
Rise Black with another release on his own label Another Perspective.

Rise Black with another release on his own label Another Perspective.

Longtime TX techno scene veteran Xander Harris is back for blood on the reactivated TRU (Texas Recordings Underground) label from fellow Lone Star cyborg Gavin Guthrie (TX Connect) as well as DJ/Producer Xinexport. Prepare to enter a world of scuzzy synths buzzing like cathode-ray screen-glow reflected back from bloodshot eyeballs, basslines sizzling like seared flesh around overheated nethacker brain-jacks, synchronized laser saws slashing serrated arpeggios to the rhythm of robotic drum machine assembly lines, dystopian melodies refracting through the haze like swarms of gleaming crimson camera eyes…6 trax of unstoppable terminator assault audio.

Fireground are a male/female duo with Neapolitan origins that – after appearances on labels as esteemed as Tresor, no less – landed on Illian Tape back in October 2024 and now return with more cultured techno that finds a perfect sweet spot between atmosphere and intent. ‘Marea’ opens with some jazzy melodies zipping about over dusty drums and classic deep house chords. ‘Harbour Walk’ then has fizzing synths overloading a cantering groove that fills you with rushes of warmth and ‘Gateway’ is a more direct techno pumper with deft percussion and grimy pads, making it primed for warehouse action. ‘Smile As One’ closes on a dubby, stripped back and heads down broken beat vibe for 5am sessions.

Fuse resident Altinbas keeps exploring new grounds through his label Observer Station with the release of his sixth EP, Eclipse.

In a sea of disposable cookie cutter music Hieroglyphic Being continues to be a singular voice in the crowd. The 12 track album “The Sound Of Something Ending” deftly maps the intersection of house, techno, and EBM, while maintaining the curiosity of free jazz & the DIY of punk.

Moto Music presents Time Synthesis, a sonic collaboration of the living legends Dan Piu and DJ Estimulo, creating a future past guaranteed to last. Experience the dynamic aurora of class, seamlessly guiding your senses through savory flavors of funky Detroit and atmospheric Techno hybrids to the smoothest of sunset coastal Deep House designs marinated to move bodies on the dancefloor and influence the mind. Indeed a synthesis of good times where the future of authentic house and techno was never left behind.


With Closer, TV.OUT deliver four tracks of sharp, elegant electro made for the dancefloor. It’s the kind of record that moves bodies without shouting — precise, deep, and full of character.

The 5th installment of the Xuntanza series of Fanzine Records brings a new gathering of 5 electro wizards as Plant43, Umwelt, Robert Cosmic, BombyxBlow and the Slit Observers.

Mascarpone with a new release on Parisian label Meteors Recordings.

Few producers have had the same seismic impact on techno and rave music as Joey Beltram. Hailing from Queens, New York, Beltram was a key architect of the early ’90s rave explosion and responsible for some of the most influential electronic records of the era – and it was Belgium’s R&S Records that gave many of these tracks their first home. Originally compiled and released by R&S in 1996, Classics brings together the core of Beltram’s groundbreaking early output – namely the Beltram Vol. 1 (1990) and Beltram Vol. 2 (1991) EPs, alongside the legendary Second Phase productions ‘Mentasm’ and ‘Mind To Mind’ (1991), plus a selection of aliases and collaborative work from the same period, including tracks under Mental Mayhem, Open Mind, and Disorder. Now remastered and reissued as a 2LP, Classics is available on vinyl for the first time since 2006, offering a long overdue opportunity to own these timeless cuts in their purest form. Across the 13 tracks, you’ll hear the sheer force and innovation that made Beltram a household name in underground techno.


“The Techno Wave” was the debut single released in 1990 by the iconic project founded by Jens Lissat and Ramon Zenker (Hardfloor). It quickly became one of the defining anthems of the so-called Frankfurt Tekkno scene that swept across Germany in the early ’90s, capturing the raw energy and rebellious spirit of the movement.

Transpac delivers the fourteenth drop on Curtis Electronix presenting Infobahn LP, a seven-track odyssey that showcases their refined, perceptive approach to Electro. Throughout the record they blend elegance and precision through a carefully crafted sonic environment where every sound, frequency, and element serves a purpose. It effortlessly alternates between 4/4 dancefloor killers and beatless segments, creating a dynamic energy that balances weightlessness and density. This interplay of intensity and suspension makes this record unpredictable and striking. The seeming simplicity of the structure hides a deep, sophisticated exploration of sound, where atmospheric textures and production dig deep into the potentialities of space and frequency. Simplicity serves as a gateway through which the deepest complexities unfold.

Future Past Techno from retro scientist Tom Carruthers. 4 tracks of jacked beats, bleeps, dark bass and soaring strings to rave till dawn like it’s 1989.


The third offering from Marco Passarani’s Studiomaster label heralds a significant return: M.Chrome. Absent since 1994 when it debuted on Alan Oldham’s Generator, this alias is resurrected to explore new sonic frontiers. While its roots subtly echo a certain legendary Detroit imprint, “Flare Rider” stands as a testament to evolution. This isn’t just an EP; it’s a series of compelling sonic narratives, guiding listeners through techno and house territories. Expect subtle acid inflections, deep cosmic voyages, and a powerful, melancholic harmonic core that defines its distinct planetary landscapes. Best experienced as the sun begins to rise and the vision of distant planets starts to fade.

A long-dormant signal reactivates from Hamburg’s hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records, their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback. Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn’t invoked through distortion alone, but through method; in the album’s breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa.