
3rd installement in the Tape Sampler Series. Only local artists again: Deniro, Tape dj’s, Interstellar Funk and Haron & Jeroen.

3rd installement in the Tape Sampler Series. Only local artists again: Deniro, Tape dj’s, Interstellar Funk and Haron & Jeroen.

Two years after the artistic statement that was their expansive third LP, famed live act and hardware lovers Juju & Jordash are releasing another full-length on Dekmantel. The duo fully embrace the album format, creating a tight tapestry of emotive and danceable sound that reveals more detail and depth with each new listen. Textures range from organic and lush to synthetic and arresting. Deep-space serenity gets juxtaposed with more urgent and alien paranoia. The new release marks a clear evolution in the career of these singular artists.

Annanan follows up his strong debut on Forbidden Planet with another crunched up techno three tracker on Pinkman from Rotterdam.

In addition to his solo work as Patricia, Brooklyn-based Max Ravitz also spends his time in several collaborative projects. There is Inhalants with Jahiliyya Fields, the superbly punned Patreke with Terekke and Masks with Alexis ‘Arp’ Georgopoulos. As Arp, Georgopoulos has been responsible for some wonderful releases on Smalltown Supersound and RVNG, though as you’d expect Masks finds the artist deviating much closer to the dancefloor. The Food Plus Drug (II) 12″ for Opal Tapes will appeal to fans of hazy, smoked out techno (think Huerco S) with “Zebra” the sort of track that will bend minds on the dancefloor.

Born to Trinidadian and Finnish parents in Sweden, Jean-Louis Huhta took an early interest in percussion Punk, African, Disco, Dub, Detroit Techno and Chicago Acid were all early sonic influences. Couple these genres with an interest in percussion, drums, synthesizers and skateboarding and you are half-way into describing the sound of Dungeon Acid.

“These are two segments from recent live improvised Juju & Jordash club shows. First chunk was recorded at a super famous Berlin club and the second segment is from the Dekmantel UFO ADE night in Amsterdam. Our live shows are completely improvised. We plug in a bunch of Synths, Drum machines, a guitar and a mic, and just jam away with the dancers. Nothing pre prepared except our mind-set.
I guess getting loose is what we are trying to do on stage and what we would like dancers in the clubs to do. Just feel some stuff and let loose!”

Takeshi Kouzuki is back on Macadam Mambo Trax, he delivers here 3 powerful tracks completely futuristically weird and unusual, mixing acid, jakbeat and techno styles with a funky touch and fantastic vocoder’s voices. 2 Weird yet powerful jacking tracks and 1 balearic groover, all with that Nippon twist.

Vanguard Sound follows up on Guerilla Soul’s self-titled EP with label co-head Chris Mitchell delivering Feng Shui Flow. Feng Shui Flow is an exploration into deep harmonic textures in the form of three distinct offerings.


The third release in the Black Opal series see’s Mexico City 2 Brooklyn expat Jeronimo Jimenez at his finest. The ghostly syncopations of his Opal Tapes debut are revisited again but this time the beats come charged with a new weight. 6 tracks of haunting techno, flickering metals and doomed synth set to probe into your skull.

Innershades is Belgium producer Thomas Blanckaert and now he is back with a new EP on Crème Organization, his third for 2014. Opener ‘CVS’ is a ravey mid tempo house cut with raw old school stabs, lots of percussive tension and drums that really make you wanna move. Then comes ‘Momentum’, a dramatic bit of thumping house with thick synth patterns, hooky melodies and emotive pads. The no nonsense vibes continue on ‘Dark Society’, with its ticking hits, thudding kicks and mysterious, snaking pads. Finally, ‘Oase’ marries more hefty kicks with classic claps, plenty of reverb and more ravey stabs that will really bring dancefloors out in a sweaty, 90s style. Modern house with a retro bent, this EP is sure-fire club dynamite.

This is the live recording of Intergalactic Gary playing at the Hipodrome 5 Years Anniversary party, in the main room at Club Control, Bucharest, last month. It was a crazy night in one of Bucharest’s most effervescent clubs. You can hear this also on the recording, 2-3 glitches when people were literally jumping and pushing the DJ table and skipping the record or touching the recorder 🙂
Continue reading “Hipodrome Podcast 017 – Intergalactic Gary”

On his new release, Gavin Russom explores the possibilities of layering his homemade analog processors, trying to create an evolving and changing repetition. Pulsing and deep, this limited edition 12” will hypnotize you into a cosmic lull. Although not founded in religious beliefs, still excellent for starting off your Friday afternoon prayer.

2nd in the lost tapes series from a true boss in German Electronics,Move D. All taped between 1992 and 1996 at at KM20, Heidelberg. This second round of archival material proves to be just as rewarding as last year’s inaugural entry, with lead track “Willenlos” a killer 12 minute journey into classic deep dub techno. Flip it and you’ll find a young Moufang dabbling in some trippy downbeat manoeuvres with “Evil Track” whilst “Inside the Dollhouse” fizzes with alien percussive qualities.

The Lunes De Fiel compilation kicks-off with an extended uptempo trapped-in-a-maze hysteria; set in a psychedelic 90’s Norwegian remake of Potemkin in the harbor of Bergen. In the woods of woody Lithuania it continues with a road movie starring a young smugglers couple and arguably the most legendary love scene in film history. The story ends at night with a director’s cut of a downhill Indiana Jones on LSD fighting hungry alligators at the riverside of the Elbe valley. A definite must have on the new Bitter Moon imprint.

Potion is a new Deep House label from Berlin pair Prosumer and Murat Tepeli which naturally promises much on the basis of their collective production experiences and discographies. Presented as a platform for music from both it’s founders as well as some of their closest contemporaries, the debut drop of Potion comes from Tepeli and features a trio of acid-inspired cuts. Opener “P.S.A (Play Stop Acid) is the killer, with loose percussion, Syclops style bass and rough 303 lines riding a rock-solid, jackin’ groove. “Just A Modulation” is decidedly deeper and slower, with dub techno textures joining spacey acid lines. Finally, “A Wave Is A Wave” pits pots-and-pans percussions against rave-inspired electronics in devastation fashion.