
Alexandru Jijian – Mix Vice 2015



Long sought after by collectors and originally released in 1986 by a small independent label, the sound of this stellar full length is driven by sharp post-punk guitars, tribal rhythms and ghostly synthesizers, following the UK cold wave and post-punk tradition. A forgotten classic, strongly recommended for fans of Joy Division, New Order, Section 25, Killing Joke, Bauhaus, Gang Of Four.

Blackest Ever Black have performed an interesting exercise in issuing this new 12″ from Tropic Of Cancer along with the Archive: The Downwards Singles collection; as it allows you to hear first-hand how Camella Lobo’s band has progressed musically in a few short years. This three track 12″ is her first new music since that excellent debut Tropic of Cancer LP, and finds Lobo working with Joshua Eustis of Telefon Tel Aviv.

Blackest Ever Black serve up a double dose of Tropic Of Cancer goodness, with the fresh material from Camella Lobo complemented by this Archive: The Downwards Singles 12″. The smarter cookies out there will glean the content from the title, with Blackest Ever Black gathering together the earliest Tropic of Cancer material issued through the DO sublabel of Karl O’Connor’s Downwards label. These three tracks were recorded in Tropic Of Cancer’s original iteration of Lobo and Juan ‘Silent Servant’ Mendez, a time when the band was exploring a more explicitly bleaker, hazier sound. The motorik stomp and yelping Mendez vocals of closing track “Be Brave” remains a thrilling experience to sink into.

Dark Entries digs deeper in to the archives of Severed Heads, one of the longest surviving bands to emerge from the Australian post-punk independent music scene. “Petrol”, originally titled “Lamborghini”, was written by Garry Bradbury and Tom Ellard in 1981.

Die Verboten are a Space Rock band formed by David and Stephen Dewaele of Soulwax, Fergus Fergadelic’ Purcell and Henry Riton. This is the first release from Die Verboten, written and recorded in 2007, rediscovered and mixed in 2015. This LP consists of five tracks, Dafalganger’, White Island’, E40′, Nacht Winkel’ and Aquarius’. It is the sound of classic German kosmiche, live drums, synths, percussion and a loose funk you only find in these kind of stretched fluid grooves.

FUTURE TIMES CATALOG + is a special digital Future Times compilation, and a must for the uninitiated. Past + Present + Future tracks from the likes of Hunee, Hashman Deejay, Beautiful Swimmers, Jordan GCZ, Protect-U, Huerco S, Tom Noble, Maxmillion Dunbar or Steve Summers.
Name your price for this compilation.

Debut release on new label Roots By The Oder comes from Berlin-via-London producer Mculo. 3 Tracks of precision, atmospheric House & Techno.

Sistrum looks outward for release #25, summoning the talents of Bacanito, Giovanni Randisi and Tazz under their 12 To 30 moniker. The Orchestral Dimensions EP is a welcome addition to the Sistrum catalog, sitting comfortably within the sonic palette of the label whilst offering a unique take on deep electronic music. Raw, authentic, underground sounds to keep the Sistrum tradition moving ever-forward.

Brooklyn based producer shows off his knack for rich grooves, & melodies that are intoxicating in nature. The drive, & atmosphere are what led Deepblak’s Aybee to his work, & these ingredients on display as they speak to the head, & the feet.

Dark Entries and Honey Soundsystem Records have teamed up again to release another volume of gay porn soundtracks by San Francisco-based musician and producer, Patrick Cowley. Perhaps one of the most revolutionary and influential people in the canon of disco music, Cowley created his own brand of Hi-NRG dance music, ”The San Francisco Sound.” Born in Buffalo, NY on October 19, 1950, Patrick moved to San Francisco at the age of 21. He studied at the City College of San Francisco where he founded the Electronic Music Lab. During this time, Patrick, along with his classmates Maurice Tani and Art Adcock, would create radio jingles and electronic pieces using the school’s equipment: first a Putney, then an E-MU System, and finally a Serge synthesizer. He would make experimental soundtracks by blending various types of music and adapting them to the synthesizer.

A bona fide Italo classic that reminds us why the genre remains as influential and fun to play with; playful lyrics, nagging hooks and forward-thinking synthesis, this would have blown minds back in 1983. To be fair, it still blows minds now. Especially with Danish edit maestros Flemming Dalum and Steen Gjerulff and Italoconnection on remix duties. The former remain faithful to the instrumental version to the very end with slight additional production on the middle eighth while the latter apply more beef in the kicks and arpeggiated bottom end.