
‘Tone To Voice’ is John Heckle’s fourth long player, and second on Tabernacle. Science fiction tracks of the highest order demonstrating a subtle development of John’s already widely recognised sound.

‘Tone To Voice’ is John Heckle’s fourth long player, and second on Tabernacle. Science fiction tracks of the highest order demonstrating a subtle development of John’s already widely recognised sound.

British producer Richard Smith creates genre-bending techno that incorporates motifs from the past while presenting the tunes in a de nite forward advancing trajectory. By integrating in uences from 90s electronic music and classics such as DAF and Severed Heads, L/F/D/M presents 4 cuts that are sure to pique the interest of fans of modern techno who have an appreciation for IDM, classic Detroit techno and are searching for something to diversify their repertoire.

The thrid an final installment of archive material. Tolouse Low Trax just needs an MPC, a small Synthesizer set up and some effects to create subliminal hypnotic music trips, driven by dark synthlines and drunken shuffled patterns. ”The primitiveness in my music is linked to something simple, and that don’t have to be obligatory minimal. For me it is enough to dance rough around the core. Music you don’t shape till the end contains of a moment of beauty. A veil of secrecy. I work very simply. I rather reduce my possibilities in ompass. Limitations offer lots of liberties.”

The year is 2051. The human race has split into two groups. One maintained their basic human state, while the other transformed by tapping into their psychospiritual lifeforce potential. The second group created a higher dimensional civilization. They called it Xymeria.

LET Recordings boss JP Enfant returns to his own label for a third solo EP. The Dutchman, who is a resident at De School in Amsterdam, mixes up techno, breakbeat, ambient, dub and house into his own long and all consuming tracks, and on his latest EP he does that once more. Spacious and elastic grooves aimed at the body and the floor. Once again, this versatile and robust offering from JP Enfant is another standout release on the young label.

The North East of England is known for its role in helping to shape the UK House and Techno club landscape during the late 80’s and throughout 90’s. It’s infectious and raw energy engaged Slip-D from a young age exposing him to a number of venues including The Riverside, Empire, Pleasure Rooms and the hedonistic Rockshots. Drawing inspiration from the scene along with potent labels like Svek, Guidance and Shaboom that came in to prominence in the late 90’s, a bedroom studio set up of amassed hardware funded on a basic income was then formed over time. Residence in Teesdale Avenue, regular local Car Thefts and the wail of the Rag and Bone man all assembled themselves as a formula of what was happening outside the 4 walls of the studio. The vaulted Hypnoelectronix No.1 finally got pressed after some years, and transports us to the true crux of that era.

The gravitational pull of the moon lets the water flow gracefully. Way off past awareness, in and out of reach like a half remembered dream.

Patrick Siech reappears on Parabel and delivers a versatile tehno EP ranging from deep athmospheric tracks to trippy acid injected Eter ttacks on the b1.

Bucharest’s Romansoff brings post-industrial heat on the second Sportiv release. Tudor cranks it to 11 and does crunchy, saturated beats under a killer analog riff on “Colonial Past”. “Bodylock” on the flip is equally intense but chooses a more stone-cold approach. Gripping, energetic material from a country at peak creativity. Sportiv is a dexterous white label operation that brings you heavy-weight rhythmic performances from the world of techno athletics.

Jann arrives on Pinkman with a soundtrack of breathless panic, an ode to a blighted world of diesel fumes and indifference. Rhythms are grizzly, gored and torn. Thick chords judder, revving like a clapped-out engine as metal slashes at savaged snares. Acid scorn is poured on this inhospitable world, amplified by the haze of distortion that clouds Jann’s hard and cold vision.

Man of many aliases Patrick Radomski has saved some of his best material for the Alien Rain series, which has been delivering bombastic blasts of acid-fired techno hedonism since 2012. “Alienopolis”, the track that kicks off this sixth EP, is a suitably no-holds-barred romp through intense club techno territory, with genuinely mind-altering TB-303 motifs weaving in and out of a no-holds-barred rhythm track. Over on the B-side, he opts for a slightly deeper, darker and more intoxicating feel on psychedelic creep-out “XOX 31”, before sharpening his acid lines further on the otherworldly hypnotism of “Illusion”, where sampled vocal snippets help enhance the druggy mood.

Suction Records presents the 2nd volume in a vinyl reissue/remix series by Toronto’s Digital Poodle: “Revision! Vol2 – Soul Crush”. Formed in 1986 by Heiki Sillaste, Digital Poodle began self-releasing experimental/EBM tapes in the late-80s, and by the early-‘90s had several releases licensed to international labels like Hyperium, Cleopatra and Ninja Tune. “Soul Crush” was an underground hit in EBM/alternative clubs around the world – particularly in Toronto, but also making an impact was Zoviet France’s Virtual Mix… This hypnotic, 13-minute psychedelic techno trip, actually a live-in-studio jam between Digital Poodle and industrial music legends: Zoviet France:, became an unlikely rave staple. Both mixes are featured here, alongside a killer revision by none other than Adam X, one of this legendary techno producer’s rare remix appearances.


Jason Letkiewicz isn’t some fashionista. His efforts predate whatever you want to call the current wave of interest in club music. For his first release on Valcrond Video he offers two tracks as Steve Summers. “Always” builds up as a web of metallic syncopation pulsing with threat. A dangerous motif swerves in like pissed-off porpoises, slick with black grime after an oil spill. Vocals show up: they sound like somebody kidnapped a larynx and forced it to MC at the center of a badass board game. A disembodied voice box in the middle of a cardboard landscape. On “Resist” that same captive voice rings through a metal hockey mask, as the instrumental elements seem to narrate an assault in progress. We’re taping you down to the table, don’t bother to resist. On the B side a Torn Hawk remix takes “Always” to never-never land; the malice of the original track gets dressed up with puffy orange clouds (Cheetos). Traditions go in the toilet, return to the fundamental river, only to wash up in the reeds, fresh again . A melodic explosion hides at the center of the progression under hospital-grade gauze; C-4 strapped to the chest of a stuffed bunny suicide bomber.

Stu Robinson aka ASOK returns with a quick fire reply via Lobster Theremin sub-label Mörk. Applying a similar template of contradictory elements, cobbled into a melded, half-melted mass of aquatic techno, proto-rave and depth-charged deep house, Inner Circle is the transformation complete. A step into the unknown without a shadow of doubt.

Empfänger stay in the sewers like TMNT. Back with four tracks of their crackbrained EBM – DISKO.

Ave Berlin collective AWAY ready the 4th release in their catalogue. They present a split 2-tracker from label mainstay Move D and his pairing with Jonah Sharp under their collaborative guise of Reagenz. Natural in their progression, both tracks spark ardour as they steadily develop adding another fine addition to a blooming catalogue.