
Recorded live @ Suicide Circus (Berlin) 06.01.2017
Continue reading “Mick Wills – Endless Illusion Podcast #19”

Recorded live @ Suicide Circus (Berlin) 06.01.2017
Continue reading “Mick Wills – Endless Illusion Podcast #19”

London/Lisbon label Release/Sustain start the year as they mean to go on. Presenting a 4 track various artists 12” titled “Nightfall & Other Stories”. Opening proceedings on A1 is Vakula, a regular at the Release/Sustain ‘Conclave’ parties and part of the RS family. His offering, “809”, is a percussive drum tool trip of a track, with sporadic raw percussion shooting shining across a positively minimalist backing. For A2, we see Italian stalwart of underground dance music Simoncino. Obscure sample work, and a repeating line ‘I can use a friend’, twist and turn over rugged, thumping, functional drums and bass. Furthering the quality of this standout 12” is Chicago house music pioneer Vincent Floyd. Rich in melody and familiar classic house sounds, Reggie’s soft jacking house sound bring a silky smooth, North American touch to a previously rugged, European 12 slab of wax.

DJ/Producer from Merseyside UK, John Heckle has produced records for Mathematics Recordings, Tabernacle Records, Crème Organization, Lunar Disko and more. His releases include two full length studio albums, The Second Son and Desolate Figures (as well as The Last Magic Maker mini-album), plus multiple singles, remixes and EPs. Now he makes his debut on Chiwax with some more machine jacking house tracks.

The second Memories On Wax release comes from Jan Svenson AKA VILLA ÅBO, one of the members of Frak, and the man behind Börft records and other projects such as Zwarre. Duophonic Mind is a 4 track release with 3 slow and heavy analog techno and a powerful remix by the emerging talent, Estrato Aurora.

Ron Wilson’s 777 serves up more raw and rusty house jams on a new various artists sampler entitled Internal Affairs: this is serious! On the A side is newcomer Brighton with “Tesla” (Leaves Remix), while Frankfurt’s Orson Wells gives us “Ratio” where Saarbruckens finest: Roger 23 gets on the remix and delivers a lush deep acid rendition this side of Tin Man. On the flip, Leaves returns with the impressive “Third Floor” getting an awesome remix by Pablo Mateo; working those drum computers to impressive effect as always. Finally, Orson Wells stays on too; working the nightshift on his remix for Glyn’s “Kevin Lomax” and giving it a lo-fi, neon lit makeover that will appeal to retroverts dancing well into the morning at Robert Johnson next Sunday morning.

After an EP on Creme Organization off-shoot Jericho One as DJ Plant Texture, Dona Basile now assumes his Dona alias for a new EP on the main label. Entitled The V.G.P Sessions, it features four new cuts from the Italian. Up first is a live cut version of ‘Energia’, a bristling electro track with globular bass and coarse hits. Turbulent but full of synth based serenity, it is a fine start. ‘Cigarettes’ is rugged and broken, with glossy IDM synths and corrugated drums all loosely arranged into something prickly and unsettling. ‘The Deads At Twelve’ then gets even more fucked up, with rusty synths and blown out drums making for a dystopian house groove that will likely soundtrack the apocalypse. Last but not least, ‘Nr. 13’ mixes up Detroit synths, wild acid, heavenly chords and chopped up, buried deep vocal samples into something that will fire every synapse in your body. This is outlier stuff from Dona that sounds like little else.

Lobster Theremin is back and rolling and bringing more snappy electro through the Theremin caverns with this indelible EP from Unfinished Portraits.


Charlois present “Where is the Champion?”, Timothy J. Fairplay’s first full length solo album. Twelve shifting, shuffling and shimmering tracks make up this debut. Cruising the highways and byways between proto-techno, horror disco and forlorn wave, Fairplay conjures up his creations from metal and smoke. Saturated snares, clipped claps and warbling chords are dusted with distortion. And this idea of distortion, manipulation and the blurred line is omnipresent. Innocent and sinister, cruel and playful, accepted boundaries are brazenly ignored as engines growl and synthlines soar.

Steinzeit concludes the MRT grey series. The duo is comprised of Hansruedi Schnriger, one half of Echo 106, and Bjorn Magnusson. They recorded these three tracks in a weekend’s time inside Magnusson studio, which is an abandoned factory in the middle of nowhere, in Switzerland, using bare concrete walls as an echo chamber. The pace is slow, atmosphere is bleak, tone is melancholic, drums are evil. It reflects how Switzerland feels in winter. Lonely, and this is true, like the name of the tracks.

Matrixxman has been a Dekmantel regular for a couple of years now. The San Francisco producer continues to impress with a new triptych for Dekmantel Records. Over the course of three EP’s (Rhythm, Acid, Polyphony), Charles McCloud Duff displays his versatile and original take on house and techno. The concept of the triptych is to explore the range within the confines of a particular limitation.

For the fifth release Vanila goes Vanilla, this time with the debut EP from the Athenian artist Expropriation. ”Expropriate While U Can” and ”Poza Putana” are two long and slow trips, that perfectly fit in the current filthy mood of the greek capital.

Sixth installment on the 10 years series featuring tracks by Vril, Iori, Eduardo de la Calle and a special collaboration from Andreas Tilliander and Svreca.

Overdraw is back this time with Kaelan. The artist in charge offering two original driving techno cuts with some remixes from P.E.A.R.L. and Fundamental Interaction.

Music from Le Chocolat Noir, Tryphème, Russell Alderton, Luke Eargoggle, BLΔCKMOON77 and Kimmo Rapatti for your emotional sorrows, choose for now,the energy transmission , take and congregate. The breakable experience of an unconventional trip, but not so modern as that.

Emerald City is the first release of Verdant Recordings, a new label to present carefully curated deep music across the electronic spectrum. On this EP are 3 highly respected producers from the UK; Leigh Dickson, John Shima and Plant43 (Emile Facey) and a 4th debut track from a disciple of the halcyon days of emotive music Mihail Petrovski. Musically this EP is all about deep techno; the exquisite sounds and characteristic style of each producer is unmistakeable. Emerald City was first released as limited edition of lathe cuts but interest in the project completely overwhelmed its availability.

Lost Trax drops the first release of 2017 on Subwax label “Emotions Electric”, 3 fiercesome Detroit tracks of the highest order.

Repetitive Strain Injury (R.S.I.): an injury caused by repetitive tasks, forceful exertions, vibrations, mechanical compression, or sustained or awkward positions. “RSI” is an umbrella term used to refer to several discrete conditions that can be both physical and psychological in nature. Also known as cumulative trauma disorders, repetitive stress injuries, repetitive motion injuries or disorders. The release consists of six tracks written, recorded and mixed by Josh Younggren from Minneapolis.

Raw minimal techno specialist Mono Junk is back with a selection of new material on his own DUM Records. Having pioneered key techno sounds as far back as 1990, more than 20 years later the influential Finnish artist is still on top of his game. Up first is Halo, nine minutes of edgy techno with a nervy lead synth snaking around in paranoid fashion. Rolling drums set a direct groove in motion below and the whole thing will be brilliantly hypnotic on the dance floor. Halo 2 is a hallucinogenic bit of ambient with celestial drones and icy synth prickles making for a tense interlude, then Musta Peili is all fucked up and scuzzy, study and disrupted. Sounding like a slowed-down techno track heard though a freezing snow blizzard, it is masterfully textured. Farewell closes out the EP with an intergalactic bit of glassy melodic techno that will have you up on your toes.