Asymetric80 is the EBM/new beat project from producer and DJ Gonzalo Sendon from Spain, Barcelona. “Blood Lies Mini-album” continue exploring the evolution around the late 80’s / early 90’s underground “spaniard sound”, you could expect a mixture of new ebm, new beat and even trance melodies usually combined with hypnotic spoken words.
Collection of outtakes from ‘Screening Plexus’ & ‘Motion Pictures Regime’ sessions.
Reissue of this italo disco / darkwave Kirlian Camera rarity from 1983. Comes with Flemming Dalum remix and Vanzetti & Sacco edits.
Martin Steinebach is back with his EM1V project on Soil Records, delivering a new 15 tracks album called “Escape Pattern “. A mix between e.b.m, electro and synthpop on a CD release.
After releases curated by the masters Mick Wills and Intergalactic Gary, brokntoys presents the third and final installment in the Casting Shadows series with five tracks showcasing Maja Pa’s unique style. The EP opens with ‘A Perfect Day’ by Art Teachers, an excellent example of their distinct synth punk sound, providing the perfect introduction to the Veveo-verse. Next up is Vastechoses associate Brique Corps, who delivers the jagged body music of ‘Has Yo For All4,’. On the B-side, Czech duo Kontrajas contribute ‘Lunt,’ a circuit-breaker from their self-released Laguna EP. Label regular Rory McPike returns to his post-punk persona 2200 for the goth-infused Outlaw. The record concludes with Geoid Color Circle’s mournful ‘Adieu Trois Mort En Juin’, taken from their Six Sad World tape.
Roman artist Heinrich Dressel delivers a sparkling gaze into the future with the glistening ‘Lambda 2077’. Dressel cultivates a cinematic, cerebral experience throughout each track, delicately weaving a visceral soundscape. Growling arps and magnetic, synthesised moans flows throughout this record. Francisco opens things up with an electro-tinged, thunderous remix. Building upon the chordal gravitas of the original, the remix provides the release with an acidic percussive journey.
Humans have to drink! They went down to the pond to quench their thirst. Sipping from the cool wet while being on all fours, they saw the reflection of their own faces for the first time. This must have been the beginning of the ongoing struggle of mankind dealing with self-consciousness. Anna and Ole (Das A&O) also met at the water point and much like the myth of the first human couple “Adam and Eve” they ate too much poisoned apples but instead of getting obsessed with one’s ego, they wrote some beautiful Synth Wave music together. Immortalized on a seven-inch piece of wax, the results are now available on Rat Life Records.
BT67 presents Colombian producer / promoter and Dj Non Punire with a minialbum entitled Espeletia. Member of the defunct Vltra Delta Drive, Espeletia sees the Colombian exile delivering a masterclass in Giallo-infused synthwave and electro. Throughout 6 tracks, the EP blends suspense and drama for the discerning dancefloors.
Keeping up with the number of different aliases Legowelt has is as hard as keeping up with the number of personal beefs Prince Harry has, only far more worthy of your time. Here the prolific Dutch producer becomes Smackos and links up with Brightness Shallan Davar for a second of 10 proposed volumes of Whispers Of An Ancient World. Davar takes care of the first side, which offers four deeply atmospheric pieces of analogue ambient fuzz and cosmic imagery. Smackos steps up on the B-side with a more mystic ambient sound and plenty of his signature shapeshifting synth patterns that melt the mind and submerse you deep in an interplanetary world.
Chris Mitchell is back on Dead Channel, delivering 7 tracks of mutated psych-apocalyptic acid, icy minimal wave, and blown out machined rhythms. Dense hammered percussion, kicking you straight in the sternum, sends you reeling into the abyss. Dire, unsettling vocals dowsed in gritty, unrelenting squelched out 303 madness. Spectral atmospherics blanket bit-crushed drums in a disconcerting fog. With ‘Rip Run Ride Die’, Mitchell melds a black sea of contorted electronics into a twisted, utterly unique vision that pulls you under..
Cristiano Grim is back with the second number of his experimental zine/compilation , FAKE2-120AMERICA. Obsessed by the work of the cult poet Pierpaolo Pasolini and his seedy film “Salo or 120 Days of Sodom” , the original short story behind by Marquis De Sade and Dante’ s “Divine Comedy” structure which Pasolini mirrored during his screenwriting session with Sergio Citti, Cristiano Grim coded that “ anarchy of the power” in the contemporary North American society, through a desecrating prose and poignant portraits of a country drowned in 3 masochist “circles” : BLOOD, MANIAS and SHIT. Original film photography was taken in the streets and the underground scenes of New York, Memphis, Nashville, Durham, Virginia and South Carolina. Jonathan Castro nailed his second collaboration with Cristiano Grim , disrupting his photography with a spirited overexposed technique and metallic colors. Music by : Alessandro Adriani which featured the whole A side of the release with 3 tracks with the contribution of Cosimo Damiano and Riccardo Chiaretti, legendary IDM musician CEX, Italian psychedelic duo Mushrooms Project, Californian musician Aaron Coyes (1/2 Peaking Lights), italian ambient musician Alexia Robbio, Roman techno producer Ida Mandato, New York industrial band INTRZN, Riga’s sound artist Reinis Semevics, San Francisco’s video artist and musician YNV, mystery vocalist VETA DAY.
Never Been is the first collaborative release by Loradeniz and Interstellar Funk, who produced the EP at a Volkshotel artist residency in Amsterdam, in 2021. The record examines the interplay of synthetic melodies and Loradeniz’s vocals, which are underpinned by meticulously crafted rhythms. Steeped in melancholy, many of the tracks on Never Been evoke the essence of departure, complex emotions and fading memories.
Here comes the second release from Ferry Lane Records, Flush b/w Spy Satellite by Roberto Auser.
The 1980s saw Spain become a new country. The former stranglehold on the arts loosened and experimentation flourished. This was plain to hear in the music of the time but history can be cruel and many of the artists and groups that were catalysts of change have faded with time. “Technoacrazia” rights this wrong with 16 unreleased tracks and 4 bonus tracks by Muzak, TodoTodo, Megadeath Extreme and V Generación as a compilation that brings the sounds of a pioneering outfit back to vinyl. Raw and young musical machinations, elegant and refined electronics, new and exciting sounds that cross the lines of electro, house, synth and wave to create something truly unique.
The Hipodrome Of Music 