Timothy J. Fairplay presents a new 8 track album ‘I Lay Awake At Night Scheming’. This is to some extent a lost album, the bulk of the album was made for a project which never came to fruition, and there’s a few tracks which have been in Timothy’s live sets for a few years, but have never had a proper release. Raw emotional synth and rhythm tracks for late nights in the dungeon.
“Soft Robotics”, the new EP from Carl Finlow’s Silicon Scally project, is the fifth Silicon Scally release in five years to boast one of CPU’s instantly-recognisable black-and-white covers.
Another instant classic electro-techno banger from the mind of Erik Travis. Ever since his first release in 1987, Erik Travis has become well known for his individual style consisting of pared-down, up-tempo drum programming, short vocal samples, and synth stabs.
Reflection | Reaction is a trilogy of EP’s written by Plant43 over the course of winter 2022/23, the first in the series marking the 10th release and third anniversary for the artist’s Plant43 Recordings label. Over the course of twelve tracks and over an hour of new music Emile Facey takes the listener on an emotional journey through the frosty depths of winter and into the warm sunlight of spring.
The Church EP features four high-energy dancefloor tracks in the signature Bootybass style, by the one ”Swoze” guaranteed to get everybody moving. With Westcoast and G Funky vibes throughout, this EP delivers the perfect mix of fast-paced grooves and soulful melodies that will leave you either pimpin or craving for more.
Silicon Scally, the alias of electronic music producer Carl Finlow, released his critically acclaimed album ‘Mr Machine’ in 2002 on SCSI-AV. The album was a masterful blend of electro and sci-fi soundscapes, showcasing Finlow’s unique style and production prowess, which took the listener on a journey through a futuristic world of machines and technology. It ranks as one of the finest electro records of the early noughties. Fast-forward to 2023 and Sync 24’s Cultivated Electronics label is proud to present ‘Mr Machine PT 2’. Like its predecessor, the new album is filled with intricate synth melodies, driving rhythms, and pulsating basslines, all perfectly balanced to create an immersive listening experience. ‘Mr Machine PT 2’ once again showcases Finlow’s ability to not only create relentless beats for the dancefloor but also dynamic soundscapes that transport the listener to another world. Created using a mixture of both old analog gear and very modern plugins, both albums were written with a very strong emphasis on the machine aesthetic, reflecting the cutting edge of what was available at their respective times. Futuristic and timeless. The album will be released on triple-pack vinyl and digitally.
Credit 00 returns to Mechatronica with a mind-bending blend of past, present and future, carefully pieced together in a way that could come from no other. From the mind to the floor, from dark and cold machinefunk to blazed-out sun grooves, Credit 00 leaves no sonic traveler yearning.
Swedish producer Ola Obergman has been at the top of his game for over 20 years now, dropping superb electro on the finest labels. Last year he dropped a fantastic full-length album on Pariter, but now steps up to Infiltrate with a direct dance floor offering. ‘Norma Cluster’ pairs busy drums and bass with more atmospheric leads before ‘Invariant Hyperbola’ has a perfectly crisp boom-bap that is run through with synth sequences that get your head amongst the stars. ‘Sterile Neutrino’ is more raw and ragged with another irresistible rhythm and ‘Dragonfly44’ closes in a thoughtful fashion.
L.F.T. aka Johannes Haas is back on Mannequin Records with a brand new 6-tracks EP “Hollow Head”. Blessed by the vocal features of Rosaceae (the bloodthirsty breaktbeat ‘I Want To Be A Witch’), Nils Fock (the banging wave ‘Hörst Du Das’) and Petra Flurr (EBM anthem ‘Panzer Tanz’), L.F.T. music evokes a urge of dancing while simultaneously embracing a DIY aesthetic, creating a sonic universe where past, present, and future converge. The Hacker is joining the pack with his interpretation of ‘Panzer Tanz’, turning the track into a straight techno banger. L.F.T. is a visionary artist who takes listeners on a mesmerizing journey through a sonic landscape that fuses elements of electro and new wave aesthetics.
Blotter Trax was a collaboration between two storied artists, techno titan Magda and serial underground aggravator (and man of many aliases) Jay Ahern. Now they are back in updated and expanded form, a trio thanks to the addition of bassist Hannes Strobl. The band will release their far-sighted, funk-fuelled debut album, “Superconductor”. A pulsating, thrill-in-minute ride includes contributions from a swathe of notable guests (Nina Hynes, Ilhem Khodja and David Moss provided vocals, Shigeru Tanabu played guitar, Matthew Styles mixed the set and John Tejada mastered it). While rooted in electro and acid, the album is impressively low-slung, stylish and funky, with nods towards Blotter Trax’s mutual love of Arthur Russell, early ‘80s NYC downtown disco, leftfield new-wave pop and flash-fried punk-funk.
Mathis Kolkoz (Blind Delon’s alma mater) joins forces with Pablo Bozzi and with Abu Nein’s voice Erica Li Lundqvist to release one of the most amazing synth-pop works listened in recent time. In between low beat electro, soft ebm and even modern new beat, Lost Highway sounds harsh but romantic with great rhythm patterns that make it impossible to stop dancing.
Ninechecker is an electro producer from Ontario, Canada, who released with Delsin and Central Processing Unit to name a few. Adding to his extensive releases belt, he delivers four stone cold new ones for electro-techno-breakbeat Orson. With its name maybe nodding to the generative creation of fantasy landscapes in 3D CGI software, highlights like ‘Magagun’ convey a weird kind of horrific calculator-nightmare (bloop freakouts aplenty) between the beats, all going to make this a stellarly exciting EP.
Klasse Wrecks’ Grafiti Tapes series continues on at its own pace with a new release from Antwerp based graffiti writer, tattoo artist and musician Redray. Aside from being active in the Belgium scene in the late 2000s, Redray is also enjoying great success as a tattoo artist, having co-founded Brabo’s Hand Tattoo in the center of Antwerp. For GT13 Redray turns in a charming 6 track mini-album, with all individual songs are produced by a limited pallet of sonic tools. A tried and tested combination of vocoder, 808 drum machine, keys and screwed samples of old funk and soul records provide the solid foundations. Comfortably sat in-between the genres of G-Funk and Screwed + Chopped Rap, Redray elevates the beats with catchy vocal hooks sung through a Roland SVC-350 vocoder. The result is some of the sleaziest and greasiest sauce to ever adorn a Grafiti Tape.