
Innershades @ Mushi-Shi Radio (Montreal) 03.05.2016



NGLY makes a return to L.I.E.S. following his highly lauded “Speechless Tape” ep from 2014. Since then we have seen Argentinian producer taking his live act around the world to much acclaim. Luckily he’s also been in the studio recording and finally delivering this new three track ep. Here we get his signature dusty low slung sound full of basslines, creeper strings and driving drum programming. These are subtle yet effective funk-ridden club tools that are sure to move the floor and a precusor to even more from the in demand producer.

New varied sonic themes with an overall fresh sound. Although still being young of age, Nitam outlines once again his interest in dance music from the late 80s and early 90s, presenting himself schooled by classic Detroit House as well as Chicago Acid House, but all without limiting himself to a restricted pallet of styles or catering towards musical expectations.

Mugwump’s Subfield label introduces its first signings with the Belgian-Italo duo Front De Cadeaux aka DJ Athome & DJ Hugosan. They expertly produced their own brand of “Supreme Rallentato”, which is a fucked-up slo-mo italo, acid, disco, techno and house hybrid that so rightly fits with Subfield’s mission statement of covering subgenres. This full Ep on Subfield features 2 original F2C obscene & dirty slo-mo tracks at their most playful, “Ouvre Ta Bouche” and “Front De Cadeaux Theme” plus the magnificent dub-house of “Killers”. Remixes comes courtesy of Factory Floor’s Gabe Gurnsey (DFA) in a quite brutal bleep-techno mood and Manchester’s nu-balearic kingpin Ruf Dug (Music For Dreams), getting into what he described as a ” 808 snare roll warehouse analog fucked-up version”

So far the most Punk release in the Borft catalog. This is the meeting between Johan Sturesson (KORD) and Petter Svensson (NEBULA). While Petter has his background as a punkrocker Johan has some years of experience in the Electronic vein this meeting result in a EBM/punk/technoEP dirtier than ever.

Forte Techno is a UK label ran by Ross Alexander and Steven McDonagh that has a firm focus on championing the underground, and we return with our second vinyl only package. This time there are 4 original tracks by all UK based artists including Paul Mac, Binny, Ross Alexander and John Mitchell.

EGR45-00003 features Silent Servant, a DJ and producer whose gloomy rhythms stay with the listener long after the music has faded out. These two brand new tracks, along with a live excerpt, are gritty, hyper-engaging and highly personal takes on techno.

Originally released via Ascetic House in 2015, Vereker’s Grace tape owes much to the canon of vintage anti-music, exploring catharsis via a transgression of traditional compositional & technical values. Working with the same thematic concerns of much of the more leftfield additions to the Avian catalogue – in it’s more subdued moments, anxiety & dissafection; in it’s more high energy – pure hysteria – the recording pairs basic synthesis with warped vocals in the same manner as Industrial progenitors Throbbing Gristle and Steven Stapleton (Nurse With Wound).

It’s been a while since Planet Rhythm released an entire LP project. Who else to thread into album territories than Ukranian Planet Rhythm stalwart ”Yan Cook”. After releasing various efforts through the Rotterdam based imprint over the last few years, Yan Cook comes up with a double LP consisting of 2 discs with 2 tracks on each side. Whilst shifting between various sides of the Yan Cook identity the XX LP proves to be an effective and bulding package over mechanic Techno sounds with strong builds and exciting taints of FX.

Liverpool artist Stu Robinson aka ASOK steps up to Creme Organization with a debut full length offering, A Mind Forever Voyaging, featuring ten tracks of macho yet melodic, tender yet tense analogue house and techno. Something of a late starter, Robinson has fomented his own mystical, nostalgic, inventive analogue sound that makes you jack, as well as conjuring real emotions with his great knack for melody. This album was recorded live then edited down. “So if something doesn’t sound good it either stays in or I re-record the whole thing,” says Robinson, who used things like Maschine, tb303, analog RYTM, JX-8P, Microkorg, some plugins and “a shit load of old rave samples” to create his debut full length. All written at home over a period of a year or so, it proves the artist has plenty of ideas and more than enough skills to carry them off. All unified by a sense of emotion and kinked dance floor groove that has been picked up over the course of 25 years of living and breathing many different forms of dance music, it is an accomplished debut.

VFR aka Visitors For Reworks is back on That Place Records. He has taking time to cook new tracks, showing his deep side of House & Techno music. The result is Trip Voyager.

Brilliant techno & electro release from Rotterdam’s Jeremiah R. Eclectic sound for a one way trip into the future…

Morphology, back where they began on Abstract Forms. Killer aquatic electro born out of cold, dark and long winters in Finland.

Vactrol Park, the collaborative endeavor between Kyle Martin (Land of Light) and Guido Zen (Brain Machine), returns to the ESP Institute with II, rounding out the second half of their EP series. For this installment, a sojourn was made to Stockholm to record at the computer music mecca, EMS (Elektronmusikstudion), where the artists had the opportunity to experiment extensively with the legendary Buchla 200 Modular and Serge Modular, two of the rarest and most pornographic modular synthesizers in existence. While both instruments originate from California (Buchla in Berkeley as a commission from pioneer Morton Subotnik, and Serge at the California Institute of the Arts), the music Vactrol Park draws from these machines is far from warm and sunny. Akin to their predecessors on the 2015 debut I, these works materialize a level of taste and measure of craft that’s unattainable by most, each retaining an individual cinematic approach yet working collectively toward one consummate goal—paralysis.

The in 1986 produced MKS-50 synth is a rack-mount version of Roland Corporation’s Alpha Juno. It has the same synth engine and architecture, but with added features like 16 programmable chord memories, the ability to store velocity, volume, panning, de-tune, portamento and other similar parameters within each patch you create. The optional PG-300 gives traditional slider type control of all editable tone parameters which include DCO (digitally controlled oscillators) LFO, bend, ENV, pulse, waveforms, noise, PW/PWM, high pass filter, VCF (filter) with freq/env/res/LFO/kybd, VCA envelope, chorus, and more. Adapta delivers a project based on this legendary MKS-50 synth. Tracks created with technology from the past, aimed for the future.

Machine soul Hi-techno funk rooted cuts from the Berlin based Analogue Cops as Xenogears. Included a space acid solid remix by Mattia Trani.

Album debut from Inter Gritty. This island-hopping adventure takes us from the quirky depths of Ictis through the 303 workout of Stac Lee and the brutal pounding of Swona, to the lush electronics of Cijin. The Norrköping, Sweden-based producer has taken his sound one step further from his previous EPs and painted a bigger picture, covering an archipelago of sound that offers both rough seas, jagged cliffs and serene forests.

After a successful launch of his own imprint last year, label owner Aiken is now back with the second EP. His first release of 2016 and the second release on the Timelime imprint counts four four-to-the-floor techno bangers in his own signature style. Warehouse proof peaktime.

The first installment of Balans Records in 2016 brings the debut of young, talented Italian artist, Drafted, to the Dutch label. Beautifully opening the EP, ‘Frames from the Lake’ fills the air with a thick suspense, reminiscent of a mystical fairytale before ‘Frequency Graven’ dives straight into a persistent kick and coordinated with fluttering chords. On the flip side, ‘Shaded Impacted’ delivers a deeper bass which introduces a progression into a climax of heavenly dissonance and relentless hi-hats. ‘Vortex Empire’ on the other hand features contradictory rhythms which dance atop stirring atmospheres. Each track is able to emphasize that naturally opposites do attract as the confronting rhythms compliment any dark dance floor.