
Dar Disku release their fourth installment of middle eastern records flipped for the dancefloor. Composed of two club-ready edits of popular music from the MENA region. These two new edits re-imagine what life on an 80’s gulf discotheque feels like.

Dar Disku release their fourth installment of middle eastern records flipped for the dancefloor. Composed of two club-ready edits of popular music from the MENA region. These two new edits re-imagine what life on an 80’s gulf discotheque feels like.

Onrijn Records invites Ian Martin for a 6 track mini-album. This record releases a rich palette of hybrid electronic music. From new wave, house and electro to neo cocadisco. And is most of all a search for melody, suspense and melancholy. The track “GOD Theme” was the soundtrack of the film GOD by director Edwin Brienen (2016). Ian Martin’s “Heartbeats” is a true emotional rollercoaster!

More heat from the legendary Edit & Dub. Featuring lost mixes of dancefloor classics “Movin On” and “Express” performed by Gino Dentie & The Family. The B side goes into another world with a rare euro disco cuts such as “Voodoo Man” by Biddu Orchestra & “I’m Gonna Dance” by Suna Yildizoglu.

Disco Segreta brings another most-desirable italian holy grail disco gem. Originally released in 1979 as a 45 single on the tiny private label “Papaya”, “La Mosca” is the very first version of the “Andromeda” track, already reissued by Disco Segreta in 2015, but this sports completely different lyrics and is sung by a different voice, that of italian folk pop chanteuse Louiselle. This reissue sports the original 45 vocal version, restored to its glory in two versions, and in addition will include a previously unreleased version found on the tape, with a completely different arrangement , “fly” sound effects and different lyrics.

Two deep sought after sultry late eighties South African house-inspired nuggets finally brought back to light.

Italo Moderni brings Modernation Vol.1 it’s the first compilation on cassette and digital from 4. Another dimension of obscurities and eighties weird sounds, all focused on a new club era of madness and sad situations. Best moment to get some inspiration with the best wizards from our modern music life.

Another tophit from Amsterdam’s Disco Total production team, Aroy Dee & Spaventi featuring Duvall on vocals.

Giorgio Records presents the first official reissue of the experimental project GAG, from 1983, which includes two very different songs. Flyin’ Bolero is spacey and hypnotic while P.T. Dance is lively, and perfect for disco nights. Unknown and obscure, these two tracks are cataloged as Italo Disco tracks but go further. As always, Giorgio Records enriches the reissue with two remixes. Flyin’ Bolero has been entrusted to Armonics, Bari producer and great artist. P.T. Dance to Kid Machine.


Discos Capablanca are back. Loud-E is back. Cherry Chocolate Chaud edit series volume II is a double A sider with two mouth watering, instant classic floor melters from the maestro.

San ”Dr.” Proper presents his third EP on Dopeness Galore with a selection of kindred sounds and spirits encountered around the earth while on tour. The result is an intriguing six-track EP that documents the musical collaborations that sparked to the pulse of cities like Casablanca, Bogota, Amsterdam and Medellin, straight back to the dungeon of Volkshotel where they fused these tracks in an Amsterdamic fashion. L.O.V.E. part 3 features upcoming artists such as Mr. Cruz, Bobbi, Elias Mazian, and V. Bannier as well as local musicians from studios around the world, moulding a colorful record with traditional Arabique, Latin-Americain and western influences to create that unmistakable Proper sound.


After a long hiatus the elusive LIES-BLK series returns, this time with a wild five tracker sliced and diced by Brasilian dj, Millos Kaiser. As with all LIES-BLK series these are one time pressing promo only affairs for use in the club. Total floor burners.

Cosmic dance and spatial atmospherics are at the very centre of Zakmina’s productions, as the Lithuanian producer readies an appetizing EP for Dave Harvey’s Futureboogie, backed with a remix from the always on-point Gnork. ‘Church Of Madness’ pumps with oodles of new beat drums and soaring synths, anchored by a fat arpeggiated bassline, whilst ‘Déjà vu’ is a first class chugger, its drums as big as 80’s shoulder pads, with glacial keys and breezy vocals comprising the seductive sensations on offer here. The Balearic synth-pop vibes of ‘Running Amore’ complete the trio of originals from Zakmina, whilst Gnork lays down the lino and tweaks ‘Church Of Madness’ into a solid 808 drum driven ‘Ezoteric Breakdance’ Remix.

Hailing from St Petersburg, Sasha Balykova aka Errortica, she’s one of the most promising artists from Russian buzzying electronic scene. Les Yeux Orange presents her inaugural vinyl debut with the ‘Safety Stowed EP’ backed by a killer acid reinterpretation from Athens best Anatolian Weapons.

The Wanted Collection is designed for the music lovers and diggers and aims to offer them a selection of true musical gems. Wanted Funky Soul is a selection of vintage tracks inspired by the late ’70s Soul and Funk with artists such as Bobby Byrd, Mavis John or Lowell Fulson.

Dark Entries is humbled to continue digging through the archives of legendary producer Patrick Cowley. While best known for his production on chart-topping cybernetic disco anthems, Cowley, who passed away from AIDS-related illness in 1982, left us with a substantial body of work. Since 2009, Dark Entries has been working with Cowley’s friends and family to shed light on the lesser known facets of this singular artist’s output. ‘Some Funkettes’, the latest addition to this series, is a collection of previously unreleased cover songs recorded from 1975-1977. These raw, unembellished tributes both showcase Cowley’s early musical interests and chart the development of his production techniques. ‘Some Funkettes’ was made possible with help from Patrick’s brother Jim and his former studiomate Maurice Tani. The sleeve is a collage designed in 1975 by Cowley’s former roommate Francesca Rosa that was found covering a reel to reel box. It features a yin-yang symbol and a photograph of a scruffy 24 year old Patrick, to which we added his original handwriting. This peek into Cowley’s formative years arrives just in time for what would have been his 70th birthday.

The Master Scratch Band was first break-dance / hip-hop / electro funk band in Yugoslavia in 1984. The band members were Zoran Vracevic, Zoran Jevtic and Milutin Stoisiljevic, previously known as Data and Sizike. Jugoton, the biggest label in Yugoslavia, published Data 7” and MSB’s ‘Degout’ 12” with limited edition cassette containing two bonus tracks. Impossible to find on the collectors market, Fox & His Friends team in collaboration with Jugoton / Croatia Records is releasing a full, complete version of the rare “The Breakwar” tape, with tracks “Tonight” and “Pocket” never pressed on vinyl. All tracks are sourced from original studio tapes. With the kind help of Zoran Vracevic on credit list and liner notes, this is now the ultimate Master Scratch Band album, released originally in a year 1984 when break-dance was in the peak of its popularity in Yugoslavia. This release is pure breaks and hip-hop electro, done old-school way in one of the best studios in Yugoslavia, Enco Lesic’s ‘Druga maca’ in Belgrade.
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12inch release of highly sought after Colored Music edits by Tokyo’s, Chee Shimizu (Organic Music). The two cuts originally featured on the the bands seminal self titled album (from 1981) that remained a cult DJ secret weapon, for many years, all over the world. This heavy EP includes an alternative version of ‘Heartbeat’ that featured on the Japan only “Individual Beauty” LP of 2018 (also compiled by Shimizu).