Konduku – White Heron [NOUSLP003]

In 2018 Konduku took everyone by surprise with his debut called Kiran. It doesn’t happen all too often a new artist emerges with such a developed and distinctive sound, delivering an album as debut. Now, a year and three EPs later, Nous’klaer Audio is thrilled to present his followup: White Heron. His singular sound of odd-groove based techno has aged into a sound that’s more mature yet still very playful. Konduku further refined his sound of snappy polyrhythmic blips by using a controlled sound palette focusing on the tensions in-between. Starting with the mesmerizing depth of Kenar to the stripped down halfstepper Hermitage, and from the synthetic beat patterns of Kobalt to the colorful dream fields of Belki – White Heron is an album designed to listen from start to finish, but more than anything else meant for the club.

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Konduku – White Heron [NOUSLP003]

Bartosz Kruczynski – Selected Media 2016-2018 [ERS040]

Emotional Response presents a special project, a collection of music from Bartosz Kruczynski, recorded for “Selected Media” and presented here as a time-piece of his continuing works. Kruczynski returns to the ambient and ethereal – plus a touch of dub techno – to showcase his expansive collaborative work with Polish studio, TVP Culture. Given free artistic license, the 15 ‘short form’ recordings included here were for programming, in the main, on modern Polish Art including the likes of Magdalena Abakanowicz, Miroslaw Balka and Tadeusz Kantor, as well as some international aspects for Enrico Prampolini, Ai Weiwei and Monica Bonvicini.

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Bartosz Kruczynski – Selected Media 2016-2018 [ERS040]

Dissemblance – Over The Sand LP [MNQ136]

Exploring the balances between pop song writing structures, 80s cold wave bedroom style electronic production, and dreary gloom rock, Paris based Mathilde Mallen aka Dissemblance presents her debut lp “Over the Sand” for Mannequin Records. Over the ten tracks Dissemblance treads the fringes of a blurred dream world, using her bass guitar, voice, and drum machine as the backbone to create haunting yet soothing pop atmospheres in her songs.

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Dissemblance – Over The Sand LP [MNQ136]

Andy Stott – It Should Be Us [LOVE114]

Andy Stott’s first release since 2016 and first EP since 2011, ‘It Should Be Us’ is a double EP of slow and raw productions for the club, recorded this year and following a series of EP’s that started with ‘Passed Me By’ and ‘We Stay Together’ early this decade. Recorded fast and loose over the summer, these 8 tracks harness a pure and bare-boned energy, melodies subsumed by drum machines and synths; slow, rugged hedonism. It’s all about rhythmic heat and disorientation, pure dance and DJ specials rendered at an unsteady pace, from percolated house and percussive rituals to moody tripped-out burners.

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Andy Stott – It Should Be Us [LOVE114]

Donato Dozzy – 12H [P036]

12H is a two hours long summa of the very best material produced for the eponymous sound installation, specifically designed by Donato for the Music Bridge – Armando Trovajoli in Rome under the curation of MAXXI Director Bartolomeo Pietromarchi. The original piece translated in music the architecture of the bridge and its surrounding life, layering samples and field recordings in the language Donato knows best: the repetition, rhythm and harmony of different building blocks. The work was originally reproduced by 24 speakers spread along the bridge colonnade, escorting the visitor through different musical places in their crossing. It now takes its final stereo form in this continuous mix version: a dense, enthralling flow akin to Tiber’s murky waters. The original installation was set up by sound engineer Giuseppe Tillieci / Neel, a frequent collaborator of Dozzy in the “Voices from the Lake” project, with Funktion One support.

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Donato Dozzy – 12H [P036]

O Yuki Conjugate – Into Dark Water [ERC080]

Emotional Rescue reissue ‘Into Dark Water’, the second album from UK post-industrial ambient pioneers O Yuki Conjugate (OYC).
The willfully obscure OYC formed in Nottingham in 1982 and have had a sporadic career on the outskirts of musical culture ever since. Initially associated with the early 80s post-industrial scene OYC quietly forged their own brand of ambient music at a time when it was distinctly unfashionable to do so. ‘Into Dark Water’ was recorded in 1986 over four days in an eight-track garage studio in Nottingham. Produced and engineered by John Kaukis, the result was a blend of flutes, percussion, electronics and loops that focused their sound and became for many the definitive OYC album. Originally released in 1987 on the Leeds-based Final Image label, ‘Into Dark Water’ quickly sold out and has been highly sought after ever since. The re-issue, featuring a lovingly recreated sleeve, makes a vinyl version of this classic available again for the first time in over 30 years.

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O Yuki Conjugate – Into Dark Water [ERC080]

MinaeMinae – Variante [HP015]

Stuttgart, Germany based multimedia artist and producer MinaeMinae delivers his debut release of cosmic polyrhythmic explorations with Variante. Whether beamed in from the future or uncovered from the past, Variante calls to mind a place and time far from here and now. Synthetic mallets and anti-guitars comprise the record’s gritty foundation, while interlocking melodics and where’s-the-one rhythms tessellate a kaleidoscopic patchwork.

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MinaeMinae – Variante [HP015]

Giraffe – Desert Haze [MARIONETTE012]

Experimental trio Giraffe crystalize time on ‘Desert Haze’, their new LP on Marionette. Giraffe is the musical project of Sascha Demand (guitar), Jürgen Hall (keys), and Charly Schöppner (percussion). They have quite diverse musical backgrounds, though morphing into Giraffe they tower into one single composer. Their music is a critical statement, not in a political sense but rather an artistic one. Being mindful about what it means to create and how to position themselves as artists nowadays (without the constant hassle of being en vogue and short-lived trends) shaped their rather rare and stoic artistic stance. It is refreshingly honest to see their expression develop so naturally. On Desert Haze, they’ve created a vibrant and minimalistic tribal sound that feels inspired by the Saharan traditional music of the Tuareg, Jazz, and German psychedelic krautrock.

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Giraffe – Desert Haze [MARIONETTE012]

Rrose – Hymn to Moisture [EAUX1391]

“Hymn to Moisture” is Rrose’s first solo album, and it unfolds with the scrupulous care and patience that defines all of Rrose’s auditory experiments. The album explores embodiment in natural phenomena by playing with microtonal and unstable tunings, shifting overtones, and integrated modulations that make it difficult to separate tone from noise. Evoking wind, water, rock, and flesh, the album occupies multiple spaces simultaneously: abrasive and tranquil, propulsive and meditative, familiar and alien.

vinyl / CD

Rrose – Hymn to Moisture [EAUX1391]

Retina.it – The Last Day Of Pompeii [MDGEM02.1/MDGEM02.2]

‘The Last Day Of Pompeii’ is a compilation of hidden gems by Retina.it -most of them released via Chicago’s Hefty Records in early 2000- and few unreleased coming as a double EP. The records will have inserts presenting 2 halves of Karl Brullov painting from 1830 (that gives the name to the project). On the backside of the insert there will be anecdotes and pictures from the archives. Midgar want to pay tribute to the Pompeian duo, whose life has been entirely dedicated to music. The project ‘The Last Day Of Pompeii’ talks about their origins, early history and relationship with Hefty Records.

part1 / part2

Retina.it – The Last Day Of Pompeii [MDGEM02.1/MDGEM02.2]

Solitary Dancer – Rites Of Passage [PPLP01]

‘Rites Of Passage’ traditionally refer to rituals distinguishing movements from one period of life to the next. Solitary Dancer’s debut LP evokes a retrospective of these experiences, organized into four acts: coming into being, detachment, liminality, and re-incorporation of the self. This narrative calls for a self-exploration of moral corruption, loss of innocence, social rebellion, and societal disillusionment.

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Solitary Dancer – Rites Of Passage [PPLP01]

Steven Rutter – Science And Neurosis [FS018]

Since returning to music a few years ago, B12 man Steven Rutter has released a wealth of fine material in his trademark thoughtful, melodious, complex and far-sighted style. His latest EP is a little darker and more uncomfortable, sounding not unlike the soundtrack to a yet-to-be-aired sci-fi TV movie about the slow death of the universe. He begins with a fine chunk of creepy, faintly unsettling electro (the otherworldly creepiness of “Neuro Fracture”), before reaching for weightier sub-bass, melancholic melodies and complex electronic rhythms on “Not To Be Trusted”. Over on Side B, “Divine Intervention” is a fuzzier chunk of horror-informed electro ghostliness, while “Reds Dead” pops, chimes and bubbles impressively thanks to Rutter’s extensive use of dub style delay effects and stabbing bass.

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Steven Rutter – Science And Neurosis [FS018]

Patrick Cowley – Mechanical Fantasy Box [DE269LP]

Patrick Cowley was one of the most revolutionary and influential figures in the canon of electronic dance music. Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco in 1971 to study electronic music at the City College of San Francisco. By the late ’70s, Patrick’s synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including #1 hit “You Make Me Feel (Mighty Real)”. Cowley created his own brand of peak-time party music known as Hi-NRG, also dubbed “The San Francisco Sound.” By 1981 Patrick had released a string of his own dance 12″ singles, such as “Menergy” and “Megatron Man”. That year, he co-founded Megatone Records to release his debut album Megatron Man. Meanwhile, Patrick was hospitalized and diagnosed with an unknown illness, which would later be named AIDS. Recovering for a spell, in 1982 he composed two more #1 hits, “Do You Wanna Funk” for Sylvester, and “Right On Target” for Paul Parker, as well as a second solo album Mind Warp. His life was cut short on November 12, 1982, when he passed away two weeks after his 32nd birthday from AIDS-related illness.
Mechanical Fantasy Box is a new collection of 13 unreleased songs recorded between 1973-80 released in tandem with Cowley’s homoerotic journal of the same title. What you hold in your hand is a collection of Cowley’s work from the years preceding his meteoric rise as a pioneer of Hi-NRG dance music. This was before drum machines. Before programmable, polyphonic digital synthesis, this is experimental music in every sense. Sounds flows from funk to kraut to psychedelic ambient electronics inspired by Tomita and Kraftwerk. As David Diebold stated in Tribal Rites, “Patrick Cowley parted the veil and entered a dark world of forbidden forces, wondrous musical panoramas and bold, strident, hopeful possibilities. Patrick brought the future to us and laid it at our feet.”
Proceeds from Mechanical Fantasy Box will be donated to the San Francisco AIDS Foundation, who have been committed to ending the pandemic and human suffering caused by HIV since 1982.

vinyl / CD

Patrick Cowley – Mechanical Fantasy Box [DE269LP]

VA – Schwarze Schweiz Pt. 1 [LXRC039]

Schwarze Schweiz is a compilation, split in two records, which gathers together Swiss active musicians working in those obscure territories that have been Lux Rec playground for so long. Trostlosigkeit, Elend und Isolation. Ärger, Schwermut und Dunkelheit. Their statement to this country.

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VA – Schwarze Schweiz Pt. 1 [LXRC039]

Massimo Carozzi – Night Shift [YER036]

Massimo Carozzi is a sound recordist, sound designer and musician based in Bologna, Italy. Since 1994 he has looked into relations between sound and image, sound and script, sound and literature, sound and space. Massimo Carozzi has created sound design for theatre, documentaries, short films, installations. As a musician he collaborated both in studio and on stage with various musicians and sound artists such as Andrea Belfi, Stefano Pilia, Margareth Kammerer, Valerio Tricoli, Claudio Rocchetti, Luciano Maggiore, Sinistri, 3/4HadBeenEliminated, Starfuckers. In September 2000 he founded the group ZimmerFrei whose artistic practice ranges from video art to documentary films, sound and environmental installations, as well as photography, performances, workshops and public art projects

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Massimo Carozzi – Night Shift [YER036]

Stiletti-Ana – Ab Ovo [HNR018]

Producer, drummer and sound engineer in all forms Stiletti-Ana aka Ilari Larjosto is known for his wide output in the world of cosmic, techno, leftfield, disco and ambient music. Stiletti-Ana keeps the main focus rather on timeless quality releases than searching for the hype. His new solo album “Ab Ovo” is the first full length Stiletti-Ana LP and represents his discoveries in the world of heavenly cinematic arpeggios, conga driven ambient and physical 3D drone compositions.

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Stiletti-Ana – Ab Ovo [HNR018]