 25th century breakdowns and rollerskate goodness from needle drop to the run-out.

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G-Machine – Primo Contatto [BAP044]

The Mystic Jungle Tribe – Solaria [EAS009]

Mystic Jungle’s tribe lands to Solaria planet with a sound inspired by craters, solar wind and obscure presences who are probably responsible for the hieroglyphics found in an abandoned cavern.

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The Mystic Jungle Tribe – Solaria [EAS009]

214 – North Bend [SHIPLP003]

Cultured Dutch label Shipwrec is to team up with Frustrated Funk to release ”North Bend”, a new album by 214 aka Chris Roman. The album features atmospheric techno ambient with scattered beats, lush electro that is filled with true electronic soul and cosmic soundscapes that come from another world. This album is furthering Roman’s own signature sound as well as a new and subtly evolved brand of electro that builds on a rich history of electronica. It’s another fine statement that reminds us just why Roman, the Frustrated Funk and Shipwrec families, are such puristic minds that push music from the heart.

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214 – North Bend [SHIPLP003]

Calimex Mental Implant Corp. – El Saber Del Arpavor [NW003]

Danny Wolfers comes again with a new project, Calimex Mental Implant Corp., on his label Nightwind Records. 13 summer cruising tracks very much in the style of Legowelts PPU release from last year. Gold plated cassette in faux plastic luxurious case.

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Calimex Mental Implant Corp. – El Saber Del Arpavor [NW003]

Eduardo de la Calle – The Intellinet Prophecy [BAD006]

Eduardo De La Calle is back with his debut album and it comes through the young Badance label. The Intellinet Prophecy is a techno album with audible influences of jazz and the supremely scientific, where tracks like “Call From Beyond” or “Faith Necessary” go way beyond the dancefloor and land somewhere in outer space, a place on which genres don’t seem to exist and the passage of time is swamped in beats and melodies.

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Eduardo de la Calle – The Intellinet Prophecy [BAD006]

Matrixxman – Homesick [GI245LP]

Matrixxman uses his debut album to evoke visions of a not-too-distant-future with music made both for the dancefloor and the early morning zone-outs that follow. These are the real world applications of Homesick, though Duff comes to it all from an entirely different mindset. “We will have the technological capability to fully map out a human brain in its entirety within 30 years,” he starts. “The implications of such a possibility are deep and far reaching. We will be crossing a rubicon towards a new phase in human consciousness. I am one person that is prepared to take that step.” Once you emerge on the other side of Homesick, it seems possible that Matrixxman already has.

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Matrixxman – Homesick [GI245LP]