Donato Dozzy – The Loud Silence [FUR058LP]

In April of this year, Donato Dozzy took a set of mouth harps back to his parent’s house in the Italian countryside and set about exploring the possibilities of that most basic of instruments. The mouth harp had been calling to Dozzy ever since childhood, when he had discovered the “marranzano” on a holiday in Sicily with this parents at the tail end of the 1970s. Almost four decades later, Dozzy had begun to see in this peculiar, ancient sound, the roots of the music he’d been making and playing in clubs all these years. It was time to find out how far he could trace it all back. The Loud Silence is the result of those explorations, an accompanied deep-dive into childhood memory, social history and the roots of psychedelia. Recorded indoors and outdoors, half-way up mountains and on the edge of the Mediterranean sea, the record is meditative but also powerful. Dozzy has distilled his ideas into an incredibly intimate sound, one that invites an inverted sort of exploration, pushing you further and further into your own head. Each track maintains an inviolable central pulse, while delicate, fluttering sounds hint at vast spaces that might open up at any minute – they’re just waiting for you to connect with them. Field recordings hover below the resonating harps, adding to the mysterious atmosphere. Tracks like ‘The Loud Silence’ and ‘Downhill to the Sea’ are wrapped up in simple rhythms, their strict throb drawing you deeper and deeper into the primitive sound.

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Donato Dozzy – The Loud Silence [FUR058LP]

Lituus – 19805. -_ 19905, [AVN021]

Chicago based musician Connor Camburn under the alias Lituus, with an entirely beatless collection that well establishes Avian as the home for the kind of searching electronic experimentation that would have been found on the ten-inch focused imprint that Shifted recently announced would merge with its parent label. Shorn of percussive elements yet not without their own rhythmic structures, Camburn’s six compositions are free of immediate electronic genre influences and instead draw primarily on non-musical inspiration in addition to various other contextual reference points, as he sought to express ideas of the unraveling or ”de-composition” of musical or architectural spaces through musical forms imagined as inverted contours and negative spaces.

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Lituus – 19805. -_ 19905, [AVN021]

Heinrich Dressel – Lurking Underwater [BAR004]

DRESSEL, Heinrich - Lurking Underwater

Burek’s sister label Barba on its fourth release introduces Heinrich Dressel, project related working name of Valerio, a force behind MinimalRome label from Italy. His productions have been gaining serious attention amongst deeper electro connoisseurs who appreciate almost cinematic feel but still with an eye on the floor which resulted in quite a few moody smashers released on various EPs in the past. Three tracks here evoking familiar feelings heard before but still somehow they all sound fresh and drag you in wanting for more. As if this wouldn’t do it, there is first but, not last appearance for Barba label by mighty JTC who needs no further introduction delivering a remix. This time he cleverly uses sparse but recognizable parts of title track which he then transforms into relentless floor shaker where Detroit meets Chicago, if any such comparison needs to be made.

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Heinrich Dressel – Lurking Underwater [BAR004]

VA – Letting Go [GTBR002]

Warsaw based imprint Get The Balance Right have demonstrated an interest in retro-inspired sounds of Chicago House and Detroit Techno on previous releases but now venture into electro territory with this various artists compilation. Ever Moving’s “Find A Way” may sound contradictory at start with its gentle, house style keys on top of a dark, booming Aaron Carl style bass groove, but it actually works. Mutual Attraction’s “New Horizon” is simply stunning, a soulful house journey reminiscent of classic Chez Damier or Larry Heard. There are then two electro tracks by Greek electro auteur Itpdwip in the shape of “It Doesnt Hurt Me” and The Waters Of Styx” which sound like early Model 500. It’s the Jeremiah R remix of the latter is a real highlight on here, channeling the best impression of Gerald Donald we’ve heard of late.

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VA – Letting Go [GTBR002]

Vactrol Park – I [ESP026A]

Vactrol Park is an honest outpouring of thematic obsession, a celebration of championed studio components and the mastery of their nuance, an avant garde collaboration between Kyle Martin (Land of Light, Spectral Empire) and Guido Zen (Gamers in Exile, Brain Machine). Simply entitled “I” (the first of a 2 part series), this debut EP opens the door to a world of ebb and flow, layers of oscillation falling in and out of sync, keeping us on the brink of vertigo and, as cliché as it may sound, we find solace in its chaos. This homogeneous release plays with the notions of systems as beautifully symbolized Mario Hugo’s capsule of cardiology—yet another visually arresting module in the ESP Institute catalogue.

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Vactrol Park – I [ESP026A]

Umwelt – When Future And Past Collapse [NF016]

New Flesh Records presents the return of infamous Umwelt delivering another collectible output on his own electro label. Much anticipated “When Future And Past Collapse” combines firing snares with rolling 808 kicks, acid lines, sub-bass and driving futuristic melodies, all packed in this sophisticated EP. Umwelt’s aesthetics and dystopian vision has never been so dazzling. Expect nothing but depths, terrific tales, and authentic secrets about the origins of mankind in this must have five-tracker.

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Umwelt – When Future And Past Collapse [NF016]

Jeff Mills – Exhibisionist 2 [AXDV004]

11 years after the release of Exhibitionist, Jeff Mills reveals the follow-up to his innovative film with Exhibitionist 2. Exhibitionist 2 explores DJing as an art form and gives us a peak into how a DJ makes use of current technological means to create seamless mixes and complex transitions to levels that were thought impossible not long ago. In this second volume, Jeff Mills goes deeper and not only shows how he approaches the mixing process but also how he thinks in real time, spontaneously creating, just like a musician playing an acoustic instrument or a soloist thinking of rhythms on-the-fly. The ambitious project captures the DJ over the course of multiple sequences, with closeup and multi-angle shots that allow us to see exactly what a DJ does and how music is programmed and played for the purpose of dancing.

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Jeff Mills – Exhibisionist 2 [AXDV004]

19.94 / Cosmin TRG – Narr Day [50WEAPONS040]

50Weapons begins its finale with the first of 11 12″s, catalog numbers 40 through 50, featuring a 50Weapons artist on one side and another artist, chosen by the first, on the B-side. “Narr Day” is the first tune ever made by one of Berlin’s key electronic acts; all the flavors of the early days are combined in this minimal ambient techno tune made of the three main ingredients: a bass, a drone, and a kick drum. Cosmin TRG uses the dark drone of “Narr Day” as the base for his modular-synthesizer-enhanced rework of the track. Dark and trippy techno for the head.

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19.94 / Cosmin TRG – Narr Day [50WEAPONS040]

Santiago Salazar – Chicanismo [LWYFLP001]

It’s been a decade since Underground Resistance affiliate Santiago Salazar made his debut on Los Hermanos. Surprisingly, this double pack represents his first attempt releasing an album, though whether Chicanismo was intended to be a ‘proper’ full length is a moot point. There’s certainly plenty to enjoy, with Salazar melding his usual influences – deep house, Detroit techno, tech-house, Latin rhythms and dreamy, rave-era, breakbeat driven grooves – into a range of attractive, floor-friendly cuts. There’s naturally much to enjoy throughout, from the title track’s Motor City beats, heavy bass and swirling pads, to the bumpin’ tribal rhythms and mangled tropical bird noises of ”UKB to LAX”.

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Santiago Salazar – Chicanismo [LWYFLP001]

Koloman Trax – Thoughts In Sound [CAVALIER001]

Cavalier deliver their first 12″. Koloman Trax steps up with three dreamy, deep and distorted house excursions. Channeling thumping machine beats, winding pads and tape saturated grooves, all combining to make one introspective, infectious debut.

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Koloman Trax – Thoughts In Sound [CAVALIER001]

Dj Steaw – Aquarius EP [TINKTWICE020V]

Next up on Tomorrow Is Now, Kid! is an EP from Rutilance Recordings owner, DJ Steaw. The French artist crafted four sturdy tracks on this fresh EP. It is a perfect blend between Chicago and New York House, with a big splash of Acid throughout the disc. The hypnotising percussion and grimy sounds take you to new, unforeseen places. Keywords for best describing this 12″ are, beyond any doubt, deep and vigorous. Enjoy these four definite killers in the club.

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Dj Steaw – Aquarius EP [TINKTWICE020V]

Richi Ratchet – The First Episode! [AAACID003]

AAACID003 is the second EP from Amir Alexander’s Richi Ratchet Moniker. The major difference in the work of Richie and his twin Brother Jack Ingoff is the clever use of vocals. Singlehandedly writing new chapter in the Acid House Manual with off kilter polyrhythms, odd time signatures, and unconventional tongue and cheek topics, Amir through his AAACID label continues to go from strength to strength as he seeks to refine and progress the artform of Acid Jack.

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Richi Ratchet – The First Episode! [AAACID003]

VA – Five Years On Parole: What’s Happening [UV030]

Believe it or not but Uncanny Valley looks back on five years of releasing records this summer. Instead of just turning into the typical Greatest hits-routine the label heads Albrecht, Carl, Conrad and Philipp decided to look back and forth. So, besides a record that unleashes four tracks from the vaults of these five years there will be a record with new material too. Here’s “Uncanny Valley: Five Years On Parole – what’s happening”. Tracks by Chinaski, Derive (Sneaker and June), Panthera Krause and  Iron Curtis.

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VA – Five Years On Parole: What’s Happening [UV030]