Ron Hardy housed-up disco biz. Chaplin Band – Il veliero, Willie colon – She Don’t Know I Am Alive (dub two), Tony Cook & The Party People – On The Floor (underground mix). All the real djs were looking for those for years. Grab it before it’s sold out, we have very few copies. A must have.
Paladin brings us the contemporary sound of visionary uk synth-prog music via Berlin-based label Per Musica Ad Astra on his album ‘Unknown Zones’. Epic tracks dominate the record in true 1970s tradition, containing suites of music that elevate, transcend and transport the listener in his mind’s eye to faraway exotic realms of musical dreamscapes hitherto unimagined.
The Violet Hour is the exclusive project of Panorama Bar resident Massimiliano Pagliara and Michael Greene aka Fort Romeau, for Berlin imprint Cocktail d’Amore Music. One Morning In The Future takes over the A side. A total dancefloor pleaser. Treating us with Chicago house-inspired drums and that kind of cosmic pads that make any seasoned raver jump and kiss a nearby stranger. The intensity never stops growing – with new melodic strings appearing unexpectedly, projecting the track to the rings of Saturn. An involving italo-classic bassline characterizes Ultraviolet, together with an explosive layering of synthy melodies. The B2 Prisoner Of Love is a seductive dialogue between synthesizers and classic piano, resulting in a comforting, romantic soundtrack for any space travels. These two tracks illuminate feelings of looking at a violet sky, but with different attitudes: the first pushes into the unknown looking for a happy ending, while the second is nostalgic and tender.
Featuring 6 bonus tracks not available as part of the initial nine EP’s. ‘Dirt Biter’ is a return to the source raw hip hop instrumental, ‘Don’t Stop Dub’ a wild electro-funk workout complete with a demented electric guitar solo, ‘C’mon C’mon’ a decadent slice of sleeping bag style disco dub, ‘No Lube’ a heavyweight hi-nrg sleazy stormer, ‘Perc up’ a sampledelic hedonistic house bomb and Do It! a weirdo post-punk electro jam.
Inter the Dragon: two of Holland’s absolute finest rumbled through 90m of burners for a very rare tag-team at ADE.
Seminal early 70’s Bahamian Funk of the highest order. The debut LP from the Munnings brothers legendary outfit. “Funky Nassau” is one of the most sought after Soul/Funk records ever with it’s highly original blend of US black music styles and Bahamian roots. A very famous band in their native Nassau, the group only had 2 full length albums under their belts along with a slew of 45 singles but have managed to stamp their name on the ears and minds of record lovers since they first burst onto the scene. The obvious track to reference here is the title track “Funky Nassau” a breakbeat fuelled monster dance cut that has supplied hungry samplers with sounds for decades (everyone from The Prodigy & The Roots among those who have used the cavernous drum break!), the rest of this excellent LP also includes the amazing Funk of “Come Down” and a whole host of other brilliant sun-drenched tracks. Absolutely essential. Here’s your chance to own a true classic! You’d be hard pressed to find another well rounded debut LP, this one is pure joy from start to finish.
For the fourth edition of Slow Motion’s Soundtrack Serie we welcome Heinrich Dressel, better known as one part of Minimal Rome. Space Shaft is three tracks of dreamy, sleazy space-funk delivered with a light touch across expansive musical horizons. Backed up with a brace of Ma Spaventi versions – both ‘disco’ and ‘chill’ Space Shaft is a record for movie fans and dancers alike.
Eva Geist is an italian electronic musician and composer based in Berlin. Her early musical experiences in electronic music were largely self-directed, beginning with use of synthesizers and sequencers to different audiovisual computer and mobile technologies. Geist’s music builds up a cinematic musical journey around rarefied melodies, arpeggiators, soft beats and space disco. Under the Eva moniker hides the underground polyedric artist Andrea Noce, who previously released a mini-LP last year with David Kristian on Macadam mambo. This EP includes a wonderfull remix of «Tanz Im Morgenmantel » by Salon des Amateurs head’s Tolouse Low Trax, transposing it in a very subaquatic version.
Keita Sano is born in 1989 in Okayama. He makes a technoid yet lo-fi version of music for discotheques that’s uniquely his own. Here is his debut album on Full Pupp sublabel Rett I Fletta.
Eine Welt is a vinyl-only sublabel of Mond Musik, found by spAceLex (Alexander Arpeggio). While Mond Musik focuses on obscure electronic made in Germany in the 80s, Eine Welt concentrates on the contemporaneous submerged electronic scene in Europe. The first release, scheduled on the 28th of November, features undisclosed talents, reunited in a short club-oriented compilation and introduced one by one on the inlay. One of the aim of this project is to build up a community of producers with a different view on dance music.
SAFT announces a release by the one and only funketeer and Pasadena based connoisseur of the true underground funk-music ”DaM Funk”. The trans atlantic collaboration between the Canary Islands based label and DaM FunK resulted in ”Architecture”. A 3 track limited slice of otherworldly synths, drum machines and percussive grooves that showcase the true west coast sound of modern funk.
Garofano Rosso’s triumphant return to Giallo Disco comes in the form of his debut album ‘Titoli Di Coda’. A bloodied trip to the microcosm of a doomed city, a neon-noir at the corner of Gordon & Cole, where old cellar doors slam like gated snares and justice comes with a bullet. In between krautrock funk, straight up-crime solving disco and instrumental ballads almost gothic like in their epicness, the artist also known as Giorgio Luceri, whose releases on Mathematics have been turning heads for many years, births this daring and impressive debut that we’re immensely proud to release on Giallo Disco.
The debut release of Aspecto Humano, label based in Barcelona, is being presented as a sampler composed of five tracks, which clearly shows the label’s preferences and what to be found in the future. The first track is the new version of Das Ding’s classic ‘H.S.T.A.’, a jewel that has not been pressed on vinyl to date. Follows ‘Extraterrestrial Biological Entity’, a killer track made by master of horror Antoni Maiovvi, and finish the side Hyboid with his well known synthwave ‘Telepath or Psycopath’. On the other side the debut of part of Aspecto Humano founders, Anbau, with their kraftwerkian ‘Disco Z’. Ends the reference Synth Alien, one of the most reputated spanish artists at the moment, focused to burn the dancefloor with his ‘Bailarina Automatica’.
Another debut producer joins the ranks of Slow Motion with a distinctive take on some classic sounds. Armonics hails from Bari, deep in the Italian south and his first EP is at turns blissful, jacking and dare we say, playful. For a first EP, Armonics has certainly nailed his musical colours to the mast. Crossing with ease between disco, Balearic and an indefinable X-factor.
Jex Opolis Presents: In The Nite–“Look At My Car!,” a versatile new EP featuring three cosmic cuts from Jex and Ian D. Knight, a St. Louis-based performance artist. Knight features most prominently on the Compass Point-tinged “Look At My Car!,” a Paean to the joys of both consumerism and rampant motorism. On the flip, Jexy whips out the Strat for some Chic-inspired licks on the chugging “Guitar Sands,” with the Italo-bumping 120 BPMer “Rimini Nites” along for the ride, too.
Copenhagen based conceptual music act Design A Wave returns with ‘Snakeface’, a document of surprise within the composition process. Specifically, Design A Wave uses the computer to create several beats and then utilises the mutated results as building blocks for several new compositions. Interest in computer-synthetic snakes, beyond all networks of communication and agency art, centres on placing these formless serpents into existing genres, such as music. Snakeface is a timely exploration of the infectious qualities of music, and how it too, as a carrier, makes it’s way through neural networks, irreducible to bits and designed to infiltrate and replicate.
The 6th reference of Clasicos del Ruido is the result of a collaboration with Aitor Arch and Femur Club (club of reference in Madrid), and it is exclusively produced by artists who have performed at this well-known parties. The record opens with ‘Utopia’, a luminous, evocative and fascinating track by the German artist Hyboid, the undoubted leader of space and cosmic sounds. The British artist Kid Machine replicates on the same album side with the track ‘Fighting fears’, which includes echoes of disco and Den Haag sounds. On the other side of this 12inch, we will listen first to ‘Monologues’, a hypnotic-percussive track signed by the renowned French artist In Aeternam Vale. ‘Non auro, sed ferro’ by Hesperius Draco closes down the album, fizzing among their usual coordinates: horror disco, retro wave and soundtrack sounds. An album that brings together different artistic sensibilities in which both Clasicos del Ruido and Femur feel comfortable.
Anton Maiovvi with a new release on Schrödinger’s Box . This Bristol born soundtrack virtuoso, italo disco savant and all round electronic guru has travelled labels far and wide with his smorgasbord sound. And that variety is plain to hear on “Will to Powder”. From the epic opener of ”Clocks”, Maiovvi leads you through his labyrinthine hall of shapes and sounds. Expect warming melodies, cold beats, shimmering synthwork, brazen experimentation, a decent dollop of slasher scores and a pinch new wave romance in this.
The Hipodrome Of Music 