
70-ies Tangential Electro-Pop by Danny Bosten’s project Das Ding on Tear Apart Tapes.

The debut release of Aspecto Humano, label based in Barcelona, is being presented as a sampler composed of five tracks, which clearly shows the label’s preferences and what to be found in the future. The first track is the new version of Das Ding’s classic ‘H.S.T.A.’, a jewel that has not been pressed on vinyl to date. Follows ‘Extraterrestrial Biological Entity’, a killer track made by master of horror Antoni Maiovvi, and finish the side Hyboid with his well known synthwave ‘Telepath or Psycopath’. On the other side the debut of part of Aspecto Humano founders, Anbau, with their kraftwerkian ‘Disco Z’. Ends the reference Synth Alien, one of the most reputated spanish artists at the moment, focused to burn the dancefloor with his ‘Bailarina Automatica’.


Beautifully put together and deeply personal comp of pioneering Belgium New Wave / DIY enigma, Alain Neffe (Bene Gesserit, Psuedo Code, Subject etc). Highly reccomended – includes Folded Inner with Liner Notes (Biography).

Miami is a Geministic outpost of complimentary halves: subtropical rainforest and art deco cityscape; unmitigated wealth and staggering poverty; limitless sunshine and equally limitless thunderstorms. From this outpost, culturally and geographically isolated from a state teeming with hillbilly abjection, composer Ramiro Jean-Carlo entertains a unique decadence under the guise of Staccato Du Mal, a project perhaps something of an anomaly in Miami, but no less at home. At turns gauzy and drugged, energized and electric, SDM is analog electronics that would be best heard in a blacklit dance club or a mouldering mansion against the background of any given tropical depression. “El Mago en Ti” shows Jean-Carlo keeping things as sinister as ever, with classic SDM sawtooth baselines and rickety clattering rhythms (Spherical Aberration), “La Gran Evasion”), with the requisite amount of reverb (lots), but with a few surprises: opening track “Drowning Feathers” integrates Jean-Carlo’s affection for classical music into the project, with its complex and sullen chord structure reminiscent of a J.S. Bach organ piece, while the songs “El Mago en Ti” and “Fistful Questioning” showcase an industrial aggression unexplored in the context of SDM.

Mace. appearances are scarce. As his music is. Scarce, dirty, brown and miserable, as the Bunker guys would say. A mechanical reflection, not a choice of soothing harmonics. Not melodious structures. The survival of the fittest, harsh economics, suicidal stock brokers, piling up as much as possible before leaving. These are four things everyone will be talking about today. And so Lux Rec does. The last piece is a joint venture together with Diana Berti of ‘Veleno Viola’.


Synths Versus Me is a prolific duo formed by Vanessa Asbert and Nico Cabañas. This 12” EP includes two brand new tracks and two exclusive remixes. The original version of 1987” is an atomic bomb of pure vintage EBM in the vein of Signal Aout 42 and Front 242. The remix done by Dirk Da Davo from The Neon Judgement keeps the feeling of the track but adding some drums, guitar samplers and sequences trademarked by this Belgian legend. On the b-side there is the original mix of Aimless Device”, an electro-pop tune with catchy melodies, analogic bass lines and female voices. The remix prepared for this track by the new american sensation Boy Harsher is a surefire dancefloor full of hypnotic beats and dark atmospheres.





One hour taken from the Phormix Aftermath party.
10 / 09 / 16 Athens.

The Omnibus Band was founded by Jarda Zajpt and Petr Dikan in 1979 in Czechoslovakia. Having met at the Electronic High School, electronics was their field of expertise. Over time, Petr Dikan constructed several sound devices such as the Sileny Fridrich (SF, Crazy Frederick) Keyboard and the VSD (vsude samy draty/wires everywhere) Generator which he operated during the recordings and also at concerts. At that time, heavily influenced by Brian Eno and Robert Fripp from the King Crimson band, Jarda Zajpt played the guitars, using all kinds of effects, pre-recorded tapes, and one or more interconnected tape recorders. The first record, ‘Israels,’ was produced between 1980 and 1982. In 1985, Jarda Zajpt swapped a guitar for a keyboard and a new member arrived – Pavel Zvolensky – who programmed and played the automatic percussions. Martin Bauer, playing the bass guitar, completed the trio. They have produced a second album, ‘Rhythmus,’ in this assembly. Remastered from unreleased tape recordings. This is the first release in the framework of the project Jupiter 08 – Archeology of the Slavic electronic sound.

EYE is a project from Laurène Exposito from Rennes (France), where she runs the intimate label Waving Hands. EYE’s debut album ‘Sabine’ takes us into Laurène’s silk-covered dreamworld, at once mad and serene, sounding like a breeze and a blast at the same time. Bedtime stories or lucid nightmares? You decide…
