
New EP By Joey Anderson on his own imprint Inimeg Recordings.

Eargasmic brings this split 12″ with four solid raw house cuts. On the A-side Chicago Skyway brings two heart pounding tracks with “I don’t give a f*ck” and “Run Coward”. The flipside introduces Isoke to the game with the Relief sounding, Chicago “Rough Sh*t” and the heady bass heavy joint “Haunted”.

Raw house vibes on Clone Royal Oak by Rio Padice and Massimo Di Lena. Its the debut of this two talented Italian producers on Clone Records.

For those unwilling to participate in Golf Channel’s “catch me if you can” white label release antics, you can now indulge in the latest example of Eric Duncan’s prospering production relationship with Dean Meredith in this fully finished edition. As The Rhythm Odyssey and Dr Dunks, the pair have already served up two plates of incendiary discotheque burners for Golf Channel and this two track Fox 12″ is every bit as good. The A Side ‘Version’ of “Fox” plummets down the disco rabbit hole with dubby abandon, acting as a precursor to the technicolour delights of the original on the flip, which is blessed with a rawness akin to early Chicago house.

Nice first edition of this new series. Some beautiful techno tracks together with some darker frantic acid and some advanced electronica. All tracks good, despite their huge style differences.

Dez Williams with a new release on Earwiggle. Starting with the melting frequencies of ‘Underground Persistent’, acid is in control, combining swingy 808 drums and masterful Detroit strings to a searing acid-line that keeps going and going. Switching things into more straight-ahead acid territory on A2, ‘Untitledacid 6’ has pretty much one intention and that’s to jack hard. ‘Freedom’ on the flip is a dense techno workout that joins a strong looped vocal and distorted percussion to swamping sound fx, in a rough but funky way. This time an expert pad progression brings the track to an unexpected but fitting finale. Finally, and showing what a complete supremo he is where dark floor-friendly electro is concerned, Dez turns in a blistering cut of sci-fi electro with ‘Courtesy Call’.

Ron Morelli has also become a specialist in finding unknown producer and releasing it to the world with only little informations. The newest addition follow the same rule and comes from “an unknown NYC producer” named Gunnar Haslam with a Double LP called Mimesiak.

Sneaker’s first solo EP for Uncanny Valley is a record of high humidity. The Java / Sumatra EP evolved in large parts in Indonesia when Sneaker lived there for almost a year and it literally conveys the Indonesian heat to dance floors in the rest of the world. This four new tracks show another, rather dark, Pop and New Wave side of Sneaker. The “Java Island” side starts with “White Glow” where a serious percussion workout is blended together with the sharp electric guitar by Indonesian guitarist Al Goz. Backed up by Sneaker’s typical drum work, Slovakian singer Helena and Sneaker himself are dreaming of that mystical light. In “Misty Mirror”, it seems like Sneaker is speaking to his reflection in the mirror and trying to figure out what he is seeing there. The track is as relentless as it is bittersweet with its stumbling dark bass synth and the bell-like melody before the pads bring things to an almost orchestral end. “Sumatra Rain” again features Al Goz, this time on the Bamboo Flute, Guitar and with a poem in West-Sumatran Minang Language. The track can be read as a meditation on the fact that if it rains in Indonesia, it pours. At the same time it is an irresistible dance floor killer that sometimes feels like “I Feel Love” for modern clubs with its ongoing octave bass and an uncompromising kick drum. Eventually, “Run To You” stands in the tradition of love song duets like “Je T’aime…Moi Non Plus”. You simply cannot forget this catchy synth melody. This is pop music for people that like Italo Disco and Chicago House and rounds up the EP in a charming way.

Slammin’ tuff house and electro tracks from 2001 by Skatebard, Norway’s #1 Techno-Riddim-Connaisseur.

Mega limited pressing… Be aware: Very loud cut, so make sure your system is properly adjusted to avoid needle skips.

Who knows better about revealing emotions on the dancefloor then Terre Thaemlitz worldwide known writer, public speaker, multimedia producer, dj, audio producer, and head honcho of Comatonse Recordings. His deep house alias DJ Sprinkles began life in the gay clubs of midtown Manhattan and New Jersey in the late eigthies and early nineties a time when deep house began to take air. The mix grooves with DJ Sprinkles’ trippy mixing signature that playfully melts tracks who are built of flying piano notes, arresting tactile basslines, straight kicking drums, and magnetic layered samples. a deeply cathartic piece of a DJ mix that transforms dancing into a ritual in which dancers do rhythmic body painting that amalgamtes the indivual identity into a collective.

Apersonal Music introduces a very special collaboration between Massimiliano Pagliara and Jules Etienne that goes by the name of Egyptian Nipples. The songs on “Back but Half EP” were originally composed and produced by Jules Etienne. Massi then proposed Jules to re-work them and add his additional production. The result is an ode to 80s inspired song writing, analogue grittiness and heavenly melodies.

German producer Erdbeerschnitzel aka Tim Keiling is the next to get the nod for the house focused Delsin series with a new three track EP, ‘Cushion’. The title track is a blissful, sunny day affair with raw, loose drums, trilling harmonies and a light fingered percussive touch that simply fills you with joy. Next track ‘Am Bossele’ is a more dense affair with layered samples of voices and off kilter percussion never really settling, instead they prickle and bustle in all directions and make for a lively listen. Final track ‘Crossroads’ is a nine-minute workout that eventually makes way for a fizzing, slowed tempo melange of wiry synthesiser lines and clusters of wooden sounding percussion. The textures are both organic and synthetic and the counter between the two is what stands the track apart. An all important human touch comes from the mired vocal sample and once again proves Erdbeerschnitzel to be someone with a very unique voice.

House Roots are the new series of Franco Cinelli. Been his 7th release on Esperanza label and after having released and remixed on labels like Bass Culture, Oslo or Harry Klein records, Franco delivers two oldschool house party bombs strigtly for the dancefloor in his very own style. Expect raw rhythms and percussion patterns, analog synths and Franco’s own trademark chords all over the place.
