
Sixth installment on the 10 years series featuring tracks by Vril, Iori, Eduardo de la Calle and a special collaboration from Andreas Tilliander and Svreca.

Sixth installment on the 10 years series featuring tracks by Vril, Iori, Eduardo de la Calle and a special collaboration from Andreas Tilliander and Svreca.

Overdraw is back this time with Kaelan. The artist in charge offering two original driving techno cuts with some remixes from P.E.A.R.L. and Fundamental Interaction.

Music from Le Chocolat Noir, Tryphème, Russell Alderton, Luke Eargoggle, BLΔCKMOON77 and Kimmo Rapatti for your emotional sorrows, choose for now,the energy transmission , take and congregate. The breakable experience of an unconventional trip, but not so modern as that.

Emerald City is the first release of Verdant Recordings, a new label to present carefully curated deep music across the electronic spectrum. On this EP are 3 highly respected producers from the UK; Leigh Dickson, John Shima and Plant43 (Emile Facey) and a 4th debut track from a disciple of the halcyon days of emotive music Mihail Petrovski. Musically this EP is all about deep techno; the exquisite sounds and characteristic style of each producer is unmistakeable. Emerald City was first released as limited edition of lathe cuts but interest in the project completely overwhelmed its availability.

Lost Trax drops the first release of 2017 on Subwax label “Emotions Electric”, 3 fiercesome Detroit tracks of the highest order.

Repetitive Strain Injury (R.S.I.): an injury caused by repetitive tasks, forceful exertions, vibrations, mechanical compression, or sustained or awkward positions. “RSI” is an umbrella term used to refer to several discrete conditions that can be both physical and psychological in nature. Also known as cumulative trauma disorders, repetitive stress injuries, repetitive motion injuries or disorders. The release consists of six tracks written, recorded and mixed by Josh Younggren from Minneapolis.

Raw minimal techno specialist Mono Junk is back with a selection of new material on his own DUM Records. Having pioneered key techno sounds as far back as 1990, more than 20 years later the influential Finnish artist is still on top of his game. Up first is Halo, nine minutes of edgy techno with a nervy lead synth snaking around in paranoid fashion. Rolling drums set a direct groove in motion below and the whole thing will be brilliantly hypnotic on the dance floor. Halo 2 is a hallucinogenic bit of ambient with celestial drones and icy synth prickles making for a tense interlude, then Musta Peili is all fucked up and scuzzy, study and disrupted. Sounding like a slowed-down techno track heard though a freezing snow blizzard, it is masterfully textured. Farewell closes out the EP with an intergalactic bit of glassy melodic techno that will have you up on your toes.

UN.T.O.’s fifth release comes from Cosimo Damiano who delivers a brooding four tracker that leans heavily upon synth melodies and hardcore stylings. The result is an essential experimental techno EP that works just as well at home as it does in the club.

The Hamburg based duo Fallbeil debuts on Death Of The Machines. Tune in on the incredible electro/acid razor ‘The Healer’, also available in the B side with a distorted and industrial version by Innsyter aka Fernando Seixlack. The 707-electro-driven extra B side track ‘Voice of Thunder’ is completing the pack.

Black magic emo-electro by the dark lord. Follow the path of the left-hand. Limited to 200 copies, silk-screened sleeve.

Pinkman stoke the furnaces of despair, fuelling them with Black Merlin. Conveyor belts grunt out resentment, cold chords curl, synthlines sneer and pallid percussion punctuates. Noise echoes above, hammered clanks exploding into shards. Below the work continues, sweat smeared stains and hissing airless gasps. In the end, all is swallowed; gulped into the gaping assembly line.

First record from the co-founder of Private Selection Records. Mixture of heavy chicago house percussion and distorted wave techno.

Two floor-smashing highlights from the gnarliest corner of the Spectral Sound library get a welcome reissue on the first limited addendum 12” to the Dope Jams NYC Volume 1: 2005-2012 compilation. Tripping back to 2005/4 on a raw, machine funk flex, Dope Jams track back over Todd Mullinix’s earlier chapters with two immense slabs of future tech. First up, his 2AM/FM project with D’Marc Cantu with “Poison Dart” a gritty late night Berlin lazer-fest. It’s followed by the wily, unpredictable data charges on “Bizarre Carnival” on which you can almost hear the machines hissing in meltdown. This is what flashbacks were invented for.

Lake People, the man with a knack for aural subtleties, is spot-on with his first EP for Uncanny Valley. Over the course of four tracks he showcases a quiet different approach compared to the sophisticated House music the Leipzig based artist released on labels like Permanent Vacation or Connaisseur Recordings. On “Break the Pattern” he relies heavily on the good old Boom Tschak-paradigm of Electro, without completely giving up his trademark sound. “Level Msk” combines staccato-type chords with a stuttering beat that stick in your mind. The acidic “September Futuristic” with its stoic drumming has almost a Krautrock feel to it. On the flipside, the playful “Chords In Chorus” feels like an early contender for this year’s summer anthem with chords and acid lines from heaven. The EP closes with “Pull Off”, a perfect example for Lake People’s ability to compose tracks with an emotional depth.

Jungle Gym Records presents ‘Rapids: The 2015 Sessions’, the official label debut of Vancouver’s Minimal Violence. Minimal Violence expand their fiercely independent strain of live and improvised techno into more romantic territory. As we experience the power of the rapids for ourselves, the confidence we once felt in youth and beauty fades, hopeless in the face of nature. An event both tragic and glamorous, JG04 narrates the existential coming of age, a beautiful realisation that nothing lasts forever.

Massimiliano Pagliara debuts on Ostgut Ton with his new EP, Time And Again. Heavily influenced by classic Chicago House, Electro and early Disco music Massi’s new EP serves as a cross-section of his musical interest as a producer and sonic palette as a selector. Working with vintage studio gear, analogue synthesizers and classic drum machines, his Time And Again EP is as warm and soulful as it’s lush and bursting with strength.

Dutch live-act and DJ duo Artefakt release their atmospheric debut album on renowned techno imprint Delsin. Known separately as Robin Koek and Nick Lapien, the pair first appeared on Field Records before follow up releases on Prologue, Delsin and Konstrukt. Kinship portrays a compelling narrative in a body of work that will undoubtedly keep listeners engaged from start to finish.

Navigate’ is instantly recognisable as the work of its creator, armed and ready to bring the dance floor to hypnotic heights. With its rough and gritty sound, driving kick & synth stabs, and hauntingly majestic keys, we are thrown into peak of the night. On the flip, ‘The Guilt Within’ takes a turn to more ominous terri- tories, crafting an atmosphere on the other end of the spectrum to ‘Navigate’. A beautiful and delicate journey carried along by light skipping percussion, immersive sweeping pads and a puls- ing sub which all come together to take the listener deep inside themselves.

Chicago house legend Mystic Bill joins Crimes Of The Future with two straight up jacking house tracks with bonus instrumental and a mind bending remix by Scott Fraser. The A cut Frequency 9 is a rolling jacker with rattling percussion and dark synth stabs to dement the warehouse dancefloor and very much in the line of Bill’s trademark style. A2 see’s Fraser return the remix favour delivering a massive floor bumping remix adding all new drums, 303 and huge bassline giving a nod to the classic sound of those Sex Trax/ Power Music 12’s from the 1990’s with his 11 minute mind control remix…. The frequency cannot be controlled! Side B has both the original and a bonus intrumental of The Ship Is Sinking, a dark slice of jacking house complete with real tension and total mastery of the sampler for those able to spot it.