
For the labels second release District 66 teams up with Swedens Mattias Fridell. Fridell delivers two energetic and jacking tracks in his well known signature. The B-side features a straight up-tempo remix prom Progression UK.

For the labels second release District 66 teams up with Swedens Mattias Fridell. Fridell delivers two energetic and jacking tracks in his well known signature. The B-side features a straight up-tempo remix prom Progression UK.

The fourth LAQ is proudly made by Attic’s owner Fabrizio Lapiana. His melodic techno taste is employed into each track moving from hypnotic hard strings of the ”Cold In Summer” to the sour and acidic groove of ”Acid Smiles” (both on the first side). In the b-side Fabrizio goes into more hypnotic and obsessive sound. A sort of progressive-techno vibes served to people who never-stop dancing.

Non Series will reach its fifth anniversary and to celebrate the Spanish label will be releasing a compilation series. Tadeo successfully opens the third and closing part of the compilation with a very strong cut, followed by Eduardo De La Calle’s sophisticated sound, the mesmerising groove of the UK producer Mark Broom and at last, the haunting jams from Aiken.

Black Merlin continues to push his retro-aggressive style forward to now- his new EP ‘Control’ for Boysnoize Records. Power, discipline, CONTROL- the word itself is inseparable from the aesthetic mythos of industrial music, channeled so adeptly by Black Merlin across the 4 track release. The first two cuts, ‘Control’ and ‘Secondo,’ capture the neurotic, mechanical energy of a fantasy after-hours in a weapons factory- the kind of sci-fi meets political unrest wet dream that was Amiga-tracked through every undercut, black booted teenager’s imagination in the late 80’s. Production evoking the most dancefloor forward moments of Front 242, a sound both retro and contemporary but firmly planted in dark and aggressive EBM… Sound familiar for a BNR release these days We hope so.

Black Merlin makes his debut on Omnidisc Records, with a two tracker of hard hitting distortion.

World of Rubber 3 is compiled to make you cry, love, stomp and vomit. Rebellious heavyhitter and lovely melodic excursion provided by Japanese Wave-duo Group A, acid smash and catchy synthpopper by Interstellar Funk, basement 808 TECH-NO-SHIT by DJ Overdose and Dutch ”Pop not Pop” by Leuk & Ko. Brought to you from Den Haag on a white immaculate platter with fresh inlay design.

Matt Whitehead makes his debut on Super Rhythm Trax, giving us ‘Crosstalk’, ‘Seeing Red’ and ‘Birdland’ channeling classic Detroit and Chicago House/Techno that’s heavy on the analogue and all recorded down to tape for extra warmth.Make sure you don’t miss Matt’s Electro opus; ‘We’re Bombing’, a love letter to the 80’s Street Sounds that have influenced much of his catalogue to date. Then as a special treat for ‘A is For Acid’ lovers, we have the raw 303 workout in all it’s solo glory so you can ‘make your own’.

Over the last decade, Bantam Lions (AKA Liverpool producer Mike Carney) has devoted much of his spare time to “playful experimentation,” channeling 30 years of musical inspirations and adventures to create electronic music that sits somewhere between hazy nostalgia and far-sighted futurism. Now, he’s gathered together some of his favourite moments to create Short Stories, a debut album – and Scenery’s first long-form release – simply overflowing with page-turning musical narratives.

SAFT announces a release by the one and only funketeer and Pasadena based connoisseur of the true underground funk-music ”DaM Funk”. The trans atlantic collaboration between the Canary Islands based label and DaM FunK resulted in ”Architecture”. A 3 track limited slice of otherworldly synths, drum machines and percussive grooves that showcase the true west coast sound of modern funk.

Theo Parrish has teamed up with Rotating Assembly member Duminie DePorres and Dirt Tech Reck head Waajeed. The EP, Gentrified Love Part 2, is the first new work Parrish has released since his 2014 album American Intelligence.

Originally released on Yore in 2008 after a hiatus in Brussels. Afro, jazz, funk and house all contribute to this 4-on-the-floor 4-piece. Heavy on the chords, basslines and percussion. Classic Alton Miller with a whole lot of deepness.

The Master is back, not many words needed to introduce one of the biggest pioneers of Deep & Emotional Electronic Music. Karim Sahraoui play on a league of his own, this is the second release of many to come.

Unearthed sees Blue Hour explore tribal rooted sounds inspired by British techno of the late 90’s. The two tracks offer a darker outing, focusing on breakbeat sampling, textural processing and subtle repetition making these ideal rhythmic tools for peak time dance floor use.

American experimental musican Shane English continues in a long tradition of outsider electronics as he’s been humbly prolific in his output though the years involving himself in numerous recording projects. Collaborating with Jonah Lange in their group Corporate Park as well as an ongoing collab with Beau Wanzer (seeing a release last year under the CP/BW name), English now commits his second full length solo offering to vinyl in the form of the General Dimensions lp.Sparse machine driven electronics dominate the recording providing a back drop for the occasional pulsating rhythm, metallic clank or floating obscured vocal. While it is a dark and sparse affair there is a quiet downtrodden beauty throughout giving the recording a sense of uncertain serenity in an almost shoegazey way. Highly recommended for those into early electronics.

Driven by the common 80’s DIY-attitude, the 4th Is The Way release happens to be a cooperation for an absolute one-side vinyl, Shinoby vs Hypnobeat (James Dean Brown + Helena Hauff). The one-track (9:19min) is rooted in the concept of a ‘neo-tribal’ approach; compressing electronics into an emotional, hypnotic and rhythmic core. The energy and the emotional impact of polyrhythms and the track turned out to be centered around the inimitable sound of the Roland TR-808 plus a wide range of analogues gear including up to eight synchronized rhythm machines