Steve Moore – Untitled [LIES134]

NYC Synth master Steve Moore makes a welcome return to L.I.E.S. with his first EP on the label since 2012. Through these four tracks Moore creates a world with simplistic stripped down beauty, often using one synth and a drum machine to effectively construct alternate realities, as heard on the opener Broken Kills. This continues on the b-side opener Eigengrau, while Future 86 and Future 99 take a more dramatic komische influenced soaring arpeggiated approach.

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Steve Moore – Untitled [LIES134]

An-I & Unhuman – AN-I + Unhuman [LIES141]

Doug Lee returns to the label under his AN-I moniker, this time collaborating with prolific Greek producer Unhuman on a new four track EP. This is what happens when you take all the right elements of techno, punk and industrial music and smash them together; a fucked up and devastating hybrid of blistering modern electronics. Heavy, but not stark by any means, Lee channels his inner Liasions with his vocal performace through the record. Most notably this is heard on the cut Entschuldigung, snotty laughs and scattered barks accent the stuttered drums and ms-20 feedback; Lee bringing it all together in a sarcastic funked up fashion. Five to Nine sees both producers complimenting each other expertly, clocking in with the most “dancefloor” cut on the ep…a twisted five minutes of screaming psychedelic dance that reaches an epic anti-climax of sorts. A true hit for those who know how to use it right, not to be missed.

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An-I & Unhuman – AN-I + Unhuman [LIES141]

PS+ISF – PS+ISF [LIES135]

Dutch powerhouses Parrish Smith and Interstellar Funk team up for their debut collaboration on L.I.E.S. with a new four track EP. Striking up the perfect balance of both their signature styles, this record hits the sweet spot between metallic synthwave, slow beat industrial, and clanging EBM hybrids. The duo effortlessly weave together a sonic narrative with nods to the past but unmistakable emphasis on their ever expanding foward thinking future sound.

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PS+ISF – PS+ISF [LIES135]

Gladio – Means To Freedom [LIES142]

Resurrected from the dark underworld after years of domancy, L.I.E.S. announce a new seven track LP from one of the most cult alias’s in Legowelt’s extensive catalog, Gladio. Back to basics jackin house and electro cuts direct from the depths of the Hague dungeon. ‘Means to Freedom’ is a return to the classic Legowelt sound, taking the roots of old school Chicago and Detroit and running it through the smacked out vision of Gladio’s machine world. Absolutely unmissable jacking, soaring, and stomping jams for that the modern floor has been missing.

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Gladio – Means To Freedom [LIES142]

Broken English Club – White Rats II [LIES136]

Broken English Club presents the second part in the White Rats trilogy, a full-length double vinyl album that focuses heavily on the dancefloor with droning techno, head banging acid and cinematic synth noise. This album continues Oliver Ho’s musical journey, fusing techno with industrial post punk and textures of death metal producing a unique electronic vision. Ideas and influences that went into the writing of the album was the dark soul of Wormwood scrubs prison in west London and the obsessions in the JG Ballard book Crash. White Rats II stands as a relentless and personal portrait of techno and all the things that feed into the creation of it.

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Broken English Club – White Rats II [LIES136]

Daniel Holt – Untitled [LIES130]

One half of the group Vault, Daniel Holt makes his solo 12 inch debut on L.I.E.S. with a killer three tracker. Holt immediately locks in on the a-side with the massive 11:00 minute electro-wave groover ”Demonic City”, think heavy fm synth bass, graveyard strings, and Alesis drum machines all coming together creating a sullen and hypnotic gothic-funk cut, yes that’s right, gothic funk (you heard it right). Turn to the b-side for two more wave style jams, top production on both…exploring the realms of downbeat electronics throughout. Huge debut by this up and coming American artist.

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Daniel Holt – Untitled [LIES130]

Cardinal & Nun – Cardinal & Nun [LIES132]

Cardinal & Nun from Marseille delivers his debut EP for L.I.E.S. with a four track no holds barred synth punk assault. Injecting energy into the dead, channeling chaos and turmoil into his music, he rips through four tracks with a rough yet somehow elegant approach…raw to the bone yet flawlessly arranged. Synths that sound like guitars, guitars that sound like synths, metallic drum machines with a human touch and deranged vocals fuel this record til the end. Think Screamers meet Chrome meet Liasions with a healthy dose of southern California gutter punks on meth and you’re in the right place.

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Cardinal & Nun – Cardinal & Nun [LIES132]

TV.OUT – TV.OUT [LIES131]

Hard hitting duo TV.OUT return to L.I.E.S. with their 2nd EP for the label. Clocking in with four tracks, these guys move with ease from classic Frankfurt style New Beat to teeth grindin, lower bpm EBM and Hague style electro, all tracks suited for the club. Head right to the opener XTC for an immediate 8 minute expansive modern day lesson in dancefloor drama- strings and claps perfectly placed as the bassline drives you insane. Fast forward to ”Black Out” for a slower paced harder hitting beating, air raid sirens scream as the metalworks clang on. TV.OUT at the top of their game with this one.

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TV.OUT – TV.OUT [LIES131]

VA – Eminent Domain [LIES125]

Massive 22 track compilation spanning three vinyl lps and one 45 showcasing a wide scope of subterranean American electronics. This is just a small look into the the massive contemporary underbelly of odd-ball sonic bottom dwellers making noise across the 50 states. These tranmissions come from remote government outposts, booming overcrowded metropolis’, outskirts of America’s South and even the long forgotten muck and sleaze of Northeastern suburbia. This America in its glory, a nasty place rife with tension and division, ready to boil over into complete chaos at any given moment and these are artists that walk amongst it. Absorbing it all and spitting it out, moments of clarity and tranqilty go head to head with dramatic clashes, attempting to make sense of it all or simply to isolate oneself and escape this morbid world. A definitive sonic document of modern life in a nation on the decline.

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VA – Eminent Domain [LIES125]

Delroy Edwards – Wagon Wheels [LIES129]

Delroy Edwards follows up his smashing ”Aftershock” LP from 2018 with a new six track EP of pure old school 80s style Chicago House. While many may have moved on, Delroy Edwards steers the course, carrying the torch like not many cannot do, as he executes stripped down 808 beat tracks with a Gherkin bounce to perfection. Sounding like cuts from a lost WBMX tape, this timeless six tracker is sure to get the all house fiends mouths watering. Think of the primitive styles of Virgo meets Harvey Harris meets Saunders and you’re on the right path.

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Delroy Edwards – Wagon Wheels [LIES129]

Tzusing – A Name Out Of Place Collected [LIES115]

Triple 12″ retrospective compilation of Tzusing’s first three now out of print EPs on L.I.E.S. spanning 2014-2016. These were the precursor to his celebrated debut LP – they’ve now re-cut and pressed in the United States. Available in limited quantities featuring classics 4 Floors of Whores, 1976, and Face of Electric, among others. Modern “World Industrial” music for the clubs.

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Tzusing – A Name Out Of Place Collected [LIES115]

Broken English Club – White Rats [LIES120]

L.I.E.S. presents the first part of Broken English Club new album trilogy, White Rats. Following on from last years The English Beach, White Rats is described as, “a collection of caustic and absurd portraits of the human animal”. Oliver Ho continues to push his industrial influenced sound with metallic acid tracks, guitar noise/drone experiments and heavy synth wave once again with this nine track release. White Rats part 2 and 3 will surface in 2019.

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Broken English Club – White Rats [LIES120]

Delroy Edwards – Aftershock [LIES110]

In the tradition of classic Chicago beat track records, Delroy Edwards comes on LIES with a 14 song double LP of stripped down drum track madness. This is straight up Saturday night WBMX mixs how material. Sparse rhythms, fat fm basslines, catchy melodies and even some italo arpeggios are the order here, all 100 percent tailor made for the working DJ. Standing strong on their own or to be layered and slammed in and out the mix, these are true to form old school cuts falling in line with the great tradition of dance music’s past which is all too often lost in the wind these days.

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Delroy Edwards – Aftershock [LIES110]

TV.OUT – Further [LIES107]

Tel Aviv based two man project TV.OUT has been making a name for themselves these last years putting on impressive live sets, djing around the world, and running their Paralaxx imprint releasing various strains of rugged, well informed electronic music. On their debut for L.I.E.S. we get a smoking three tracker spanning styles that would not seem out of the place being played on the West Coast of Den Hague in the late-90s.

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TV.OUT – Further [LIES107]

Svengalisghost – TV Live [LIES104]

Svengalisghost captured here in his most true form, the live setting. This recording comes direct from the board during his performance on French television in 2015 and harnesses the maniacal energy of his live set in perfect form. What may be the Chicago born artist’s darkest and most plodding recording to date, this is the definintion of deconstructed death-industrial, foward thinking and freeform yet totally focused and razor sharp, plodding drums over open wire electronics and zodiac killer vocals hitting you from all angles. This is sound of evil personified.

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Svengalisghost – TV Live [LIES104]

S. English – Eris [LIES102]

Following up his self titled 12 inch earlier this year Austin, Texas based Shane English continues in his path exploring the deep and bizarre edges of the American DIY electronic world. Over these eight tracks we get English’s wide spanning take on the music touching upon elements of industrial on “Invasion Threat” darker ambient with opening track “Sanctuary” and even hints of Stinson on “Bilocation Drift”. English’s signature sparse and melancholic tone is present throughout again using minimal percussion and voice to glue it all together in a haunting fashion. Another engaging listen direct from the depths of the American underbelly.

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S. English – Eris [LIES102]